| Time |
Event |
|
|
| 9.30-9.55am |
Coffee and Registration |
| 9.55-10.00 |
Welcome and introduction |
| 10.00 |
Gender issues and conductors - why be a woman? Issues affecting performance,rehearsals and dealings with the music business.
Chris Childs |
| 10.30 |
The challenge of an all-woman orchestra to inter-war Parisian musical life: Jane Evrard et l’Orchestre féminin de Paris.
Laura Hamer, Cardiff University |
| 11.00 |
A Sweet Reverie? The relationship between women performing and composing the English Phantasy.
Laura Seddon, City University |
| 11.30-11.45 |
Coffee |
| 11.45 |
Don’t worry, be…? Virtuoso masculinities in Bobby McFerrin’s performance vocality.
Louise Jackson, University of Chichester |
| 12.15pm |
“Young lads and old women”: challenges to gender and age profiles of organists 1950 to the present.
Martin Freke, UWE |
| 12.45-1.45 |
Lunch |
| 1.45 |
An investigation into the relationship between concert dress and expressive body movements in female classical soloists.
Noola Griffiths, University of Sheffield |
| 2.15 |
Recital and commentary: Pierrot’s Songs of Loss.
Gillian Yates, University of Chester |
| 2.45 |
Poster Session
Women and music in 19th Century Spain.
M. Carmen Garcia- Mallo, Superior Council for Scientific Research, Barcelona.
Performing gender: Muziki wa Injili and the construction of gendered space in Dar es Salaam, Tanzania.
Imani Sanga, University of Dar es Salaam.
Jung on the dance Floor.
Beate Peter, University of Salford.
Gender and Music Performance
Desmond Sergeant, International Music Education Centre |
| 3.15-3.30 |
Coffee |
| 3.30 |
The staging of the female body in popular music
Lise K. Øzgen, University of Stavanger |
| 4.00 |
“Back off the mic for once and give it to a woman”: spontaneous audience responses as collective affirmations of Indigo Girls lyrics.
Lizzie Lidster, University of Leeds |
| 4.30 onwards |
Discussion continues at The Old Grindstone |
