Dr Andrew Killick - Publications
Books
Forthcoming. Hwang Byungki: Traditional Music and the Contemporary Composer in the Republic of Korea. Aldershot: Ashgate.
2010. In Search of Korean Traditional Opera: Discourses of Ch’angguk. Honolulu: University of Hawaii Press.
2005. Southerners, Northerners. Translation (with Cho Sukyeon) of Korean novel Namnyok Saram Pungnyok Saram by Lee Ho-Chul. Norwalk, Connecticut: EastBridge.
2002. Garland Encyclopedia of World Music, Vol. 7: East Asia. New York: Garland. (Associate editor and author of 16 articles totalling 22,000 words.)
Book Chapters and Refereed Journal Articles
Forthcoming. “An Ethnomusicology of Individual Success: Hwang Byungki and ‘National Music’ in the Republic of Korea.” In Ethnomusicological Encounters with Music and Musicians: Essays in Honor of Robert Garfias. Ed. Timothy Rice. Aldershot: Ashgate.
2008. “Individuality, Nationality, and Universality in the Music of Hwang Byungki.” In Essays on Music Offered to Dr. Lee Hye-ku in Honor of His Hundredth Birthday. Ed. Hwang Junyon. Seoul: Minsokwon. Pp. 747-764.
2008. “Changgeuk.” In Pansori. Ed. National Center for Korean Traditional Performing Arts. Seoul: National Center for Korean Traditional Performing Arts. Pp. 97-127.
2007. “Ch’angguk,” “Music and Musical Instruments: Korea,” “P’ansori,” “Yosong kukkuk.” In Encyclopedia of Asian Theatre. Ed. Samuel Leiter. Westport, Connecticut: Greenwood Press. Vol. 1 pp. 95-96, 446-447; Vol. 2 pp. 495-496, 869.
2007. “Hwang Byungki and North-South Musical Exchange.” British Association for Korean Studies Papers 11:49-56.
2006. “Holicipation: Prolegomenon to an Ethnography of Solitary Music-Making.” Ethnomusicology Forum 15(2):273-299.
2005. “Ch’angguk: A Hybrid-Popular Musical Theatre of Korea.” CHIME Journal 16-17 (2005):204-215.
2003. “Road Test for a New Model: Korean Musical Narrative and Theater in Comparative Context.” Ethnomusicology 47(2):180-204.
2003. “Jockeying for Tradition: The Checkered History of Korean Ch’angguk Opera.” Asian Theatre Journal 20(1):43-70.
2002. “Korean Ch’angguk Opera: Its Origins and its Origin Myth.” Asian Music 33(2):43-82.
2002. “Wax Philosophical: Re-writing the History of Chinese Musical Influences in Korea.” In Korean Music. Ed. Young-Key Kim Renaud, R. Richard Grinker, and Kirk W. Larsen. Washington, D.C.: Sigur Center for Asian Studies. Pp. 27-32.
2001. “Music as Ethnic Marker in Film: The ‘Jewish’ Case.” In Soundtrack Available: Essays on Film and Pop Music. Ed. Arthur Knight and Pamela Robertson Wojcik. Duke University Press. Pp. 185-201.
2001. “National Music and National Drama: The Musical Eclecticism of Ch’angguk.” Tongyang Umak 23:179-191.
2001. “The Traditional Opera of the Future? Ch’angguk’s First Century.” In Contemporary Directions: Korean Folk Music Engaging the Twentieth Century and Beyond. Ed. Nathan Hesselink. Berkeley: Center for Korean Studies, University of California. Pp. 22-53.
2001. “Ch’angguk Opera and the Category of the ‘Traditionesque’.” Korean Studies 25(1):51-71.
1998. “The Choson Songak Yon’guhoe and the Advent of Mature Ch’angguk Opera.” Review of Korean Studies 1:76-100.
1997. “Cracking a Rock with an Egg: Problems and Solutions for Korea’s ‘Traditional Opera’ Ch’angguk.” In Onji nonch’ong samjip (Onji Institute Research Papers, Vol. 3: A Festschrift for Cho Nam-kwon). Ed. Cho Kyoik. Seoul: Onji Hakhoe. Pp. 279-309.
1997. “Putting P’ansori on the Stage: A Re-study in Honor of Marshall R. Pihl.” Korea Journal 37(1):108-130.
1995. “The Penetrating Intellect: On Being White, Straight, and Male in Korea.” In Taboo: Sex, Identity, and Erotic Subjectivity in Anthropological Fieldwork. Ed. Don Kulick and Margaret Willson. London: Routledge. Pp. 76-106.
1992. “Musical Composition in Twentieth-century Korea.” Korean Studies 16:43-60.
1991. “Nationalism and Internationalism in New Music for Korean Instruments.” Korea Journal 31(3):104-116.
Articles in Non-Refereed Journals and Publications
2010. “New Music for Old Instruments: Composer Hwang Byungki.” www.koreabrand.net
2005. “Changgeuk for International Audiences.” In programme of National Changgeuk Company of Korea production Chunhyang.
1998 “Ch’angguk: Re-making P’ansori as ‘Korean Traditional Opera’.” Korean Culture 19(2-3):4-13.
1997. “The Secret of Korean Women’s Opera.” Morning Calm 21(7):32-38.
1997. “Those Magical Minstrels.” [Editor’s title for article on Korean p’ansori singing.] Morning Calm 21(2):48-54.
1997. “Christopher Isherwood: The Emergence of an Identity on Page, Stage, and Screen.” Soyurop yon’gu 3 (Journal of West European Studies 3). Seoul: Hankuk University of Foreign Studies Press. Pp. 219-156.
1996. “A Night at the Korean Opera.” Morning Calm 20(6):38-44.
1995. (with Judy Van Zile) “Breath in Motion: The World of Korean Dance.” Morning Calm 19(12):54-63.
1995. “Encounters with Korean Music.” Morning Calm 19(8):38-47.
Encyclopedia Articles
Forthcoming. “Broadway Musical”; “Backstage Musical.” In Continuum Encyclopedia of Popular Music of the World. Ed. John Shepherd, David Horn, and Dave Laing. London: Continuum.
2007. Encyclopedia of Asian Theatre. Ed. Samuel L. Leiter. 2 vols. Westport, Connecticut: Greenwood Press. Articles:
“Ch’angguk.” Vol. 1 pp. 95-96.
“Music and Musical Instruments: Korea.” Vol. 1 pp. 446-447.
“P’ansori.” Vol. 2 pp. 495-496.
“Yosong Kukkuk.” Vol. 2 pp. 869.
2005. “Broadway.” In Continuum Encyclopedia of Popular Music of the World. Ed. John Shepherd, David Horn, and Dave Laing. London: Continuum. Vol. 4 pp. 286-290.
2002. Garland Encyclopedia of World Music, Vol. 7: East Asia. New York: Garland. Articles:
“Preface.” Pp. xv-xviii.
“Issues and Processes in East Asian Musics.” P. 39.
“Musical Historiography in East Asia.” Pp. 41-44.
“Musical Institutions in East Asia.” Pp. 45-48.
“Music and Theater in East Asia.” Pp. 73-78.
“Music of Korea.” P. 801.
“Musical Profile of Korea.” Pp. 803-809.
“Issues and Processes in Korean Music.” P. 811.
“Musical Instruments of Korea.” Pp. 821-831.
“Traditional Genres in Korea.” P. 859.
“Snapshot: Yi Hwajungsŏn.” Pp. 893-895.
“Snapshot: Chang Wŏljungsŏn.” Pp. 909-911.
“Music and Theater in Korea.” Pp. 941-947.
“Snapshot: Hwang Byung-ki.” Pp. 975-977.
“Social and Regional Contexts in Korea.” P. 979.
“Snapshot: The Tyvan Throat Singers Huun-Hur-Tuu.” Pp. 1023-1025.
Reviews
Forthcoming. Keith Howard, Chaesuk Lee and Nicholas Casswell, Korean Kayagum Sanjo: A Traditional Instrumental Genre. Ethnomusicology Forum.
2008. Simon Mills, Healing Rhythms: The World of South Korea’s East Coast Hereditary Shamans. Psychology of Music 36(4): 499-501.
2006. Adelaida Reyes, Music in America: Experiencing Music, Expressing Culture. British Journal of Music Education 23(1):117-119.
2005. “Review Essay: Some Recent Books on the Musical.” Popular Music 24(3):445-452.
2004. Chan E. Park, Voices from the Straw Mat: Toward an Ethnography of Korean Story Singing. Asian Theatre Journal 21(2):206-208.
CD Liner Notes
2007. “Meditating on a Paradox: The Music of Byungki Hwang.” Notes accompanying CD Darha Nopigom: Byungki Hwang Gayageum Masterpieces Vol. 5. Seoul: C&L Music. CNLR 0710-2.