Title: Beyond Charlie, Anticlerical Print Culture and Ideas of Free Speech.
Period: Post 1800
Funded by: AHRC White Rose College of the Arts and Humanities
Start year: 2015
Following the Charlie Hebdo attacks in January 2015, this project will reassess anticlerical print culture and ideas of free speech in France. My object of study is the anticlerical press, ranging from the journaux irresponsables — to use Charlie Hebdo's own formulation — through radical, satirical and mainstream journalistic forms that self-consciously used anticlerical discourse to challenge religious and political authority. Expressing anticlerical humour in printed form, both textual and graphic, demonstrates its power to transgress, as in its capacity to visualise blasphemy.
Looking at the period from 1960 to January 2015, this project will explore how stock themes and images migrate across the anticlerical press, challenging contemporary boundaries of good taste and ideas of radical and moderate politics. The project will focus on written and visual anticlerical polemic, in part to investigate the relationship between discursive or representational violence and actual physical violence. The focus is on France as a country with an important anticlerical tradition with a majoritarian Catholic past and a multicultural present.
More commonly throughout Europe, the anticlerical position was in fact an anti-Catholic one and one principal research question is how Islam has been incorporated into the anticlerical lexicon: have the terms of the attack changed now they have an Islamic rather than a Catholic focus? Other leading research questions will be how anticlerical culture has been both created and represented by the press and, in particular, how targeting religion has become emblematic of freedom of speech.
Conference papers and seminars
|Affiliations and Awards||