Sound Junction Main Programme
Sound Junction Online: Thank you to all that tuned in - full event video available.
After a very successful Sound Junction live stream on Friday 17th at 19:30 GMT with a varied programme of works from the USSS stable, we are delighted to present the concert in its entirety at the following link
Sound Junction April 2020: cancelled event
Friday 3rd April 2020
Concert 1: 17:00 USSS
- Adrian Moore - Recording the Hepworth (2019)
- Eleanor Almond - New Work
- Works from students at USSS
Concert 2: 19:00 USSS Friends
A special concert of works from a community of composers that have supported Sound Junction and helped it develop and grow over the years.
Saturday 4th April 2020
Concert 3: 17:00 USSS
- Julia Schauerman - Take Flight (2020)
- Mario Cáceres – Vanishing (2020)
- Adrian Moore - Audiogentry (2019)
Concert 4: 19:00 with special guest Thierry Miroglio (percussion and electronics).
- Benoît Granier - Imaginem Mundi Per Orbern Sonus Saturatiorbis (Percussion and electronics)
- Tom Williams - A Shadow that Falls (unpitched percussion and fixed media)
- Adam Stanovic - Exchanges of Pace (Electronics and vibraphone)
- Sam Hayden - Le Retour à la Raison (Percussion and live electronics with film by Man Ray)
- Paulo C. Chagas - Sisyphus of the Ear (Percussion, Film and electronics: Film by Johannes Birringer)
(Thierry MIROGLIO, solo Percussion)
Coronavirus thinking as of 04.03.2020. Current thinking from government and TUoS Concerts is that with due care and attention this event is going ahead. However, the situation is clearly volatile.
For tickets and pricing visit http://concerts.sheffield.ac.uk/
For accommodation information in Sheffield visit http://www.welcometosheffield.co.uk/visit/stay
All being well Sound Junction is set to run in April 2020. Electroacoustic Music events are probably never considered as 'mass gatherings' so unless you hear otherwise, we look forward to welcoming you to Sheffield. Diversity is our key driver for this festival and our final concert features the incredible Thierry Miroglio performing on a battery of percussion. Each work is for different forces, both electronic and percussive, and there are video accompaniments to two of the works. Our 5pm concerts on both days are exclusively for local talent (both new and established). For those new to these events, students start working in stereo (2 channel) and produce pieces that are easily consumed over a pair of loudspeakers or headphones. They craft sounds over time and this creates spaces new and / or familiar and takes the listener on a journey of sorts. Therefore in order to do full justice to the physicality of their creations we perform works in concert over 32 loudspeakers that allow for a fully immersive experience. If a sound 'sounds distant' it can be placed in the distance; if a sound is meant to fly overhead it can be placed in loudspeakers above the audience. In many respects this practice of sound diffusion is very much like lighting diffusion. One can spotlight sound and create a wash or flood of sound. The practice demands rehearsal and therefore forms a critical part of the education and development of student composers.
We are very fortunate in Sheffield to be well located to other centres of excellence in electroacoustic music. Our 7pm concert on Friday sees a welcome return of composers from Leeds and Leicester that have come to Sound Junction in the past and enjoyed performing and socialising with our group. Louise Rossiter was a special guest back in November and she performed a series of pieces inspired by the infographics of Fritz Kahn. We didn't get to sample her last work in this series but we do now. This work brings pulse to the foreground and is a really spirited addition to the set. Rick Nance's 'Tearing up' encourages us to focus in on the detail of his excellent sound recordings and careful editing. Dale Perkins' music is often quite bold in his use of pulse. 'Equipoise' is no doubt going to rock the room.
Adrian Moore and Adam Stanovic present recent works from USSS community projects. Over the past two years, USSS composers have taken field recording trips to places of cultural significance. Soundscape recordings have been crafted into new works that act as musical commentaries on place, space, culture and society. The opportunity to develop this practice will hopefully see USSS working with the National Forest and other regional initiatives in the coming months. In a climate of massive change, the ability to record, reflect, listen, remember and learn is a stimulus for artists to create and a golden opportunity to share our auditory experiences.
Friday 22nd November 2019
17:00 Composers working in University of Sheffield Sound Studios
- Chris Bevan: Salten Drift
- James Surgenor: Terra Forma
- Che Gorka: Kick
- Julia Schauerman: Ariel Dreams
- Mario Caceres: Lead a Pony
- Ben Felstead: The Origin of Our Species
- Isaac Baggaley: Desert Honey
18:15 CD Launch: Join us for a complimentary glass of wine as Louise Rossiter launches her new CD which features works exploring silence, soundscape, and the first three works of the Music – Bodies – Machines project, based on the infographics of Fritz Kahn. The latest work, Neuronen, comparing the nervous system (impulse and reflex responses) of the human body to the mechanisms of a doorbell, will be a world premiere at Sound Junction.
19:00 USSS + Special guest: Louise Rossiter (listen here).
- Louise Rossiter: Homo Machina
- Adrian Moore: Audiogentry
- Louise Rossiter: Fairytale Journey
- Adam Stanović: Baltazar's Adventure through the Great Machine
- Louise Rossiter: Neuronen (Premiere)
"The visual crossover between industrialisation and science in Fritz Kahn's artwork demonstrates the means by which human nature became culturally encoded by placing the knowledge of the human anatomy within the context of the modern, industrial world. Kahn produced lots of illustrations that drew a direct functional analogy between human physiology and the operation of modern technologies of the times. Therefore, by illustrating the body as a factory, Kahn was able to relate the body’s complex organic interior to the industrialised space so common in society during the 1920’s."
"Neuronen is the fourth work completed as part of the Der Industriepalast suite – a collection of works based on the infographics of Fritz Kahn. In July 2019, I was invited to present a seminar based on my research at the University of Sheffield, and was challenged to document exactly happens when I respond to Fritz Kahn's infographics in my acousmatic compositions.
This piece was composed in direct response to this challenge and intends to directly describe aurally, over 9:33, what happens in a split second, and and is repeated millions of times a day in the human body. It attempts to achieve through sound, what Fritz Kahn’s infographics do visually - that is, the understanding, or at least, some comprehension of an extremely complicated process." (Louise Rossiter)
Saturday 23rd November 2019
- Moments of Liberty 1: Outside & Insight
- Moments of Liberty 2: Falling Within
- Moments of Liberty 3: Standing Without
- Moments of Liberty 4: Towards the Sea
This concert will last approximately 1 hour.
- Matt Pinker: Dusk
- Lorenzo Prati: Acqua Calda
- Ross Davidson: Industry
- Adam Stanović: Would be to Seek
- Adrian Moore: Nebula Sequence
19:00 Special guests: Andreas Weixler and Se-Lien Chuang (piano and electronics) - see their concert link
- Andreas Weixler: Wetterleuchten
- Se-Lien Chuang: ec-lipse
- Andreas Weixler: for Pi
- Se-Lien Chuang: VICC_Variations
- Se-Lien Chuang: for IO
- Weixler/Chuang: Die Rache der Normalbegabten (Piano and live electronics)
- Andreas Weixler: Broken Bowls - talk
- Se-Lien Chuang: gula huset
- Andreas Weixler: Water Ghosts
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