This page provides additional information about our research supervisors to help you choose an appropriate supervisor. You can either browser supervisors by school or search for them. Most supervisors also have a personal webpage where you can find out more about them. If that is not listed here you can also try searching our main pages: search our site
Professor Jennifer Coates
jennifer.coates@sheffield.ac.uk Personal Webpage School of Languages, Arts and Societies |
My research and teaching is situated at the intersection of Japanese Studies, Film Studies, History, History of Art, and Anthropology, and can best be characterized as Japanese Cultural Studies. My wider research interests include Japanese and East Asian cinema, photography, gender studies, filmmaking, and ethnographic methods. I have published on these topics and others in Cultural Studies, Participations, Japanese Studies, Japan Forum, the U. S.-Japan Women’s Journal and The Journal of Japanese and Korean Cinema. I am developing a book manuscript entitled 'Feelings Without Words: Growing Up With the Cinema in Postwar Japan', based on four years of ethnography in Kyoto, Osaka, and Kobe. The book explores the role of cinema in the development of a sense of self for those who grew up during the Occupation of Japan (1945-1952) and its aftermath. Framed as an ethno-history of cinema attendance and reception in the Kansai region of Western Japan, this original study positions cinema as a discursive object in the living memories of the era. Individual chapters deal with the origin stories of cinema in Japan, gender and the cinema audience, the gap between Occupation authorities’ expectations of the audience and lived experience, and cinema's relation to activism. Many of my research outputs take a cross-regional and interdisciplinary approach, including publications on Manchurian-Japanese wartime co-production films, postwar Japanese co-productions with Hong-Kong, and transnational star personae. I have conducted research on the simultaneous development of ethno-fiction filmmaking techniques in France and Japan, and on Taiwanese and Korean co-productions set in Tokyo, and co-authored an article on film-motivated tourism in China. I have also collaborated with affect theory specialists in the UK, USA, and Japan, and with a group of art historians in Zurich on two projects on photography. Moving beyond traditional research publication methods, I completed a short documentary titled When Cinema Was King (2018) on the topic of Japanese cinema audiences and their memories. Before joining SEAS, I studied, researched, and taught in many areas of the world. I was an AHRC Kluge Fellow at the Library of Congress, Washington D.C. (2012), a Visiting Research Fellow at the Australian National University (2011), Assistant Professor at the Hakubi Center for Advanced Research, Kyoto University (2014-2018), and Senior Lecturer in Japanese Arts, Cultures, and Heritage at the Sainsbury Institute for the Study of Japanese Arts and Cultures at the University of East Anglia. |
Professor David Forrest
d.forrest@sheffield.ac.uk Personal Webpage Department of English Literature |
Research interests My main research area is British social realist cinema, with a particular interest in the functions of space, place and landscape in realist texts. I have also published work on British television drama, the British New Wave and contemporary British cinema. My work is currently focussed on the film and television writer and novelist Barry Hines, perhaps best known of the novelA Kestrel for a Knave (1968) and the TV play Threads (1984). Together with Professor Sue Vice, I am developing a delivering a number of research and public engagement projects around Hines and working-class film, television and literature more broadly. |
Professor Sue Vice
s.vice@sheffield.ac.uk Personal Webpage Department of English Literature |
Research interests I am influenced by the work of Mikhail Bakhtin and my research background is in the work of Malcolm Lowry. This interest has continued in my recent work and teaching, including the publication Malcolm Lowry Eighty Years On (1989). My publications in the field of literary theory include Psychoanalytic Criticism: A Reader (1996) and Introducing Bakhtin(1997). I have been interested in representations of the Holocaust for many years, and have published a book on novels about the Holocaust, Holocaust Fiction (2000), one on children´s perspectives, Children Writing the Holocaust (2004), and, with Jenni Adams, have edited a volume entitled Representing Perpetrators in Holocaust Literature and Film (2013). I welcome applications from PhD students wishing to work in most areas of twentieth- and twenty-first literature, theory and film, including Holocaust studies. |
Dr Maisha Wester
maisha.wester@sheffield.ac.uk Personal Webpage Department of English Literature |
My research and teaching focuses on Gothic literature and Horror Film, although I also teach American literature and African American Cultural Studies. I specifically investigate racial discourses and manifestations in Gothic Literature and Horror film, as well as the way Black Diasporic people have appropriated the genres to speak back against oppressive socioeconomic rhetoric. For my BA fellowship, I am investigating the ways the Gothic has and continues to impact and inform anti-Black language and discourses from the Gothic’s rise to our current era (as such, I will also consider the ways Horror Film takes up this task in the twentieth-century). I am especially interested in how the genres morph alongside any moments of racial progress, thus providing a means to consistently erase Black humanity despite seeming political and ideological advancement. To put it simply, I want to explore how Gothic Literature and Horror Film have contributed to populations still needing to shout “Black Lives Matter” in protest during the Twenty-First century—150 years of the US abolition of Slavery and over 200 years after its abolition in the UK—at a point of such intellectual and scientific progress that we should be well beyond this discussion. Although my work focuses upon anti-Black discourse, it is also inspired by and has ramifications for anti-immigrant discourses (such as rhetoric warning against hordes of non-white immigrants coming to rape and pillage the nation). |
Dr Wayne Wong
k.wong@sheffield.ac.uk School of Languages, Arts and Societies |
Martial Arts and Action Film He published in peer-reviewed journals and anthologies, such as Global Media and China, Asian Cinema, Journal of Contemporary Chinese Art, Martial Arts Studies, Afro-Futurism in Black Panther: Gender, Identity, and the Re-Making of Blackness, and The Worlds of John Wick: The Year’s Work at the Continental Hotel. He is an editor of Martial Arts Studies, the flagship journal of the Martial Arts Studies Research Network. |
Dr Logan Collignon
f.collignon@sheffield.ac.uk Personal Webpage Department of English Literature |
Research interests My research interests are the Cold War and Cold War weapons systems; genre fiction/film; theories of technology; the poetics of space. My first book, titled Rocket States: Atomic Weaponry and the Cultural Imagination, will be published by Bloomsbury in 2014. The project maps the technological unconscious of the American Cold War and is concerned with identifying the recurring figures and fantasies of the conflict: the dome or parabola as sheltering techno-form; the fictions of total security adapting to constantly changing targeting strategies; gadget love; closed, freezing worlds. Thomas Pynchon’s Gravity’s Rainbow serves as the book’s recurring focal point; his prose technique inspires and exemplifies the study’s attention to secret affinities. |
Dr Iulia Statica
i.statica@sheffield.ac.uk Personal Webpage School of Architecture and Landscape |
Dr Statica’s work focuses on the relationship between gender and domesticity in the development and transformation of housing infrastructures and urban landscapes in Eastern Europe and Latin America. Her research interests are in the feminist practices of care, intersectional feminism, theories of infrastructure and the anthropology of socialism, and urbanism, specifically the comparative investigation of urban contexts in postsocialist and postcolonial geographies. She employs documentary film as an integral aspect of both research and practice. Research interest and PhD Supervision areas: (Post)socialist architecture and urbanism; global urbanism and postcolonialism; gender and architecture; documentary and ethnographic film; domesticity/housing infrastructures/care; intersectional feminism and urbanism. |
Mrs Lena Hamaidia
l.hamaidia@sheffield.ac.uk School of Languages, Arts and Societies |
Research interests My research interests include comparative syntax, literary translation, film adaptation of literary works, the relationship between translation, intercultural communication and international development, translation of cartoons and modern French cinema. I currently focus on linguistic approaches to spoken and written language and how pragmatic meaning is affected in the translation of spoken dialogue into subtitles. |
Professor Kate Taylor-Jones
k.e.taylor-jones@sheffield.ac.uk Personal Webpage School of Languages, Arts and Societies |
I have previously supervised PhDs in drama, film, translation studies and visual culture. I welcome applications to undertake Postgraduate study in any of these areas: East Asian Popular Culture, East Asian Visual Culture, East Asian Media systems, Japanese Cinema, South Korean Cinema, World Cinema, Colonial Cinema, Gender in Visual Culture, Women Directors, Prostitution, Sex Work and Sex Trafficking in Visual Culture. |
Dr Ryan Bramley
r.bramley@sheffield.ac.uk Personal Webpage School of Education |
Ryan is interested in supporting any PhD or EdD student looking at how minoritised groups are represented in film, TV, media, education, and beyond. He is also interested in supporting projects on any of the following themes: New/Digital Media, Contemporary Film, Digital Literacies, Creative Writing, Working-Class Identity & Representation, Alternative Media, Active Citizenship, Multimodality, and the educational work/role of Third Sector and Non-Profit Organisations. Ryan is also particularly keen to supervise new PhD-by-Practice students. |
Dr Emma Cheatle
e.cheatle@sheffield.ac.uk Personal Webpage School of Architecture and Landscape |
My research is humanities based and critically explores architecture and urban space, using methodologies of critical-creative writing, ethnography, autotheory and feminism towards new cultural and social histories and theories. Key topics include combinations of architecture, health, domesticity, wellbeing, the body and the city. I use a variety of interdisciplinary sources including archives and English Literature. My current research, Lying in the Dark Room: Architectures of British Maternity, examines the role of architecture in the construction of the maternal body and maternity practices. Potential PhD supervision areas: gender, domesticity and architecture/cities; health/wellbeing/medicine and architecture/cities; documentary, autotheory, ethnography and observational methods in drawing, writing and film; ideas of care and intersectional and decolonial feminism. I supervise both 'by design' and 'written' PhDs |
Dr Veronica Barnsley
v.barnsley@sheffield.ac.uk Personal Webpage Department of English Literature |
My primary research interests are in colonial and postcolonial literatures from India and Africa, with a particular focus on alternative and global modernisms and writing interested in children, youth and development. I am currently completing the manuscript of my first monograph, Postcolonial Children: Infancy and Development in South Asian Fiction in English. The book considers the figure of the child in fiction that deals with anti-colonial activism, Indian independence and the postcolonial state, looking at writers including Mulk Raj Anand, R.K. Narayan, Attia Hosain, Shashi Deshpande and Nadeem Aslam. I am also beginning a new project called ‘Youth and Health in Postcolonial Literatures: India, Nigeria, South Africa’, a comparative analysis of the concept of youth that seeks to make connections between Postcolonial Studies and the growing field of Medical Humanities. I am a founding member of The Northern Postcolonial Network, which supports knowledge exchange and networking amongst scholars working on postcolonial topics across the north of England and organisations and community groups with intersecting interests. We build sustainable relationships with groups and communities through research, public engagement and creative workshops in which we can explore issues including migration, asylum, human rights and inclusive pedagogy. Details of our past events and future activities can be found here www.northernpostcolonialnetwork.com I am a member of The British Association of Modernist Studies, the Modernist Studies Association and the Postcolonial Studies Association. |
Professor Jonathan Rayner
j.r.rayner@sheffield.ac.uk Personal Webpage Department of English Literature |
Research interests My current research centres on connections between cinema and landscape and the representation of navies, naval combat and naval history on film. From my PhD onwards my interests also include Australasian cinema (particularly Australian Gothic horror films), genre films and auteur studies. I welcome applications from researchers working on film, particularly in my research areas. I have supervised film studies PhD students in British, European, American and Japanese cinema and maritime films. |
Dr Alan Dunbar
a.dunbar@sheffield.ac.uk Personal Webpage School of Chemical, Materials and Biological Engineering |
Research Interests:
|
Professor Philip Swanson
p.swanson@sheffield.ac.uk Personal Webpage Hispanic Studies School of Languages, Arts and Societies |
Research interests Modern Latin American literature (with a particular emphasis on the New Novel and crime fiction) and external representations/imaginings of Latin America and 'Latinity' (with a particular emphasis on film and fiction). |
Dr Aneesh Barai
School of Education |
I am an interdisciplinary researcher working on cultural representations of education, and connections between education history and philosophy with literature and cinema, particularly children’s literature, film and television. My research interests include: - Early twentieth century cultural representations of shifts in education, including in children’s literature, modernist literature and cinema in the period (e.g. Enid Blyton, Geoffrey Trease, D. H. Lawrence, in relation to the educational philosophies of Montessori, Dewey and Piaget). - The neoliberalisation of higher education, as represented in fantasy novels about wizard universities (e.g. Terry Pratchett, Diana Wynne Jones, Lev Grossman, Cecilia Tan). - Youth activism relating to pacifism, climate crisis and LGBTQIA+ youths, in children’s film, television and computer games (e.g. Howl’s Moving Castle, Steven Universe, She-Ra, Final Fantasy VII). |
Professor Shankar Madathil
s.madathil@sheffield.ac.uk Personal Webpage School of Electrical and Electronic Engineering |
Research interests
|
Dr Jonathan Ellis
J.S.Ellis@sheffield.ac.uk Personal Webpage Department of English Literature |
Research interests Most of my research has been on the twentieth-century poet, Elizabeth Bishop. My first book, Art and Memory in the Work of Elizabeth Bishop (Ashgate) was published in 2006. Since then, I have published essays on Bishop’s love poems, on her epistolary relationship with the poet Anne Stevenson, and on the reception of her uncollected and unpublished poems. I have recently co-edited The Cambridge Companion to Elizabeth Bishop with Professor Angus Cleghorn (Seneca College). The book, composed of 12 specially commissioned essays by leading Bishop scholars, was published in hardback and paperback in 2014. In addition to scholarship on Bishop, I have also published articles on Amy Clampitt, Paul Muldoon, Sylvia Plath and Jeanette Winterson, among others. An abiding interest in film is represented by recent publications on Woody Allen's reputation in the 1990s and the depiction of the Spanish Civil War in Guillermo del Toro's film, Pan's Labyrinth. I welcome applications from potential PhD students in all areas of my research interests, particularly American and British poetry of the modern and contemporary periods and the art of letter writing and its relationship to other literary genres. I am currently supervising four PhD students, on Elizabeth Bishop, William Burroughs, Cold War fiction and twentieth-century letter writing. |
Dr Claire Cunnington
claire.cunnington@sheffield.ac.uk Personal Webpage School of Sociological Studies, Politics and International Relations |
Claire’s research has mainly focussed on interpersonal violence towards adults and children as well as the social work response. Claire is particularly interested in the lived experience of CSA recovery and the professionals supporting that recovery. Her work looks at how recovering can be conceptualised and facilitated. |
Dr Elisabeth Garratt
elisabeth.garratt@sheffield.ac.uk Personal Webpage School of Education |
Beth joined the Sheffield Methods Institute as a Lecturer in Quantitative Methods in September 2019. Before this, she was a Research Fellow at the Centre for Social Investigation, Nuffield College, Oxford. She completed her PhD in Social Statistics at the University of Manchester in 2015, exploring the role of income on mental health in 3-12 year-old British children and their parents. Her research focusses on mental health in adults and children, poverty, food poverty, and homelessness. Beth's personal blog can be found here. |
Professor Thomas Hayward
t.hayward@sheffield.ac.uk Personal Webpage School of Chemical, Materials and Biological Engineering |
Research interests Tom’s research is focused on studying the properties of ferromagnetic nanostructures both to gain a better understanding of their fundamental behaviour and to develop new technological applications, such as solid-state memory and logic technologies. His work uses contemporary nano-fabrication techniques such as electron-beam lithography and thin-film deposition to create magnetic devices thousands of times smaller than a human hair. These devices are then characterised with cutting-edge experimental techniques such as focused Magneto-Optic Kerr Effect (MOKE) magnetometry, Vector Network Analyser Ferromagnetic Resonance measurements (VNA-FMR) and low temperature electrical transport measurements. He also has a strong interest in the simulation of magnetisation dynamics using numerical micromagnetic simulations. |
Dr Amber Regis
a.regis@sheffield.ac.uk Personal Webpage Department of English Literature |
Research interests My primary research interests lie in nineteenth- and early twentieth-century literature, particularly life-writing, women’s writing and ‘queer’ identities. I also work in adaptation studies and have published on lesbian period drama, docu-soap television and Dickens on film. I am currently pursuing several research projects. These include a book length study of Victorian auto/biography and its relation to fiction and narrative poetry, and a new edition of the Memoirs of John Addington Symonds. I am also working on essays exploring the legacy of Virginia Woolf’s A Room of One’s Own in feminist life-writing criticism, representations of Charlotte Brontë on the twenty-first-century stage, and a study of ‘living history’ museums and TV series that seek to (re )construct the Victorian quotidian. |
Professor William Zimmerman
w.zimmerman@sheffield.ac.uk Personal Webpage School of Chemical, Materials and Biological Engineering |
Research Interests:
Perlemax Ltd. Perlemax Ltd, a University spinout company, was founded to exploit his research and technological advances. Perlemax and Zimmerman have won the below awards and recognition:
|
Dr Eva Giraud
E.H.Giraud@sheffield.ac.uk Personal Webpage School of Sociological Studies, Politics and International Relations |
Eva’s research has two strands. In empirical terms, she is interested in the ways that activists negotiate frictions associated with the media platforms they use, particularly the challenges posed by social media. Eva also has a broad conceptual interest in some of the potentials and tensions associated with non-anthropocentric theoretical work. She has drawn these themes together in her books What Comes After Entanglement? (Duke University Press, 2019) and Veganism: Politics, Practice and Theory (Bloomsbury Academic, 2021). Eva’s PhD supervision has been relatively wide-ranging and includes projects focused on: patient activism in an era of disinformation, postfeminist identity in popular film and television, empowerment discourses in hijab fashion Instagram communities, media reporting of global happiness indexes, safe spaces and everyday utopia, gender politics and hierarchy in on/offline cosplay communities, and the cultural politics of drone warfare. Eva is particularly interested in supporting future projects on topics such as: food activism, environmental politics, animal activism and activist media ecologies, or any of her other research interests listed above. She is also happy to support projects that engage with social and cultural theory more widely (especially related to feminist STS and cultural politics) |
Professor Robert McKay
R.McKay@sheffield.ac.uk Personal Webpage Department of English Literature |
Research interests My literary research analyses the way contemporary novelists in English have responded to ethical questions around human-animal relations. After my PhD, The Literary Representation of Pro-animal Thought: Readings in Contemporary Fiction, I published essays on J.M. Coetzee, Justin Cartwright, Angela Carter, Alice Walker and Margaret Atwood and on animal ethics in literary criticism and theory. In 2006 my co-written book (with the Animal Studies Group) Killing Animalswas published by University of Illinois Press. In my current research project I am looking at how the literature, film and culture of the post war period, complicates and exceeds public and political humanitarianism. I am studying figures such as James Agee, Arthur Miller, John Huston, Romain Gary, Peter Viertel, Hubert H. Humphrey, Patricia Highsmith, Brigid Brophy, Walker Hamilton and others. More broadly, I am interested in the representations of animals in culture and am active in the research field of animal studies. I would especially welcome PhD enquiries about projects to study the representation of animals and/or the environment more broadly in any literary form or period or in critical theory. I am generally interested in projects focusing on any area of post-1945 fiction in English, or on critical theory. |
Professor Steven Armes
s.p.armes@sheffield.ac.uk Personal Webpage School of Mathematical and Physical Sciences |
Research Interests Polymer Chemistry We use living radical polymerisation techniques such as Reversible Addition-Fragmentation chain Transfer (RAFT) and Atom Transfer Radical Polymerisation (ATRP) to synthesise a wide range of controlled-structure, methacrylate-based water-soluble polymers. Block copolymers and their micellar self-assembly in aqueous solution are of particular interest: we are currently exploring the principles of polymerisation-induced self-assembly (PISA) to prepare a range of diblock copolymer-based ‘nano-objects’ in concentrated aqueous solution. Depending on the precise diblock copolymer curvature, such ‘nano-objects’ can possess either spherical, worm-like (see TEM image opposite) or vesicular morphologies. We now are establishing fundamental design rules for the rational design of such ‘nano-objects’ and we seek to exploit our enhanced understanding in order to generalise this powerful PISA approach to produce robust, reproducible formulations for both polar and non-polar solvents, as well as water. Colloid Chemistry We prepare a broad range of microscopic conducting polymer-based particles, including conducting polymer-coated latexes, conducting polymer-silica nanocomposite particles and sterically-stabilised conducting polymer particles. Such particles are proving to be useful synthetic mimics for carbonaceous and silicate-based micro-meteorites: we collaborate informally with space scientists based in the UK, Germany and the USA to aid their interpretation of data collected during various space missions (e.g. Cassini and Stardust). Polypyrrole particles also have potential biomedical applications as contrast agents in optical coherence tomography. We have pioneered the use of ultrafine aqueous silica sols in order to prepare a range of vinyl polymer-silica nanocomposite particles. Film-forming nanocomposite compositions can be prepared using acrylic monomers, which enable the production of tough, transparent, scratch-resistant coatings. Other recent examples include the synthesis of novel sterically-stabilised pH-responsive microgels, surface polymerisation of stimulus-responsive polymer brushes from planar surfaces and the evaluation of various latexes, microgels and nanocomposite particles as `Pickering´ emulsifiers for the production of both oil-in-water emulsions and also covalently cross-linked colloidosomes. |
Dr Diane Burns
d.burns@sheffield.ac.uk Personal Webpage Sheffield University Management School |
Senior Lecturer in Organisation Studies Research interests
Diane’s research examines organizational arrangements, cultures and change in health and social care systems with two sub themes – organizational failure and institutional abuse in care homes; and social innovation in home care provision. Diane is interested in supervising qualitative research in health and social care systems and organization; job quality, care workforce and labour arrangments; care quality, abuse and mistreatment in organized care; voice, power and whistle-blowing in the workplace and other organizations; collaborative forms of organizing and partnership. Diane is particularly interested in action research, participatory appraoches and co-production, and the development of organizational ethnography using visual methods, poetics and film. |
Dr Jamie Coates
j.coates@sheffield.ac.uk Personal Webpage School of Languages, Arts and Societies School of Sociological Studies, Politics and International Relations |
I specialise in the cultural anthropology of China and Japan, but enjoy collaborations across fields as diverse as literary, film and media studies, geography, history, psychology, sociology and international relations. I combine visual and digital ethnography with historical and textual analysis to explore the relationship between technology, mobility and imagination in urban Northeast Asia. Broadly speaking, I am interested in how different ways of living, and different modes of thinking, foster or inhibit humanity’s capacity to cooperate. In short, I am fascinated by how people manage to get along. Rather than focusing on the formal and intergovernmental level of this line of questioning, I concentrate on the informal, local and interpersonal scales of this problem. East Asia serves as an inspiring site for thinking about these questions because of the fraught histories it shares and the increasingly entangled nature of contemporary flows of people, products and popular culture in the region. Building on my doctoral research on Chinese migration to Japan, I am currently investigating how media and migration re-scale local imaginaries in the Sino-Japanese context. Focusing on forms of play, consumption, and media use among Chinese people living in Japan I ask how quotidian phenomena such as transport, food, tourism, games, gender and sex are changing the way interpersonal Chinese relations and Sino-Japanese relations are imagined in the current era. Through this interest, I am increasingly engaging with wider question of how digital technologies are changing relationships and personhood in East Asia, as well as how digital East Asia challenges current debates in the social sciences and humanities. Research SupervisionI enjoy research supervision and welcome enquiries from students interested in any area relevant to my expertise. I have previously supervised master’s dissertations related to Chinese popular culture, migration and social theory, as well as undergraduate dissertations on topics related to gender, popular culture, minorities, and bodily practices in China and Japan. |
Professor Nicola Morley
n.a.morley@sheffield.ac.uk Personal Webpage School of Chemical, Materials and Biological Engineering |
Research interests Her research centres on the understanding and development of magnetic films to be used in magnetic devices and sensors. The main research areas are: Fe-based Magnetostrictive Films and Devices |
Dr Beryl Pong
b.k.pong@sheffield.ac.uk Personal Webpage Department of English Literature |
My overall research interests are 20th- and 21st-century Anglophone literature, with especial focus on British modernism and late modernism, and war. My work is informed by cultural studies and cultural history, and I have an abiding interest in narrative and genre studies, and in the interdisciplinary intersections between literature and other media. I am currently completing my first book, a literary-cultural study titled For the Duration: British Literature and Culture in Wartime. It argues that spatial and temporal dislocation were defining characteristics of the World War II urban bombing campaigns, and it shows how figures in literature, film, photography, and painting harnessed or exploited their media’s distinctive temporal properties in response. Showing why the war was often fashioned as a memory, even while it was taking place, I discuss how the uses of modernism became as important as modernism itself, and how wartime forms of temporal re-imagining—whether through time capsules, time zone changes, or images of ruin and repair—have particular salience for understanding philosophies and phenomenologies of time during the mid-century. I am also in the early stages of a second book project, tentatively titled Framing Displacement: Semicolonialism and Women’s Short Fiction. The project explores the way material, effective, and socio-political interrelations between colonizer, colonized, and the postcolonial are addressed by modern and contemporary transnational women writers. Among other points, it demonstrates why, for formal as well as material and print-cultural reasons, short fiction is a prominent genre for indexing the gendered histories of labour migration, emigration, and travel, and why we need to go beyond ideas of regional or national exceptionalism in short fiction literary history to understand it as a ‘world genre’. |