Dr Jenni Adams
BA (Sheffield), MA (Sheffield), PhD (Sheffield), FHEA
School of Information, Journalism and Communication
Research Associate


Full contact details
School of Information, Journalism and Communication
The Wave
2 Whitham Road
Sheffield
S10 2AH
- Profile
-
With a background in interdisciplinary research, research administration and academic libraries, I’m currently a Research Associate on the MORPHSS (Materialising Open Research Practices in the Humanities and Social Sciences) project. A collaboration between the Universities of Cambridge, Coventry, Sheffield and Southampton, the project seeks to surface and document open practices in the Humanities and Social Sciences and to create guidelines and frameworks to encourage adoption of open practices in these disciplines. As well as contributing to the project as a whole, my role has a particular focus on investigating open practices in the Social Sciences, especially around the sharing of data generated through qualitative and mixed methods research.
- Research interests
-
Alongside my work on the MORPHSS project, my research focuses on the critical-theoretical framing of open research in the Arts, Humanities and Social Sciences. I have particular interest in issues of epistemic justice and diversity in conceptualisations of open research, including around data sharing; questions of transparency, positionality and affect; and notions of discipline and disciplinary boundaries as they pertain to research openness. I have further interests in questions of paratext, spatiality and discursive practices which manifest previously unrecognised forms of openness.
- Publications
-
Books
- Magic Realism in Holocaust Literature. Palgrave Macmillan UK.
Edited books
Journal articles
- Supporting FAIR data management planning across different disciplines at the University of Sheffield. Data Science Journal, 22. View this article in WRRO
- Intertextuality and the Trace of the Other: Specters of Bruno Schulz. Symbolism: An International Annual of Critical Aesthetics, 12/13, 49-68.
- A Howl and a Black Cat: Allegory, Nonsense, and Ethics in Yann Martel’s Beatrice and Virgil. Journal of Literature and Trauma Studies, 1(2), 31-63.
- Introduction. Holocaust Studies, 17(2-3), 1-10.
- Reading (as) Violence in Jonathan Littell’sThe Kindly Ones. Holocaust Studies, 17(2-3), 27-50.
- “Into Eternity’s Certain Breadth”: Ambivalent Escapes in Markus Zusak’s The Book Thief. Children's Literature in Education, 41(3), 222-233.
Chapters
- Intertextuality and the Trace of the Other: Specters of Bruno Schulz, Symbolism 12/13 (pp. 49-68). DE GRUYTER
- Introduction, Magic Realism in Holocaust Literature (pp. 1-20). Palgrave Macmillan UK
- Conclusion, Magic Realism in Holocaust Literature (pp. 173-181). Palgrave Macmillan UK
- ‘Into Eternity’s Certain Breadth’: Ambivalent Escape in Markus Zusak’s The Book Thief, Magic Realism in Holocaust Literature (pp. 144-172). Palgrave Macmillan UK
- The Dream of the End of the World: Magic Realism and Holocaust History in Jonathan Safran Foer’s Everything Is Illuminated, Magic Realism in Holocaust Literature (pp. 21-49). Palgrave Macmillan UK
- The Light of Dead Stars: Magic Realist Time in André Schwarz-Bart’s The Last of the Just, Magic Realism in Holocaust Literature (pp. 112-143). Palgrave Macmillan UK
- Trauma and the Grotesque Body: D. M. Thomas’s The White Hotel, Magic Realism in Holocaust Literature (pp. 82-111). Palgrave Macmillan UK
- Magic Realism and Dialogic Postmemory: David Grossman’s See Under: Love, Magic Realism in Holocaust Literature (pp. 50-81). Palgrave Macmillan UK
Book reviews
- Book Reviews. Holocaust Studies, 18(2-3), 283-303.
- Magic Realism in Holocaust Literature. Palgrave Macmillan UK.
- Professional activities and memberships
-
- Member of the UK Reproducibility Network (UKRN) Open Research Project Community of Practice
- Center for Open Science-accredited Train-the trainer
- TUoS Open Research Working Group core member
- Open Scholarship Community Sheffield (OSCS) co-lead