Artistic Explorations

Cripping Breath's arts-informed research stream is co-led by two Artists-in-Residence to the project and our Research Associate Grace Joseph, and supported by our arts partner organisations, CRIPtic and The Art House.

Our Artists-in-Residence

An image of Dr Louise Atkinson
An image of Dr Louise Atkinson

Dr Louise Atkinson

Dr Louise Atkinson is a visual artist, researcher, and facilitator, and is currently based at the University of Leeds as a Visiting Research Fellow. Her practice explores the relationship between art and ethnography, in which she employs a range of visual and digital media and techniques, including collage, zine making, animation, and repeat pattern design. Her work often incorporates processes of co-production and co-curation, creating new narratives with other people in response to existing archives, collections, and histories.

Her previous art and research projects include: No One Is An Island (2023), an augmented reality map produced with refugees, asylum seekers, and migrants in response to the Shifting Borders exhibition at Treasures of the Brotherton Gallery, University of Leeds; Multilingual Streets (2019-2021), a project using visual art and photography to respond to the visible languages on the street with multilingual pupils in Manchester; and ​​​​​Family Narratives of Being German in Yorkshire (2018), a large format, digital artwork based on documents, objects, and conversations with German expatriates and their descendants living in Yorkshire. 

In addition to her visual art practice, she is a founder and co-Director of The Highrise Project CIC, an organisation committed to supporting marginalised communities in Leeds through art and digital inclusion.

An image of Jamie Hale against a red background
Jamie Hale

Jamie Hale

Jamie Hale is a writer, performer, and director who uses non-invasive ventilation. They make work across poetry, essay, theatre, and television that grapples with impairment, disability, the inevitable presence of mortality, and the urgency that brings to one's engagement with the world.

Jamie is the founder and Artistic Director of the award-winning CRIPtic Arts, which develops work with and by disabled creatives, centring creative accessibility within the work they are making. Jamie was awarded the Evening Standard Future Theatre Fund Director/Theatremaker of the Year award in 2021 for their first play, NOT DYING, which was staged at the Lyric Hammersmith, Barbican Centre, and HOME Manchester, and grappled with coming to terms first with dying, and then with living. Their second, I Want To Live, was staged at Theatre Royal Stratford East. Jamie was a 2021-22 Jerwood Poetry Fellow, and their first poetry pamphlet, Shield, was published to critical acclaim in January 2021. They are the founder and one of the judges of the Disabled Poets' Prize.

They are currently exploring cripping the classic texts in theatre, and the implications of centering disabled performers in a non-disabled canon.

Our Research Associate

Grace Joseph a White woman with reddish hair
An image of Grace Joseph

Our Research Associate

Grace Joseph is a Research Associate (Arts-Informed Research) on Cripping Breath and has recently submitted her PhD thesis, titled Sensing Performance: Disability and the Aesthetics of Access, at Goldsmiths, University of London. She has taught at Central School of Speech and Drama, Drama Studio London, the University of Greenwich, and at Goldsmiths. Grace is also a theatre director and access worker, and has a Level 3 in British Sign Language, awarded by Signature. She is on the editorial board of Platform: Journal of Theatre and Performing Arts (hosted by Royal Holloway) and is currently co-editing an issue of the journal.

Our Theatre Collaborators

Kate Mellor
Image Credit: Kate Mellor

Kate Mellor

An honours graduate from The University of Winchester with a degree in Digital Media Design, Kate has always been drawn to all aspects of television, film and theatre production. Being a queer, disabled, feminist, Kate has a strong interest in creating and designing theatre that highlight the stories of the underrepresented, particularly any story that demonstrates the intersectionality between the Disabled and LGBTQIA+ communities. Kate describes herself as an open minded, curious, and creative individual.

Stephanie Castelete-Tyrrell 
Image Credit: Stephanie Castelete-Tyrrell 

Stephanie Castelete-Tyrrell

Stephanie Castelete-Tyrrell is a BA (Hons) graduate from the University of Portsmouth and a MA graduate from the University of Bristol in Film and Television. She is an actor, filmmaker and company director of Four Wheel Drive Productions, a disabled-led production company. Stephanie has produced two award-winning documentaries through her company, one of which was screened at Pinewood Studios. Stephanie’s films all focus on telling stories from disabled people, including sports and current societal issues. 

Tatum Swithenbank
Image Credit: Tatum Swithenbank

Tatum Swithenbank

Tatum Swithenbank is a working-class, disabled performer, producer, and facilitator from the Midlands. Approaching their work through a queer crip lens, they are passionate about shaping narratives that centre community, culture, and accessibility. Their performance and theatre practice includes collaborations with CRIPtic Arts, Camden People’s Theatre, and the Roundhouse. Tatum has produced powerful storytelling for BBC Radio 4, Audible, and BBC Sounds, including the award-winning series WITCH. Across disciplines, their work explores the threads between identity, folklore, and the obscure.

Our Artist Collaborators

Christopher Samuel
Image Credit: Alexandra Johnson Photography

Christopher Samuel

Christopher Samuel is a multi-disciplinary artist whose practice is rooted in identity and disability politics. Often echoing the many facets of his own lived experience as a Black disabled man, his work tells stories, highlighting the often unseen experiences of his day to day life and those of others in similar circumstances. His practice includes small detailed ink drawings, film, print, audio, research, and large installations. Samuel works alongside galleries, museums, archives and other institutions to address missing representation in our cultural spaces.

Rachel Gadsden
Image Credit: Rachel Gadsden

Rachel Gadsden

Rachel Gadsden is a British visual artist whose work is presented nationally and internationally. She develops solo exhibitions and performances that explore universal themes of humanity. Her work has received support from major public arts organisations, including Arts Council England, Arts Council Cymru, British Council Arts and Unlimited. Her artworks are held in significant private and institutional collections, such as HM The King’s Royal Art Collection, UK Parliament, Mandela’s Walk to Freedom in South Africa, FIFA in Switzerland, The National Paralympic Heritage Trust, Hyundai in South Korea, and Roche in Switzerland. She has been awarded major commissions across six Paralympic Games—Beijing, London, Sochi, Brazil, Tokyo and Paris—and has completed four commissions for UK Parliament. Gadsden was named CRIPtic Arts Breakthrough Artist in 2024 and is currently commissioned by UCL for the “Words Matter” project examining historical and contemporary eugenics. She recently developed PostHuman, a live visual and sound performance with composer Freddie Meyers, presented at the Barbican Centre in November 2024 and within UCL’s “Words Matter Exhibition” (Nov 2025–Feb 2026). She is undertaking PhD research at Loughborough University on embodied constriction and Disability Arts and received an Honorary Doctorate from London South Bank University in 2016. 

Liberty  Bligh
Image Credit: Liberty  Bligh

Liberty  Bligh

Liberty  Bligh is a disabled, queer multidisciplinary artist and lived experience advisor, and is currently completing a BA (Hons) Fine Art (Sculpture) at Gray’s School of Art. Liberty works across a broad range of materials including ceramics, plaster, steel, bronze, wood, ink drawings, collage, printing, and found objects. Her practice centres crip perspectives, identity, and respiration within the Anthropocene, examining how deforestation, air‑pollution, and climate change impact human breath. Liberty's critical interests span environmental justice, disability studies, crip theory, and the ethics of co‑production, and she regularly collaborates with fellow artists, community researchers, and peers with lived experience. She draws on her own lived experience of chronic respiratory failure, acquired brain injury and language loss from prolonged mechanical ventilation, tracheostomy and daily non-invasive ventilation to reveal the symbiotic relationships between machines and bodies. Liberty also contributes her lived‑experience insight to research and policy through several advisory roles. She is member of the Lived Experience Advisory Panel for Asthma and Lung UK, a participant on the Diverse Experience Advisory Panel for the UK Mental Health Foundation, and has been a lived experience advisor for the Poverty Alliance, Trussell Trust and Nourish Scotland, and with the James Lind Respiratory Research Partnership.