Prof. Linda Austern (Northwestern University)
Linda Austern is Associate Professor of Musicology at Northwestern University. Her publications include over thirty articles and four books, the most recent of which are “’Lo Here I Burn’: Musical Figurations and Fantasies of Male Desire in Early Modern England,” in Eroticism in Early Modern Music, ed. by Bonnie Blackburn and Laurie Stras (Ashgate, 2015); and “’The Mystic Pow’r of Music’s Unison’: The Conjuncture of Word, Music, and Performance Practice in the Era of Katherine Philips,” in ‘That Noble Flame’: Essays on the Poetry of Katherine Philips, ed. by David L. Orvis and Ryan Singh Paul (Duquesne University Press, 2015). Her co-edited book Beyond Boundaries: Rethinking the Circulation of Music in Early Modern England is forthcoming from Indiana University Press this year.
Dr. Emma Hornby (Bristol University)
Emma Hornby is a lecturer at the Bristol University, and her research is focused on medieval western liturgical chant. She is currently working on Old Hispanic chant in collaboration with Professor Rebecca Maloy (University of Colorado at Boulder). Their first joint monograph is Music and Meaning in Old Hispanic Lenten chants: Psalmi, Threni and the Easter Vigil Canticles (Boydell & Brewer, 2013). They are now working on the Old Hispanic responsory tradition. Emma also has research interests in the transmission of western liturgical chant (including aspects of orality), the relationship between Old Roman and Gregorian chant, analysis of formulaic chant, and the relationship between words and music in the Middle Ages. Emma is co-editor, with J.R.Watson, of the Canterbury Dictionary of Hymnology (online publication, 2013). Her first book, Gregorian and Old Roman Eighth-Mode Tracts, was published by Ashgate in 2002 and her second book, Medieval Liturgical Chant and Patristic Exegesis: words and music in the second-mode tracts was published by Boydell and Brewer in 2009. She is co-editor, with David Maw, of Essays on the History of English Music in Honour of John Caldwell: Sources, Style, Performance, Historiography (Boydell and Brewer, 2010). Emma has published articles in Plainsong and Medieval Music and The Journal of Musicology; her Journal of Musicology article was included in Thomas Forrest Kelly’s collection of seminal articles in the field, Oral and Written Transmission in Chant (Ashgate, 2009). Emma is director of the Bristol University music department’s Schola Cantorum,which specialises in medieval music.
Emma won a prestigious Philip Leverhulme Prize in 2009, and has also been awarded grants by the AHRC/ESRC Religion and Society Programme (2009-11) and by the European Research Council (2013-18). The ERC Starting Grant project has a separate web page: bristol.ac.uk/oho-project