Dr Jennifer Coates

School of East Asian Studies

Senior Lecturer in Japanese Studies

Profile image of Jenny Coates
jennifer.coates@sheffield.ac.uk
+44 114 222 8415

Full contact details

Dr Jennifer Coates
School of East Asian Studies
B05
6-8 Shearwood Road
Sheffield
S10 2TD
Profile

My research and teaching is situated at the intersection of Japanese Studies, Film Studies, History, History of Art, and Anthropology, and can best be characterized as Japanese Cultural Studies.

I was awarded a PhD in Japanese Cinema in 2014 from the Centre for Media Studies in the Faculty of Languages and Cultures at the School of Oriental and African Studies (SOAS), University of London. My first book, Making Icons: Repetition and the Female Image in Japanese Cinema, 1945-1964 (Hong Kong University Press, 2016) expanded upon my PhD research to develop an extended study of female representation in Japanese film.

My wider research interests include Japanese and East Asian cinema, photography, gender studies, filmmaking, and ethnographic methods. I have published on these topics and others in Cultural Studies, Participations, Japanese Studies, Japan Forum, the U. S.-Japan Women’s Journal and The Journal of Japanese and Korean Cinema.

Before joining SEAS, I studied, researched, and taught in many areas of the world. I was an AHRC Kluge Fellow at the Library of Congress, Washington D.C. (2012), a Visiting Research Fellow at the Australian National University (2011), Assistant Professor at the Hakubi Center for Advanced Research, Kyoto University (2014-2018), and Senior Lecturer in Japanese Arts, Cultures, and Heritage at the Sainsbury Institute for the Study of Japanese Arts and Cultures at the University of East Anglia.

Qualifications

MA (University of Glasgow), PhD (SOAS, University of London)

Research interests

I am developing a book manuscript entitled 'Feelings Without Words: Growing Up With the Cinema in Postwar Japan', based on four years of ethnography in Kyoto, Osaka, and Kobe. The book explores the role of cinema in the development of a sense of self for those who grew up during the Occupation of Japan (1945-1952) and its aftermath.

Framed as an ethno-history of cinema attendance and reception in the Kansai region of Western Japan, this original study positions cinema as a discursive object in the living memories of the era.

Individual chapters deal with the origin stories of cinema in Japan, gender and the cinema audience, the gap between Occupation authorities’ expectations of the audience and lived experience, and cinema's relation to activism.

Many of my research outputs take a cross-regional and interdisciplinary approach, including publications on Manchurian-Japanese wartime co-production films, postwar Japanese co-productions with Hong-Kong, and transnational star personae.

I have conducted research on the simultaneous development of ethno-fiction filmmaking techniques in France and Japan, and on Taiwanese and Korean co-productions set in Tokyo, and co-authored an article on film-motivated tourism in China. I have also collaborated with affect theory specialists in the UK, USA, and Japan, and with a group of art historians in Zurich on two projects on photography.

Moving beyond traditional research publication methods, I completed a short documentary titled When Cinema Was King (2018) on the topic of Japanese cinema audiences and their memories.

Publications

Books

Edited books

Journal articles

Chapters

  • (2020) Creative Context Springer Singapore View this article in WRRO RIS download Bibtex download
  • Coates J (2020) The Yakuza Film: A Genre 'Endorsed by the People' In Phillips A & Fujiki H (Ed.), The Japanese Cinema Book (pp. 348-360). London: British Film Institute. View this article in WRRO RIS download Bibtex download
  • Coates J (2020) Bodies in the Dark: The Postwar Cinema Audience and the Body as ‘Ground Zero’ In Holca I & SĂPUNARU TĂMAŞ C (Ed.), Forms of the Body in Contemporary Japanese Society, Literature, and Culture (pp. 237-257). Lexington View this article in WRRO RIS download Bibtex download
  • Coates J (2020) Creativity at the Margins in the ‘Golden Age’ of Japanese Cinema (1945–1965), Creative Context (pp. 101-117). Springer Singapore RIS download Bibtex download
  • Coates J & Haapio-Kirk L (2019) Gender in digital technologies and cultures In Coates J, Pendleton M & Fraser L (Ed.), The Routledge Companion to Gender and Japanese Culture (pp. 240-250). Routledge View this article in WRRO RIS download Bibtex download
  • Coates J, Fraser L & Pendleton M (2019) Introduction: Gender and culture in Japan today In Coates J, Fraser L & Pendleton M (Ed.), The Routledge Companion to Gender and Japanese Culture (pp. 1-7). Routledge View this article in WRRO RIS download Bibtex download
  • Coates J (2019) The Making of an Auteur: The Early Films (1958-1959), Killers, Clients and Kindred Spirits: The Taboo Cinema of Shohei Imamura (pp. 21-40). Edinburgh University Press View this article in WRRO RIS download Bibtex download
  • Coates J (2018) Alternative Viewership Practices in Kyoto, Japan, The Palgrave Handbook of Asian Cinema (pp. 221-241). Palgrave Macmillan, London RIS download Bibtex download
  • Coates J & ジェニファー コーツ)( (2016) 時を超えて出会いは再び訪れる:李香蘭/山口淑子/シャーリー・ヤマ グチ In Wada I & Katsura K (Ed.), 他者との邂逅は何をもたらすのか: 「異文化接触」を再考する (pp. 18-48). Showado RIS download Bibtex download
  • Coates J (2015) Pleasures of Recognition and Mediation in the Spectacle of the Nation In Drummond P (Ed.), The London Film and Media Reader 3: The Pleasures of the Spectacle The London Symposium RIS download Bibtex download

Book reviews

Teaching activities

Jennifer teaches on the following undergraduate modules:

  • EAS2032 Contemporary Japanese Society
  • EAS3033 Researching Japan 2
  • EAS3034 Japan Research Project 2