Portuguese Studies

An Introduction to the Social and Political History of Iberia & Latin America

This module examines the historical trajectory of Spain, its emergence as a state in the Iberian Peninsula, its imperial expansion overseas into Latin America, the eventual independence of the colonies and their development and consolidation into the various modern-day states we know today. The module will explore the social, political, linguistic and cultural characteristics of these states and its peoples and highlight the importance of understanding their complex history in the formation of their identities, their languages and their cultural and political values. The module has a particular emphasis on the importance of myths and how, regardless of their historical veracity, they can condition behaviours, mould identities and shape future history.

Intersections: Text, Image, Thought in the French-speaking world

This module will focus on two important French texts per semester (with 'text' taken in its largest sense of book, film, art work, piece of music, cultural product, etc.). Each text will form the basis for a close reading, followed by analyses using French cultural, historical, literary and critical theory approaches as well as adaptations into other media (such as film, art and music) where appropriate. The module will be taught and assessed in English, but the materials will be made available in both French and English, with French students required to use and cite the French materials. The aim of the module is to introduce students to significant French texts and to illustrate and explore a range of possible critical approaches to them, including cross-media or intermedial reinterpretations.

Resist! The Art of Protest in Berlin and Amsterdam

Berlin and Amsterdam: two capitals at the forefront of protest and alternative lifestyles from the early 20th century right up to the present. Where did their radical traditions spring from? What do these protests say about how the cities and nations see themselves? How does creative resistance fuel gentrification and urban tourism? 

This module explores the culture of resistance and protest from the first women's march for the vote and posters and activism against war and fascism, to the creative resistance of the Amsterdam PROVO movement in the 1960s to Black Lives Matter/Kick out Zwarte Piet. 

We will cover concepts such as populism, activism, colonial resistance, feminism, BLM, climate activism. How do these movement use art and image to press their causes?  

Comparative Visual Cultures

Visual literacy is a key skill and visual culture remains one of the most accessible and important modes through which we represent, understand and critique our world. This module provides an introduction to some of the major trends within visual cultures in European languages, and the development of visual media. Students will work on a selection of visual texts across national frameworks and historical periods to examine their conditions of production, distribution and reception and to explore how meaning is constructed and critiqued in visual culture. In seminars we will engage with detailed analysis of core texts and with critical materials. Students will be encouraged to consider country-specific, transnational and comparative trends through a critical lens. 

Understanding Spanish and Latin American Culture

Why has the gypsy culture of Andalucía been so crucial to ideas about Spanish identity and how and why has this changed? How did gender politics and the role of women change after the Franco dictatorship in Spain? How and why was modernity experienced as a crisis in Latin America? How does class struggle shape Latin America? What does Revolution really mean in the context of Latin America? These are just some of the questions that will be explored in this module. This course examines the literature and culture of modern Spain and modern Spanish-speaking Latin America. In each semester, three cultural products from one of these two areas are studied, and may include poetry, theatre, narrative fiction or film. We will build up a picture of the cultural history of Spain and Latin America, as well as looking at key themes to emerge from selected literary, dramatic and/or cinematic outputs. By focussing on different genres in each semester, students will be able to explore different types of cultural product and to develop analytical skills gradually by moving from shorter pieces to a larger body of writing.Students taking post-A Level or equivalent will study primary texts in their original Spanish version. Beginners will study primary texts in English translation. This module is strongly recommended as a foundational core course for further study in Spanish and Latin American Studies.

The Soviet Union 1917-1991

Overview of the formation, development and collapse of the USSR, beginning from c.1900. Covers historiographic problems in analysing primary materials, ideological problems in dealing with the revolutionary movement and subsequent developments, debates over the nature and trajectory of the USSR and its place in the wider world.

Portuguese Language Intermediate

Portuguese Language Intermediate

For those who started learning Portuguese in Level 1

If you didn’t study Portuguese in the first year, you can choose to pick up Portuguese as a beginners’ language in the second year, for 20 credits, and can even increase your exposure to the Portuguese-speaking world to 40 credits by also taking Cultural Crosscurrents in the Portuguese-speaking World

Cultural Crosscurrents in the Portuguese-speaking World

This module will examine the way producers of culture (authors, filmmakers, painters, singers, etc.) from the Portuguese-speaking world dialogue with the sociocultural links and/or historical legacies in Portuguese-speaking countries. The module covers countries across the Portuguese-speaking world (Portugal, Brazil, Angola, Mozambique, Cape Verde, Macau, East Timor, Goa and São Tomé and Príncipe), although it may not cover all of them in a given year.

The course is taught in English. Although effort will be made to provide English translations for the works studied, where these are available, please note that the course requires reading and listening in Portuguese. 

Hispanic Spaces

This module is an exploration of Hispanic spaces and their representation in various contexts. It will consider the ways in which spaces dialogue with reality or, in some cases, transform themselves in the imaginary. The case studies led by each of the tutors will consider space in the analysis of, for example, islands and/ or cities, and analyse texts (in the broadest sense, including fiction, images and films) from the Spanish, Catalan and Portuguese-speaking worlds. Topics considered may include contested space (tourism, migration, insiders and outsiders), space/place (literary constructions of place) and ideal/utopian spaces. The spaces studied may include islands such as the Balearics, the Canary Islands, and the Azores or Cape Verde, and cities such as Madrid and Lisbon. 

No prior knowledge of Catalan or Portuguese is required since the works analysed in those languages will be available in English translation. In addition to those studying Spanish, we welcome students enrolled on Catalan and Portuguese language modules.

Language and Society in Luxembourg and the French Borderlands

With a focus on the French borderlands, this course explores the status and function of the French language in relation to its speakers and to speakers of other languages. We will apply key theoretical insights to issues concerning linguistic minorities in the officially monolingual country of France, in addition to the bordering multilingual countries of Belgium, Luxembourg and Switzerland. In this way, we will investigate how language becomes the target of struggles and debates that are embedded in broader socio-political issues. More broadly, this module underlines the necessity of questioning the presupposed homogeneity conveyed by the use of labels such as the ‘French language’ and ‘French-speaking countries’, which potentially mask the social and linguistic complexity inherent to the social world.

Cultural Crosscurrents in the Portuguese-speaking World

This module will examine the way producers of culture (authors, filmmakers, painters, singers, etc.) from the Portuguese-speaking world dialogue with the sociocultural links and/or historical legacies in Portuguese-speaking countries. The module covers countries across the Portuguese-speaking world (Portugal, Brazil, Angola, Mozambique, Cape Verde, and São Tomé and Príncipe), although it may not cover all of them in a given year.
Students will examine how cultural producers discuss themes and concerns present in the intercultural relationship between their own culture and also across the Portuguese-speaking world. The classes will promote an understanding of how different Portuguese-speaking countries have approached, and influenced, each other, including the legacy of colonialism. In so doing, the aim will be for students to understand how the links between Portuguese-speaking countries affect social, political and cultural aspects between countries

*This module must be taken either at level 2 or in final year to validate the Portuguese
pathway.

Languages & Cultures Project

Guided by individual supervision and support seminars, you will plan and execute an extended piece of independent research on a topic that complements but does not duplicate work you have done (or will do) in SLC taught modules. Alternatively, you may translate a substantial text into English accompanied by a full commentary to contextualize it. Your project must relate to at least one of the countries or cultures whose languages you are studying. As well as writing an extended piece of work, all students present their work at the end of the year.

Comparative Critique of Consumer Culture

Critiques of consumer cultures are as old as capitalism itself. This module takes the long view, starting in the eighteenth century and tracing our conflicted identities as modern consumers into the present day. Especially applying German cultural theory to European cultural history, we shall ask what is meant by economic and social liberalism, and whether even culture owes a debt to consumer society. Consumerism can entail complicity in exploitative modes of production (causing poverty and displacement, and profiting from serfdom and slavery). It has been both celebrated and satirised for enabling hedonism and individual bad taste (or kitsch). And consumption has been nationalist, yet also cosmopolitan; today, it threatens our shared environment. Theory, the visual arts, and literature have all been critical of capitalism - but ironically, they can themselves be packaged as consumer goods. Examining a wide range of primary texts (including film and caricature) and critical reflections, you will translate and write a commentary on a historical source, and submit an essay on a topic of your choice.

Social Approaches to Multilingualism

This course begins by outlining key theories about multilingualism and then explores language contact and variation, language and identity and differences between individual and societal multilingualism. Students design their own research projects to examine the ways in which issues of language are linked to broader socio-political practices, policies and debates. Project topics include language and digital media, language and migration, multilingual education and linguistic landscapes in multiple sites around the world to obtain global perspectives.