Dibben N (1999) Book Reviews. Psychology of Music, 27(2), 272-274.
Dibben N (1999) Representations of femininity in popular music. Popular Music, 18(3), 331-355.
Dibben N (1999) The perception of structural stability in atonal music: The influence of salience, stability, horizontal motion, pitch commonality, and dissonance. MUSIC PERCEPT, 16(3), 265-294.
Dibben N (1998) Book Reviews. Psychology of Music, 26(2), 216-218.
Dibben N (1998) Review. Music Perception An Interdisciplinary Journal, 15(4), 406-412.
Dibben N (1998) Perception and cognition of music.. MUSIC PERCEPT, 15(4), 406-412.
Dibben N & Clarke EF (1996) The perception of underlying structure in tonal and atonal music. INT J PSYCHOL, 31(3-4), 2425-2425.
DIBBEN N (1994) THE COGNITIVE REALITY OF HIERARCHICAL STRUCTURE IN TONAL AND ATONAL MUSIC. MUSIC PERCEPT, 12(1), 1-25.
Dibben N (2017) Music and Environmentalism in Iceland In Holt F & Kärjä A-V (Ed.), The Oxford Handbook of Popular Music in the Nordic Countries Oxford: Oxford University Press. View this article in WRRO
Dibben N (2014) Visualising the App Album with Björk's Biophilia In Vernallis C, Herzog A & Richardson J (Ed.), The Oxford Handbook of Sound and Image in Digital Media (pp. 682-706). Oxford: Oxford University Press. View this article in WRRO
Dibben N (2014) Understanding performance expression in popular music recordings In Fabian D, Timmers R & Schubert E (Ed.), Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures (pp. 117-132). Oxford: Oxford University Press.
Dibben N (2012) The Intimate Singing Voice: Auditory Spatial Perception and Emotion in Pop Recordings In Zakharine D & Meise N (Ed.), Electrified Voices Medial, Socio-Historical and Cultural Aspects of Voice Transfer (pp. 107-122). V&R unipress GmbH
Dibben N (2009) Vocal Performance and the projection of Emotional Authenticity In Scott DB (Ed.), The Ashgate research companion to popular musicology (pp. 317-334). Ashgate
Dibben N (2009) Vocal performance and the projection of emotional authenticity In Scott D (Ed.), The Ashgate Research Companion to Popular Musicology (pp. 317-333).
Dibben N (2003) Musical materials, meaning and perception In Clayton M, Herbert T & Middleton R (Ed.), The cultural study of music (pp. 193-203). Routledge
Dibben N & Cook N (2001) Musicological approaches to emotion In Juslin PN & Sloboda J (Ed.), Music and emotion (pp. 45-70). Oxford University Press
Conference proceedings papers
Dibben N & Witek M (2009) An exploratory study of physiological and emotional responses to groove-based music. International Conference on Music and Emotion. Durham UK, September 2009.
Dibben N (2009) Intimate Environments: Auditory spatial perception and the performance of emotion in pop songs". International Conference on Music and Emotion. Durham UK, September 2009.
Dibben N (2009) How are emotions in music culturally contingent? A review of eveidence for the cultural and histroical specificity of emotions inducd and represented by music.. ESCOM. Jyvaskyla, Finland, August 2009.
Dibben N (2009) Consuming musical bodies: Star image and song personality in vocal performance. The Musical Body: Gestrue Reprsentation and Ergonomics in Performance, Institute of Musical Research. Royal College of Music, 22 April 2009 - 24 April 2009.
Dibben N (2009) Understanding Affective Experience with Music: Body, Mind, and the Auditory Environment. Esthetique et Cognition: Theories de l'art et phenomenes cognitifs. Institut D'esthetique des Arts et des Technologies, University of Paris - Sorbonne and CNRS, 4 April 2009.