The Gothic Bible Project

The Gothic Bible Project

About the project

The Gothic Bible Project constitutes an interdisciplinary approach to investigating instances within the Bible and Gothic fiction (i.e. literature, drama, and film) that demonstrate an interplay between biblical concepts/iconography and the literary Gothic mode, which began with the publication of Horace Walpole’s The Castle of Otranto (1764-5). From its inception, this literary genre has continued to showcase associations with the Bible, theology, and/or religion; this project seeks to highlight and explore these ongoing relationships. Hosted at the University of Sheffield (United Kingdom), The Gothic Bible Project combines the university’s Sheffield Institute for Interdisciplinary Biblical Studies (SIIBS) and The Centre for the History of the Gothic.

Our research aims

The Gothic Bible Project seeks to enrich the study of the Bible and Gothic fiction by examining (1) Gothic fiction (i.e. literature, drama, and film) that exhibit biblical/religious iconography or (2) biblical texts that reveal instances mirroring those associated with the literary Gothic mode.

Additionally, this project desires to incorporate the academic disciplines of theology and philosophy to bolster its investigative approach. The Gothic Bible Project combines these academic fields into a conversation with one another to study the reception and ongoing relevance of biblical concepts/iconography in not only past Gothic fiction but modern Gothic narratives as well. The Gothic Bible Project ultimately aims to extend the reach of Gothic studies into other academic disciplines to promote its interdisciplinary characteristics.

Future Project

The Gothic Bible Project will host its official launch event in July 2017 and also commence an academic blog series.

Project Leads

Mary Going

Mary Going is a PhD candidate at the University of Sheffield researching Judaism within Romantic

and Gothic fiction of the 1790s and early nineteenth century. Her research centres on depictions of Jewish identities and communities within the fiction of this period, with a particular focus on the figure of the Wandering Jew. She co-organizer of the ‘Reimagining the Gothic’ project, an ongoing interdisciplinary project created and run by Sheffield Gothic which hosts an annual ‘Reimagining the Gothic’ Symposium and Creative Showcase.

Twitter: @MazGoing

Christopher Scott

Christopher is currently a PhD candidate at the University of Sheffield studying English literature and Gothic fiction with a particular focus on the Edwardian period in Britain (1901-14). His most recent publication was an academic blogpost (March 2016) for the International Gothic Association titled “Gothic Fauna: Bestial Omens of Human Mortality in Hayao Miyazaki`s Princess Mononoke.” Christopher’s research interests lie in the literary Gothic mode, theological iconography, and representations of the natural environment in literature and film.

Dr Katie Edwards

Dr Katie Edwards is a Senior Lecturer in the School of English at the University of Sheffield and Director of Sheffield Institute for Interdisciplinary Biblical Studies (SIIBS). Her research focuses on the intersections of gender, race and class in popular cultural reappropriations of biblical characters and narratives. Her publications include Admen and Eve: The Bible and Contemporary Advertising (Sheffield Phoenix Press, 2012), The Messiah Wears Prada: Representations of Jesus in Contemporary Popular Culture (Bloomsbury, forthcoming), and the edited volume Rethinking Biblical Literacy (Bloomsbury, 2015). She is co-editor of the series The Bible and Social Identities (Bloomsbury).

Twitter: @KatieBEdwards

Dr Caroline Blyth

Caroline Blyth is senior lecturer in Biblical Studies and Religious Studies at the University of Auckland, New Zealand. Her research interests encompass exploring the Bible in popular culture, focusing in particular on representations of gender and sexuality in biblical and contemporary narratives. She has a special interest in the various intersections that exist between religion and violence, and is currently obsessed with tracing biblical themes in contemporary crime fiction and drama. Her recent publications include The Narrative of Rape in Genesis 34: Interpreting Dinah’s Silence (OUP, 2010), Sexuality, Ideology and the Bible: Antipodean Engagements (Sheffield Phoenix Press, 2015, co-edited with Robert Myles), and The Lost Seduction: Reimagining Delilah’s Afterlives as Femme Fatale (Bloomsbury, forthcoming). She is current managing co-editor of the Bible and Critical Theory journal.

Twitter: @CazBlyth