Music and Korean Studies BA

Music optional modules:

History of Western Music

This module considers key moments in the history of Western music from the 1500s to the present day. Taking individual composers and works, it aims to introduce students to different approaches to the study of music history, the development of particular musical genres, and the impact of cultural, historical and geographical context on composers. In addition, the module will consider ways of writing about music, and the use of primary and secondary sources for informing critical discussions of the subject.

20 credits

Music of the World

As a foundation for more specialised studies in particular forms of music, this module introduces you to the study of music as a phenomenon common to all humanity, and cultivates your awareness of the many different things that music can be to people in different times and places. You’ll develop a broad familiarity with a variety of musical styles and genres from around the world, acquiring both knowledge of music (the sounds and styles of the music itself) and knowledge about music (the social and cultural contexts in which the music functions). You’ll also develop skills in recognising features of musical sound organisation, representing them visually and describing them in words.

20 credits

Tonal Music Analysis and Criticism  

In this module you'll address the core skills of listening to, analysing, and writing critically about Western Classical music. With a focus on eighteenth-century “common practice” tonality, you will study harmony, counterpoint, melody, texture and form in preparation for analysing short pieces, and will learn to write about the music you hear as well as the notes you see on the page. Your work will also prepare you for future music modules.

10 credits

Exploring Tonal Styles

This module builds core skills of hearing, describing and using tonal procedures in a range of Western musical styles. It extends MUS133 Tonal Music Analysis and Criticism by moving on from classical “common practice” to explore styles that use tonality in different ways. We’ll explore styles like Medieval and Renaissance music, jazz and rock. You’ll produce analyses from written scores and recordings, and write examples and exercises in the appropriate styles. You’ll develop musicianship skills that prepare you for composition, analysis and performance work in subsequent years.

10 credits

Technologies for Music

Whatever your musical interests, you cannot avoid music technologies - they are central to how we listen to, enjoy and study music. This module introduces you to several important and useful music technologies that will help you throughout your future studies. You will start by learning the essential principles of those technologies, before learning how they work in practice. By the end of the module, you will be versed in the basics of digital audio, sound recording, wave-editing, audio and MIDI, sound effects and plugins, file types and formats.

10 credits

Composition

In this module you will develop your composition skills, practice writing music in staff notation, and learn to write effectively for different instrumental and vocal forces. Drawing on the models of a diverse range of classical composers of the 20th and 21st centuries, we will focus on techniques for writing inventive melodies and rhythms, and employing wide-ranging approaches to harmony. The module aims to give you a foundation in composition and increase your confidence in preparation for further study.

20 credits

Performance

In this module you will develop the musical and intellectual abilities appropriate to solo performance. The theoretical background is considered, focusing on the aural and analytical skills essential to performance at an advanced level. An awareness of style and interpretation, as well as effective preparation and communication are built into teaching. You will receive one to one tuition in addition to attending whole class performance lectures.

20 credits

Folk Music Participation

This module is based upon participation in and preparation for folk sessions hosted by the Department of Music. Through intensive preparation of challenging repertoire, as well as the skills to enable improvised participation, you will develop your understanding of the demands and pleasures of session practice, and your knowledge of the repertoires concerned (British folk traditions), and be encouraged to reflect upon the roles and responsibilities of individual participants within the group. You will also be required to attend a professional ensemble concert or concerts within the university concert series, or an equivalent online event.

10 credits

Composing Electronic Music

The lectures on this module introduce you to various forms of electronic music composition. Through creative practice, key principles of composition with technology are introduced and a number of broad genres are set in a historical and analytical context. A diverse range of software tools are used, further enhancing your digital skills. You will learn how to process and develop a range of recorded and synthetic sound material, before considering some of the various ways in which those materials may be used to compose electronic pieces. After making a number of short etudes throughout the first half of the module, you select one area in which to complete your own original work.

10 credits

Popular Music Studies

This module provides an introduction to the academic study of popular music. You will explore the various definitions of 'popular music' in relation to their socio-cultural context, and investigate some of the major issues and debates of popular music studies. Lecture materials and in-class tasks will engage with approaches to the analysis of popular music and media, issues of representation, and the relationship between popular musicians and their audiences. Assessments involve critical engagement with the themes of the module in relation to a popular music artist or piece of your choosing.

10 credits

Music Psychology

In this module you will engage with some of the most provocative questions about musical thought and behaviour: What are the characteristics of the musical mind? Why do we feel emotions when listening to or performing music? How does music and music therapy influence our health and wellbeing? Can music make you smarter? The module is designed such that no prior formal musical or psychological training is necessary. You will develop knowledge of the scientific methods used to study music from a psychological perspective, and how findings can inform applications in education, healthcare, and the creative industries.

10 credits

Korean core modules:

Korean Language 1A

This module is focusing on receptive activities and written productive activities in Korean language. It aims to enable students to acquire basic competence in grammar, reading, writing and translation both from and into Korean. Every week carefully designed grammar structures and vocabulary will be introduced so that students will be able to do something practical in Korean. The target level at the end of this level is roughly equivalent to TOPIK (Test of Proficiency in Korean) beginners level/L1 or CEFR (Common European Framework of Reference for Languages) A1. 

20 credits

Korean Language 2A

This module is focusing on receptive activities and written productive activities in Korean language. This module builds on the achievement of EAS1043 and introduces further grammatical structures of the Korean language with a view to further developing reading, writing and translation skills. Every week carefully designed grammar structures and vocabulary will be introduced so that students will be able to do something practical in Korean. At the end of this level students should complete the beginner's level which is roughly equivalent to TOPIK (Test of Proficiency in Korean) upper beginners level/L2 or CEFR (Common European Framework of Reference for Languages) A2.

20 credits

Korean Language 1B

This module is focusing on interactive activities in Korean. It aims to enable students to acquire basic competence in speaking and listening skills. Every week carefully designed grammar structures and vocabulary will be introduced so that students will be able to communicate in Korean through a variety of activities. The target level at the end of this level is roughly equivalent to TOPIK (Test of Proficiency in Korean) beginners level/L1 or CEFR (Common European Framework of Reference for Languages) A1. 

10 credits

Korean Language 2B

This module is focusing on interactive activities in Korean. This module is built on the achievement of EAS1044 and develop speaking and listening skills further to provide the grounding necessary for intermediate study. Every week carefully designed grammar structures and vocabulary will be introduced so that students will be able to communicate in Korean through a variety of activities. At the end of this level students should complete the beginner's level which is roughly equivalent to TOPIK (Test of Proficiency in Korean) upper beginners level/L2 or CEFR (Common European Framework of Reference for Languages) A2.

10 credits

Music annual modules (optional):

Intermediate Performance

This module will introduce you to performance practice and techniques related to performance at an intermediate level. It will act as preparation for advanced performance in Year 3 Recitals, and builds on the foundation work completed as part of Performance in Year 1. You will take individual instrumental/vocal lessons, which will run alongside workshop-based lectures throughout the academic year.

20 credits

Intermediate Composition

This module follows on from Composition in Year 1 to support the development of your compositional practice. You will study more advanced techniques of 20th and 21st Century classical music and develop strategies for making longer pieces. You’ll write for small ensembles and soloists, including collaboration with advanced performers taking the MA Performance Studies, and you will have opportunities to get your work played in concerts. This work will prepare you for other composition-related modules, including Portfolio of Compositions and Special Project in Year 3.

20 credits

Creative Applications of Music Technology

This module will introduce you to a range of technologies that might be used for creative purposes and provides an opportunity for further electronic music composition. The module necessarily focuses upon the science of music (sound and the digital medium, filters, reverbs, synth design, computer music programming) before engaging with the construction of two works: one that is very synth driven (a dance music style) and one that further develops your electroacoustic music study. The technological aspects of the module are quite broad and strengthen essential transferable skills and computer literacy. The creative aspects of the module develop your original composition profile whilst augmenting skills in sound design and commercial composition.

20 credits

Music rotational modules (optional)

Analysis of Classical and Early Romantic Music

This module will introduce you to musical analysis in the western classical tradition. The emphasis is on the internal and external workings of musical forms in the late eighteenth and early nineteenth centuries, focussing on Haydn’s and Mozart’s mastery of standard classical forms, on Beethoven’s formal manipulations, and on the interaction of form and expression in the early nineteenth century (e.g. Schubert and Chopin). Topics will include: motivic, thematic, melodic and rhythmic manipulation; interrelationships between counterpoint, harmony and melody; standard formal patterns; formal expansions and contractions; wit and humour in the late eighteenth century; expression and form.

20 credits

Baroque Music

Public knowledge of baroque music today is shaped by the dominance of a ‘canon’ of music considered authoritative or ‘great’, which for ideological and historical reasons is dominated by white European male composers. This module sets out to help change that. You’ll work as a team, with clearly defined roles, to produce a critical edition-with-commentary of music created using staff notation between c.1600-1750 by a musician who was NOT a white European man, which is obscure or completely unknown in the present day. Optionally, the group may also choose to record historically-informed performances of some or all of the music included in their edition. The materials produced will ultimately be made publicly available online.

20 credits

Community, Music and Education

This module will engage you in the current debates and practices of music in education and community settings, from the formal classroom setting and instrumental studio, through the work done by community support groups, to more recreational musical practice in the community. Questions of music's place in the curriculum, the relationship between school and home music, and the challenges of providing a vibrant musical education for all people, will be addressed in lectures and discussions. You will work in mentored groups to investigate and support community music-making or school-based music education in Sheffield, building your skills as a researcher, and learning about career options including teaching, delivering and managing music provision for young people and vulnerable adults. You will finish the module knowing more about music and its contribution to education and society, through your critical reflection on published research evidence, and through school and community fieldwork visits.

20 credits

Ensemble Performance

This module will enable students with appropriate instrumental or vocal skills to develop ensemble playing, and will present students with the opportunity to interact with other musicians in a supervised situation. Ensembles will be formed according to available student resources, and an appropriate wide-ranging repertoire chosen for study. Particular attention will be paid to ensemble considerations, though technical matters and the development of stylistic awareness will also form an important part of the course.

20 credits

Ethnomusicology

This module introduces ethnomusicology as a way of researching musical culture, with selected musical traditions explored as case studies in applying and assessing ethnomusicological methods. These methods typically emphasise ‘ethnography’, in which the primary sources are live human beings and knowledge is produced by interacting with them through musical participation, observation and interviewing. You’ll have the opportunity to conduct an ethnographic fieldwork project, either face-to-face or ‘virtual’, and write up the results in your assessed work. Alternatively, you can submit an essay examining published ethnomusicological research on a specific topic. Either way, you should reflect critically on how musical knowledge is produced by ethnomusicological methods.

20 credits

Jazz Studies

This module introduces some of the key figures and developments in the history of jazz, from its origins as an early twentieth-century American music, to its various contemporary manifestations across the world. You will engage with the contexts and debates that have shaped (and continue to shape) the performance, reception, representation, and study of jazz music, and will conduct independent research into a jazz-related topic of your choosing.

20 credits

Musical Culture in East Asia

This module introduces the musical life of East Asia, including China, Korea, Japan and neighbouring areas, in historical and cultural context. While emphasising traditional East Asian music and musical theatre, you’ll also examine East Asia’s participation in the culture of Western-style classical and popular musics. You’ll learn to recognise many forms of East Asian music and explain how they use sound in pursuit of particular cultural goals. You’ll also carry out a guided research project on a cultural, historical and/or analytical topic in East Asian music.

20 credits

Mozart in Vienna, 1781-1791

In this module, you will examine Mozart's career as performer and composer in Vienna (1781-91), looking at the environments and circumstances in which he worked and the aesthetic contexts in which he thrived. Topics will include: the circumstances that led Mozart to move from Salzburg to Vienna in 1781; his career as a performer; aesthetic, historical and contextual issues in 1780s Vienna; Mozart's instrumental, operatic and sacred works composed in Vienna; and Mozart's status as a musical-cultural icon in the nineteenth and twentieth centuries.

20 credits

Music in Renaissance Europe

This module will introduce you to European musical cultures in the fifteenth and sixteenth centuries and the research methods through which they are discovered and studied. You’ll investigate the roles played by music in the everyday life of street and home, as well as in religion and politics. The module links music to some of the big critical themes in the European history of the period, including Europe’s expanding international horizons through trade and colonialism, the dramatic increase in the circulation of books thanks to new printing technology, and conflict both within and between religious faiths.

20 credits

Music and Wellbeing

To give students the opportunity to undertake the intensive study of a particular aspect of musical sound/material, behaviour or thinking, from the past or present; to demonstrate their ability to produce a substantial piece of scholarly written work; to enable them to consolidate and develop research techniques and critical skills; and to develop skills in writing and presentation. The dissertation need not involve original research but can be a conflation of existing knowledge. Dissertation topics should enable candidates to demonstrate the ability to place music in its historical and cultural context, and to support their arguments with informative comments based on detailed analysis. The length of the dissertation should be approximately 7,500 words.

20 credits

Music Placements

This module provides an opportunity for you to experience a working environment of interest to you and to undertake work-related learning in a professional music setting. You will choose and negotiate your own placement with the support of tutors and a directory of local and national organisations. Alongside the placement, tutors will support you through seminar sessions. Topics include: preparing for the placement, how to get the most out of the experience, and preparing for the assessment. Through this experience you will develop specialist knowledge of the music industries and critical, career-relevant reflective skills.

20 credits

Music Promotions

This practical module, running across two semesters, provides an introduction to key concepts and methods essential to effective music promotion. You will work in a group to plan and implement a promotion strategy for an event or music product release, applying theoretical principles of music promotion in practice. Supported through regular lectures and seminars, you will develop a deeper understanding of the operational elements of a music promotions project; analyse strategic (including commercial) considerations involved in selecting music for promotion; iIdentify and apply financial and legal best practice in music promotion; develop and implement strategies and techniques for publicising and marketing of music through traditional and digital media; and learn how to work more effectively in groups in the context of music promotion.

20 credits

Music Psychology in Everyday Life

This module will introduce you to theories, empirical investigations and applications of music psychology relevant to everyday life. You will learn about the diverse uses of music in everyday situations, which may include personal, communal and commercial settings. The reasons for music use in these situations are explored and possible explanations of music's ability to support functions are critically reviewed, including social, emotional, personal, educational and commercial impacts. The module will be delivered through lectures, group discussions, and small research projects.

20 credits

Opera and Identity

This module gives you the opportunity to explore, understand and debate contemporary critical issues about the relationship between opera and identity. Focussing on opera from 1800 to the present day, the historical and social contexts surrounding the creation, premiere, and reception of opera forms the backdrop to the study of individual works in relation to topics including race, gender, sexuality, class, colonialism, religion, exoticism, political ideology, and national identity. From exoticised 19th-century Italian constructions of Egypt, through to the interplay of gender and sexuality in the depiction of pop culture icon Anna Nicole Smith, the operatic stage provides a forum for the consideration of some of society’s most pertinent and widely debated issues.

20 credits

Orchestral Technique

This module covers the essential knowledge and skills for scoring music for symphony orchestra, as well as for smaller groupings of orchestral instruments. The module equips you for arranging and writing music for ensembles you might find yourself working with in the future, as a player, composer, conductor or teacher. The Orchestral Technique module is appropriate for all music students, but is particularly important for those specialising in composition. It will give you relevant knowledge of instruments, repertoire and techniques, and also provide the background training you will need for composing for media and film, and for live performance.

20 credits

Practical Musicianship: Improvisation

This module will introduce students to skills and techniques related to practical musicianship. By learning skills such as ensemble direction, improvisation, sight reading, reading in different clefs, transposition at sight and realising a graphic score, students will learn how to become more flexible as performers.

20 credits

Psychology of Music: methods and applications

This module lays the foundation for you to be able to research a music-psychological topic using psychological research methods and consider its relevance for musical life and the music profession. You’ll work on developing skills in psychological research approaches, through teaching that is problem-based, meaning that you will work on research design and data collection methods to tackle an issue or problem that may be encountered in musical contexts. A combination of methods is considered including qualitative and quantitative data collection, reflection, observation and literature research. Included problems may relate to musical development, psychology of performance, and music engagement.

20 credits

Sound and Moving Image

This module gives you the opportunity to compose sound and music for film and other visual media, and position sound and music within the filmmaking process. Using a variety of software, you will be responsible for the entire project from the ideas stage through to the creation of all audio materials. A diverse range of existing movies, audiovisual works and relevant literature will be studied, and you will be expected to use these to inform your own work.

20 credits

Sound Recording Practice

This module examines the fundamental theories of recording. Focussing upon the recording of both sound and music, it provides you with an opportunity to realise an original track. The module engages briefly with technical aspects of recording (microphone types, sound file formats) before using practical work and listening to decide upon choice of microphone, placement and capture. By making field recordings, location recordings, and session-based recordings, you will acquire a broad understanding of relevant issues and methods. The mixing and mastering of session-based recordings results in your finished track and helps you develop the skills required in the professional sound studio.

20 credits

Topics in Popular Music

This module explores in depth, a range of models, case studies and themes for the study of Popular Music. Students are introduced to varying analytical and critical approaches to the study of popular musics in global perspective, with topics including (e.g.): how popular musicians learn; popular music and humour; popular music as world music; reading popular music `texts'; understanding business models; and conducting a popular music ethnography. As well as developing a factual knowledge of the genres covered in the module, students will develop a critical awareness of research methods and discursive themes in the field of popular music studies.

20 credits

The Broadway Musical

This module addresses the development of the Broadway musical, focusing on leading figures and critical issues. It looks at shows such as My Fair Lady and Oklahoma!, examines aspects of identity such as race and sexuality, and unpacks the collaborative nature of the genre. Alongside lectures on set works, you will pursue an individual project on a topic of your own choice, allowing freedom to identify with the work being studied.

20 credits

Traditional Music in the Modern World

This module will introduce you to the study of folk and traditional music, focussing on a range of contemporary folk music cultures. You’ll learn to use a range of approaches (ethnomusicology; critical and culture theory; political theory) to consider the traditional identities these music cultures construct, and how they relate to their modern, economic, political and technological contexts. Past and current definitions of the terms folk music and traditional music are explored, and music cultures are investigated in terms of specific debates and contexts, such as revivalism, nationalism, institutionalisation, competition and education.

20 credits

World Music Performance

In this module you’ll acquire a practice-based understanding of one world music tradition (selected in advance by the course tutor), improving your musical performance skills and experiencing first-hand the modes of transmission that are part of the tradition. Through performance-based seminars, you will learn to play and/or sing in the style offered, backing up that experience with theoretical knowledge derived from ethnomusicological literature. Your learning will also be supported by a writing-based project, supported by seminars/tutorials as appropriate, resulting in a Learning Journal documenting and reflecting on the learning experience.

20 credits

Korean core modules:

Korean Language 3A (Level 2)

This module is focusing on receptive activities and written productive activities in Korean language at lower intermediate level. This module acts as a transition between the teacher-centred learning required for the acquisition of basic language skills, and the autonomous and self-directed learning required to progress at intermediate and advanced levels. Translation and functional reading skills are extended, with texts including annotated topical materials. Techniques for tackling unseen materials are developed and grammar knowledge is consolidated and expanded. Practical knowledge of roughly 150 Chinese characters is introduced. Students develop skills needed to make best use of the Year Abroad programme.

20 credits

Korean Language 4A (Level 2)

This module is focusing on receptive and written productive activities in Korean language at mid-intermediate level. This module continues to act as a transition towards the autonomous and self-directed learning required to progress at intermediate and advanced levels. Grammar knowledge is consolidated and expanded and practical knowledge of Hanja is expanded. Further functional reading skills and precise Korean-English translation skills are introduced. The use of written Korean appropriate to a variety of social contexts (i.e. life in Korea) is developed. The target level at the end of the level is roughly equivalent to TOPIK (Test of Proficiency in Korean) L4 or CEFR (Common European Framework of Reference for Languages) B2.

20 credits

Korean Language 3B (Level 2)

This module is focusing on interactive activities in Korean language at lower intermediate level. Every week students are made aware of and given the opportunity to practise spoken applications of specific themes, which is shared with the grammar and writing components. Students develop skills needed to make best use of the Year Abroad programme.

10 credits

Korean Language 4B (Level 2)

This module is focusing on oral and aural activities in Korean language at intermediate level. Every week students are made aware of and given the opportunity to practise spoken applications of specific themes, which is shared with the grammar and writing components. Students are made aware of and given the opportunity to practice spoken applications of specific situations. The target level at the end of this level is roughly equivalent to TOPIK (Test of Proficiency in Korean) L4 or CEFR (Common European Framework of Reference for Languages) B2.

10 credits

Korea Year Abroad

This year abroad programme in Korea is designed to equip students with more advanced language skills, as well as to immerse them in Korean culture, enabling them to take part in a range of structured and informal learning experiences to develop their familiarity with the Korean social, cultural and physical environments. On completion of the module they will have acquired facility in operating with confidence with a Korean language environment, and taken part in a range of structured and informal learning experiences to develop their familiarity with the Korean social, cultural and physical environments. Both of these elements are essential for progression to Level 3. Where extenuating circumstances prevent a cohort, or a large portion of a cohort, from completing a complete academic year abroad, the School of East Asian Studies will provide alternative arrangements for students to meet the language learning outcomes.

120 credits

Final Year Projects music modules:

Dissertation

This module gives you the opportunity to undertake intensive study of a particular aspect of musical sound/material, behaviour or thinking, from the past or present, presenting the findings of your investigation as a substantial piece of scholarly written work, and in the process consolidating and further developing your research and critical skills. Your dissertation topic should enable you to demonstrate the ability to place music in its historical and cultural context, and to support your arguments with informative comments based on detailed analysis. Dissertation can be taken in 20 or 40 credit versions. The length of the dissertation should be approximately 6000 words for MUS301 Dissertation (20 credits); 9500 words for MUS332 Extended Dissertation (40 credits).

20 credits

Extended Portfolio of Compositions

This final year module supports your independent composition practice and builds upon skills acquired over previous years. Compositions may be for small or large forces of instruments or voices, may combine instruments with electronics, or may be electroacoustic. Where possible the module will culminate in a public performance of some of the work produced. Portfolio of Compositions can be taken in 20 or 40 credit versions. The length of the portfolio should be approximately 10 minutes for MUS302 Portfolio of Compositions (20 credits); 20 minutes for MUS333 Extended Portfolio of Compositions (40 credits).

40 credits

Extended Prepared Instrumental or Vocal Recital

In this module you will develop your advanced practical skills to demonstrate the ability to communicate meaning in music through a public performance at a professional standard. You will prepare a programme, in any musical style and on any instrument, which exhibits your repertorial range containing works of a contrasting nature from different historical periods and contain a contemporary work. Your work will be supported by individual instrumental tuition. Instrumental or Vocal Recital can be taken in 20 and 40 credit versions. The length of the recital should be approximately 25 minutes for MUS303 Instrumental or Vocal Recital (20 credits); 35-40 minutes for MUS334 Extended Instrumental or Vocal Recital (40 credits).

40 credits

Special Project

This module allows you to negotiate a special project that does not conform to Dissertation, Performance and Composition, on a topic agreed with tutors on a case-by-case basis. It affords an opportunity for you to work with others outside of your discipline and to communicate your work to non-specialist audiences where appropriate. The project must be public-facing and potentially have career-oriented goals; it may include a placement activity. Special Project can be taken in 20 or 40 credit versions. MUS3040 Special Project (20 credits) comprises the project itself, presented through a public self-designed website and blog. MUS3041 Extended Special Project (40 credits) adds a critical reflective essay that serves to link the project to extant academic work and provide a context for aspects of the project itself.

20 credits

Extended Dissertation

This module gives you the opportunity to undertake intensive study of a particular aspect of musical sound/material, behaviour or thinking, from the past or present, presenting the findings of your investigation as a substantial piece of scholarly written work, and in the process consolidating and further developing your research and critical skills. Your dissertation topic should enable you to demonstrate the ability to place music in its historical and cultural context, and to support your arguments with informative comments based on detailed analysis. Dissertation can be taken in 20 or 40 credit versions. The length of the dissertation should be approximately 6000 words for MUS301 Dissertation (20 credits); 9500 words for MUS332 Extended Dissertation (40 credits).

40 credits

Portfolio of Compositions

To give students the opportunity to explore their own creativity through original composition. The portfolio of original compositions should contain about ten minutes of music. The portfolio may include compositions for vocal or instrumental forces, or may consist of electro-acoustic music. Where possible the module will culminate in a public performance of some of the work produced.

20 credits

Prepared Instrumental or Vocal Recital

To enable students with advanced practical skills to demonstrate the ability to communicate meaning in music by public performance of a professional standard. The performance should contain works of a contrasting nature, from different historical periods, and will be given in public. Matters concerning the submission of the programme and the choice of accompanists are discussed with tutors.

20 credits

Extended Special Project

This module allows you to negotiate a special project that does not conform to Dissertation, Performance and Composition, on a topic agreed with tutors on a case-by-case basis. It affords an opportunity for you to work with others outside of your discipline and to communicate your work to non-specialist audiences where appropriate. The project must be public-facing and potentially have career-oriented goals; it may include a placement activity. Special Project can be taken in 20 or 40 credit versions. MUS3040 Special Project (20 credits) comprises the project itself, presented through a public self-designed website and blog. MUS3041 Extended Special Project (40 credits) adds a critical reflective essay that serves to link the project to extant academic work and provide a context for aspects of the project itself.

40 credits

Music annual modules (optional):

Intermediate Performance

This module will introduce you to performance practice and techniques related to performance at an intermediate level. It will act as preparation for advanced performance in Year 3 Recitals, and builds on the foundation work completed as part of Performance in Year 1. You will take individual instrumental/vocal lessons, which will run alongside workshop-based lectures throughout the academic year.

20 credits

Intermediate Composition

This module follows on from Composition in Year 1 to support the development of your compositional practice. You will study more advanced techniques of 20th and 21st Century classical music and develop strategies for making longer pieces. You’ll write for small ensembles and soloists, including collaboration with advanced performers taking the MA Performance Studies, and you will have opportunities to get your work played in concerts. This work will prepare you for other composition-related modules, including Portfolio of Compositions and Special Project in Year 3.

20 credits

Creative Applications of Music Technology

This module will introduce you to a range of technologies that might be used for creative purposes and provides an opportunity for further electronic music composition. The module necessarily focuses upon the science of music (sound and the digital medium, filters, reverbs, synth design, computer music programming) before engaging with the construction of two works: one that is very synth driven (a dance music style) and one that further develops your electroacoustic music study. The technological aspects of the module are quite broad and strengthen essential transferable skills and computer literacy. The creative aspects of the module develop your original composition profile whilst augmenting skills in sound design and commercial composition.

20 credits

Music rotational modules (optional):

Practical Musicianship: Improvisation

This module will introduce students to skills and techniques related to practical musicianship. By learning skills such as ensemble direction, improvisation, sight reading, reading in different clefs, transposition at sight and realising a graphic score, students will learn how to become more flexible as performers.

20 credits

Ensemble Performance

This module will enable students with appropriate instrumental or vocal skills to develop ensemble playing, and will present students with the opportunity to interact with other musicians in a supervised situation. Ensembles will be formed according to available student resources, and an appropriate wide-ranging repertoire chosen for study. Particular attention will be paid to ensemble considerations, though technical matters and the development of stylistic awareness will also form an important part of the course.

20 credits

Orchestral Technique

This module covers the essential knowledge and skills for scoring music for symphony orchestra, as well as for smaller groupings of orchestral instruments. The module equips you for arranging and writing music for ensembles you might find yourself working with in the future, as a player, composer, conductor or teacher. The Orchestral Technique module is appropriate for all music students, but is particularly important for those specialising in composition. It will give you relevant knowledge of instruments, repertoire and techniques, and also provide the background training you will need for composing for media and film, and for live performance.

20 credits

Sound and Moving Image

This module gives you the opportunity to compose sound and music for film and other visual media, and position sound and music within the filmmaking process. Using a variety of software, you will be responsible for the entire project from the ideas stage through to the creation of all audio materials. A diverse range of existing movies, audiovisual works and relevant literature will be studied, and you will be expected to use these to inform your own work.

20 credits

Music in Renaissance Europe

This module will introduce you to European musical cultures in the fifteenth and sixteenth centuries and the research methods through which they are discovered and studied. You’ll investigate the roles played by music in the everyday life of street and home, as well as in religion and politics. The module links music to some of the big critical themes in the European history of the period, including Europe’s expanding international horizons through trade and colonialism, the dramatic increase in the circulation of books thanks to new printing technology, and conflict both within and between religious faiths.

20 credits

Baroque Music

Public knowledge of baroque music today is shaped by the dominance of a ‘canon’ of music considered authoritative or ‘great’, which for ideological and historical reasons is dominated by white European male composers. This module sets out to help change that. You’ll work as a team, with clearly defined roles, to produce a critical edition-with-commentary of music created using staff notation between c.1600-1750 by a musician who was NOT a white European man, which is obscure or completely unknown in the present day. Optionally, the group may also choose to record historically-informed performances of some or all of the music included in their edition. The materials produced will ultimately be made publicly available online.

20 credits

Mozart in Vienna, 1781-1791

In this module, you will examine Mozart's career as performer and composer in Vienna (1781-91), looking at the environments and circumstances in which he worked and the aesthetic contexts in which he thrived. Topics will include: the circumstances that led Mozart to move from Salzburg to Vienna in 1781; his career as a performer; aesthetic, historical and contextual issues in 1780s Vienna; Mozart's instrumental, operatic and sacred works composed in Vienna; and Mozart's status as a musical-cultural icon in the nineteenth and twentieth centuries.

20 credits

The Broadway Musical

This module addresses the development of the Broadway musical, focusing on leading figures and critical issues. It looks at shows such as My Fair Lady and Oklahoma!, examines aspects of identity such as race and sexuality, and unpacks the collaborative nature of the genre. Alongside lectures on set works, you will pursue an individual project on a topic of your own choice, allowing freedom to identify with the work being studied.

20 credits

Music and Wellbeing

To give students the opportunity to undertake the intensive study of a particular aspect of musical sound/material, behaviour or thinking, from the past or present; to demonstrate their ability to produce a substantial piece of scholarly written work; to enable them to consolidate and develop research techniques and critical skills; and to develop skills in writing and presentation. The dissertation need not involve original research but can be a conflation of existing knowledge. Dissertation topics should enable candidates to demonstrate the ability to place music in its historical and cultural context, and to support their arguments with informative comments based on detailed analysis. The length of the dissertation should be approximately 7,500 words.

20 credits

Music Psychology in Everyday Life

This module will introduce you to theories, empirical investigations and applications of music psychology relevant to everyday life. You will learn about the diverse uses of music in everyday situations, which may include personal, communal and commercial settings. The reasons for music use in these situations are explored and possible explanations of music's ability to support functions are critically reviewed, including social, emotional, personal, educational and commercial impacts. The module will be delivered through lectures, group discussions, and small research projects.

20 credits

Music Placements

This module provides an opportunity for you to experience a working environment of interest to you and to undertake work-related learning in a professional music setting. You will choose and negotiate your own placement with the support of tutors and a directory of local and national organisations. Alongside the placement, tutors will support you through seminar sessions. Topics include: preparing for the placement, how to get the most out of the experience, and preparing for the assessment. Through this experience you will develop specialist knowledge of the music industries and critical, career-relevant reflective skills.

20 credits

Community, Music and Education

This module will engage you in the current debates and practices of music in education and community settings, from the formal classroom setting and instrumental studio, through the work done by community support groups, to more recreational musical practice in the community. Questions of music's place in the curriculum, the relationship between school and home music, and the challenges of providing a vibrant musical education for all people, will be addressed in lectures and discussions. You will work in mentored groups to investigate and support community music-making or school-based music education in Sheffield, building your skills as a researcher, and learning about career options including teaching, delivering and managing music provision for young people and vulnerable adults. You will finish the module knowing more about music and its contribution to education and society, through your critical reflection on published research evidence, and through school and community fieldwork visits.

20 credits

Sound Recording Practice

This module examines the fundamental theories of recording. Focussing upon the recording of both sound and music, it provides you with an opportunity to realise an original track. The module engages briefly with technical aspects of recording (microphone types, sound file formats) before using practical work and listening to decide upon choice of microphone, placement and capture. By making field recordings, location recordings, and session-based recordings, you will acquire a broad understanding of relevant issues and methods. The mixing and mastering of session-based recordings results in your finished track and helps you develop the skills required in the professional sound studio.

20 credits

Traditional Music in the Modern World

This module will introduce you to the study of folk and traditional music, focussing on a range of contemporary folk music cultures. You’ll learn to use a range of approaches (ethnomusicology; critical and culture theory; political theory) to consider the traditional identities these music cultures construct, and how they relate to their modern, economic, political and technological contexts. Past and current definitions of the terms folk music and traditional music are explored, and music cultures are investigated in terms of specific debates and contexts, such as revivalism, nationalism, institutionalisation, competition and education.

20 credits

Topics in Popular Music

This module explores in depth, a range of models, case studies and themes for the study of Popular Music. Students are introduced to varying analytical and critical approaches to the study of popular musics in global perspective, with topics including (e.g.): how popular musicians learn; popular music and humour; popular music as world music; reading popular music `texts'; understanding business models; and conducting a popular music ethnography. As well as developing a factual knowledge of the genres covered in the module, students will develop a critical awareness of research methods and discursive themes in the field of popular music studies.

20 credits

World Music Performance

In this module you’ll acquire a practice-based understanding of one world music tradition (selected in advance by the course tutor), improving your musical performance skills and experiencing first-hand the modes of transmission that are part of the tradition. Through performance-based seminars, you will learn to play and/or sing in the style offered, backing up that experience with theoretical knowledge derived from ethnomusicological literature. Your learning will also be supported by a writing-based project, supported by seminars/tutorials as appropriate, resulting in a Learning Journal documenting and reflecting on the learning experience.

20 credits

Jazz Studies

This module introduces some of the key figures and developments in the history of jazz, from its origins as an early twentieth-century American music, to its various contemporary manifestations across the world. You will engage with the contexts and debates that have shaped (and continue to shape) the performance, reception, representation, and study of jazz music, and will conduct independent research into a jazz-related topic of your choosing.

20 credits

Musical Culture in East Asia

This module introduces the musical life of East Asia, including China, Korea, Japan and neighbouring areas, in historical and cultural context. While emphasising traditional East Asian music and musical theatre, you’ll also examine East Asia’s participation in the culture of Western-style classical and popular musics. You’ll learn to recognise many forms of East Asian music and explain how they use sound in pursuit of particular cultural goals. You’ll also carry out a guided research project on a cultural, historical and/or analytical topic in East Asian music.

20 credits

Opera and Identity

This module gives you the opportunity to explore, understand and debate contemporary critical issues about the relationship between opera and identity. Focussing on opera from 1800 to the present day, the historical and social contexts surrounding the creation, premiere, and reception of opera forms the backdrop to the study of individual works in relation to topics including race, gender, sexuality, class, colonialism, religion, exoticism, political ideology, and national identity. From exoticised 19th-century Italian constructions of Egypt, through to the interplay of gender and sexuality in the depiction of pop culture icon Anna Nicole Smith, the operatic stage provides a forum for the consideration of some of society’s most pertinent and widely debated issues.

20 credits

Analysis of Classical and Early Romantic Music

This module will introduce you to musical analysis in the western classical tradition. The emphasis is on the internal and external workings of musical forms in the late eighteenth and early nineteenth centuries, focussing on Haydn’s and Mozart’s mastery of standard classical forms, on Beethoven’s formal manipulations, and on the interaction of form and expression in the early nineteenth century (e.g. Schubert and Chopin). Topics will include: motivic, thematic, melodic and rhythmic manipulation; interrelationships between counterpoint, harmony and melody; standard formal patterns; formal expansions and contractions; wit and humour in the late eighteenth century; expression and form.

20 credits

Ethnomusicology

This module introduces ethnomusicology as a way of researching musical culture, with selected musical traditions explored as case studies in applying and assessing ethnomusicological methods. These methods typically emphasise ‘ethnography’, in which the primary sources are live human beings and knowledge is produced by interacting with them through musical participation, observation and interviewing. You’ll have the opportunity to conduct an ethnographic fieldwork project, either face-to-face or ‘virtual’, and write up the results in your assessed work. Alternatively, you can submit an essay examining published ethnomusicological research on a specific topic. Either way, you should reflect critically on how musical knowledge is produced by ethnomusicological methods.

20 credits

Music Promotions

This practical module, running across two semesters, provides an introduction to key concepts and methods essential to effective music promotion. You will work in a group to plan and implement a promotion strategy for an event or music product release, applying theoretical principles of music promotion in practice. Supported through regular lectures and seminars, you will develop a deeper understanding of the operational elements of a music promotions project; analyse strategic (including commercial) considerations involved in selecting music for promotion; iIdentify and apply financial and legal best practice in music promotion; develop and implement strategies and techniques for publicising and marketing of music through traditional and digital media; and learn how to work more effectively in groups in the context of music promotion.

20 credits

Korean core modules:

Korean Language 5

This module is focusing on receptive activities and written productive activities in Korean language at the intermediate high level consolidating the knowledge learned during Korea Year Abroad. This module acts as a transition between the teacher-centred learning required for the acquisition of basic and intermediate language skills, and the autonomous and self-directed learning required at high advanced levels. Translation and functional reading skills are extended, with texts including annotated topical materials. Techniques for tackling unseen materials are developed and advanced grammar is consolidated and expanded. Practical knowledge of roughly 250 Chinese characters is introduced. The target level at the end of this level is roughly equivalent to TOPIK (Test of Proficiency in Korean) intermediate high level/L4 or CEFR (Common European Framework of Reference for Languages) B2.

20 credits

Korean Language 6

This module builds on skills acquired in Korean Language 5. It is divided into four sections, each one focussing on a key linguistic skill which is demanded of adult foreign users of the language. These skills are: translation into English; summarisation of information bearing texts; writing in Korean with a focus on short reports and the interpretation of data; and speaking, with a focus on group and individual presentations. Group work, with students determining their own materials for study, is a key element of the module, enabling students to develop as independent learners. The target level at the end of this level is roughly equivalent to TOPIK (Test of Proficiency in Korean) advanced high level/L6 or CEFR (Common European Framework of Reference for Languages) C1+.

20 credits

Optional Korean modules:

Researching Korea 1

This unit explores some of the key debates and latest empirical developments in a specific field of research currently undertaken by a member of SEAS staff in Korean Studies. It enables students to understand how research questions are formulated and answered by exploring the member of staff's disciplinary focus, the range of theoretical approaches employed, and the various methodologies available in researching this field.

20 credits

Researching Korea 2

This unit explores some of the key debates and latest empirical developments in a specific field of research currently undertaken by a member of SEAS staff in Korean Studies. It enables students to understand how research questions are formulated and answered by exploring the member of staff's disciplinary focus, the range of theoretical approaches employed, and the various methodologies available in researching this field.

20 credits