English and Philosophy BA

A maximum of 80 credits can be selected from English modules, which includes 40 credits of core modules. Core English modules:

Renaissance to Revolution

This module surveys the English drama, poetry, and prose from the sixteenth, seventeenth and eighteenth centuries. We will look at different genres including comedy, tragedy,lyric, prose fiction, the novel, epic, and prose polemic in the works of writers such as Aphra Behn, Frances Burney, John Donne, Oloudah Equiano, Aemelia Lanyer, Ben Jonson, Christopher Marlowe, John Milton and Alexander Pope. The texts studied will be related to critical methods that help us understand the relationships between literature and the culture, society, and politics of the period in which it was produced.

40 credits

Optional English modules:

Early Englishes

This module is of particular interest to anyone who wants to know more about the first 1000 years of English language and literature. Early Englishes works backward over a whole millennium of English, 1600 to 600. Each week's lectures and seminar focus on one century and one text representative of that century (for example, Margery Kempe's Book, Chaucer's Canterbury Tales, and Beowulf). We will use a variety of techniques - literary, linguistic, anthropological, cultural-historical - to analyse each text, thereby opening up discussion of issues that preoccupied the English of the time, from glorious monster-slaying to the first expressions of love and desire, from religious devotion to comedy, from the power of insults to the status of English. We will investigate international influences on English language and literature, explore medieval worldviews and how they might differ from modern ones, and query what it means when we say something is medieval. No prior knowledge of Old or Middle English is necessary; students will be given the opportunity to examine texts in the original language but where necessary translations will be provided.

20 credits

Foundations in Literary Study: Biblical and Classical Sources in English Literature

The Bible, Greek and Roman mythology, represent some of the central sources for European literary imaginations. In this module you will explore the range of literature indebted to biblical and classical literature, themes, and characters. Featuring a range of lecturers from across the School of English, the module will help you learn to think critically about biblical and classical themes such as divine destruction, love, gender, homecoming, colonialism, nostalgia, and empire, and read a variety of authors, from Amelia Lanyer and Shakespeare to Derek Walcott and Margaret Atwood. When we understand the ways in which biblical and classical writers shaped their narratives, and how creative authors revised, resisted or radicalised their themes, we have several important keys to unlock crucial facets of English literary tradition.

20 credits

Contemporary Literature

This module introduces you to a diverse range of texts in English (prose, poetry, and film) with a focus on texts published since 2000. Texts will be chosen to provoke thinking and debate on urgent and controversial topics that might include: globalisation and neoliberalism; ecology and animal lives; artificial intelligence and the posthuman; political activism and social justice; migration and displacement; state violence and armed conflict. We will discuss formally and conceptually challenging works, raise ethical and philosophical questions and begin to discover how current critical and theoretical approaches can help us to engage with contemporary texts.

20 credits

Studying Theatre: A History of Dramatic Texts in Performance

Ranging chronologically from classical to contemporary examples, this module aims to turn an interest in drama and theatre-going into a deeper appreciation of the ways in which traditions of playwriting, acting, design and performance have shaped theatre's development over the centuries. Each week you will study a particular play and the contexts that informed its first performances and its theatrical afterlife. Engaging with contrasting texts and productions will build your knowledge of dramatic genres and styles, the relationship between performance and politics, the representation on page and stage of racial and gendered identities, and the roles and responsibilities of audiences. We will approach theatre as a social practice and an artistic discipline, exploring production videos and related materials alongside study of the script, and experimenting with creative exercises in writing, directing and stage design. This module develops skills in analysing diverse texts and forms whilst also revealing the distinctive qualities and capabilities of drama as a literary genre.

20 credits

Darwin, Marx, Freud

This course is structured around the writings of Darwin, Marx, Freud. We will consider selections from all three philosophers' writings, such as, for example, Darwin's The Origin of Species; cover key concepts from Marx's work—commodity fetishism; alienation—and investigate Freud's philosophy of the subject through selected readings from his writings. We will dismantle cultural prejudice and engage with, and in, revolutionary thinking. This course will prepare you for modules like Critical and Literary Thought but, most importantly, it will help you become critical, potentially revolutionary, thinkers.

20 credits

Exploring Literary Language

This module explores the language of literary texts. We will look at how different literary styles create particular effects and describe these styles and effects using linguistics. The course aims to provide students interested in English literature with a practical introduction to language, and to provide students interested in language with experience of applying linguistic analysis to literary texts. The emphasis is on a hands-on approach, and topics covered will include sentence structure, register, narrative structure, conversation analysis (with reference to drama and dialogue) and point of view in narrative fiction. The texts studied will be predominantly literary and twentieth century, and will include extracts from novels, plays, poetry and short stories.

20 credits

Hybrid Forms? Comedy and Tragedy

This module gives you the opportunity to study developments in comedy and tragedy from classical antiquity to the present day. This focus on genre enables you to take a broadly comparative approach, setting, for instance, works of classical antiquity alongside those of the early modern, modern, and contemporary worlds. As such, the module equips you to draw connections between periods studied separately at different points of your degree and between disparate forms, e.g. drama and the novel. Over the course of this module we will consider questions such as: what is genre, and why is it important? How does genre reflect or respond to historical change? Is there any such thing as a 'pure' genre or is hybridization a defining feature of genre itself? We will answer these questions by reading texts by authors such as Angela Carter, Noel Coward, Plautus, Shakespeare, Sophocles, and Michaela Coel.

20 credits

History of English

What is English? Taking this question as a point of departure, this module introduces students to the exceptionally dynamic linguistic history of English(es). Changing linguistic forms and functions are contextualized within their historical moment, and language external factors such as language contact, imperialism and racism are also discussed as they pertain to periods of English. To be clear: this is not just a module about old forms of language (although there is plenty of that!) - it's about gaining historical linguistic perspective on current Englishes (including related Creoles) and their place within a much bigger story.

20 credits

Introduction to Creative Writing

The aim of this unit is to help you to develop your expressive and technical skills in writing poetry and prose and to improve your abilities as an editor and critic of your own and other people's writing. You will be guided in the production of new work and encouraged to develop an analytical awareness of both the craft elements and the wider cultural and theoretical contexts of writing. This module explores poetic and prose techniques for creating new poems and narrative techniques for generating some prose work through the critical study of published examples, imaginative exercises, discussion and feedback on your own writing. This exploration will help you develop your own creative work while sharpening critical appreciation of published poetry and modern and contemporary fiction. The course is designed to give you the experience of being workshopped as well as to establish basic creative writing techniques at Level 1 in preparation for the challenges of Creative Writing Level 2 and/or 3.

20 credits

Introduction to Cinema

This module offers an introduction to film analysis, film theory and film history based on a global overview of cinema from a comprehensive time period. You will watch and analyse approximately ten set films (with suggested further viewing) including key films from historic and contemporary cinemas from across the world, potentially encompassing Britain, Europe, America, Australia and Asia. The module has incorporated a diverse selection of films including Bicycle Thieves (Vittoria De Sica, 1948, Italy), Do The Right Thing (Spike Lee, 1989, US), The 400 Blows (Francois Truffaut, 1959, France) , Parasite (Bong Joon Ho, 2019, South Korea) and The Adventures of Priscilla, Queen of the Desert (Stephan Elliot, 1994, Australia). You will learn about genre, realism, national cinema, narrative, style, technique and representation of identity, among other topics. The subject of identity, for example, enables the exploration of personal, national, ethnic, gendered and queer identities through cinematic representation. The module aims to enable you to closely analyse cinematic material, engage with film theory and apply it in your analysis, identify the tools of cinematic technique in analysis and think critically and independently. It is intended as a gateway to a new cinematic language and mode of analysis/close reading.

20 credits

You must take at least 40 credits of Philosophy modules. You must take:

Writing Philosophy

Philosophical writing is a skill that you, the student, must hone early on in order to succeed in your degree. It is also a transferable skill that will serve you in your post-academic career. Philosophical writing combines the general virtues of clarity, organisation, focus and style found in other academic writing with particular philosophical virtues; namely, the ability to expose the implicit assumptions of analysed texts and to make explicit the logical structure of one's own and other people's arguments. A precondition of philosophical writing is a unique form of textual analysis that pays particular attention to its argumentative structure. In this module you will learn and practice philosophical writing. You will learn how to read in preparation for philosophical writing, learn how to plan an essay, learn how to rework your drafts and learn how to use feedback constructively.  Short writing exercises will help you hone specific writing skills. You will bring these skills together by writing a number of complete essays. The lectures in the course will be split between lectures on the art of writing and lectures on philosophical topics in the domain of fact and value. Essay topics will be based on the topical lectures and their associated readings.

20 credits

And at least one other core Philosophy module (20 credits) from the list below.

Ethics and Society

This module introduces students to some core questions in ethics, political philosophy, and social philosophy. We ask questions such as: What is a good life for you? What is a morally good life? Does being virtuous matter? What kind of moral consideration do we owe to non-human animals and the environment? Turning to political philosophy, we consider how societies should be organised if they are to realise values such as freedom, equality, and community. How should we understand these values? And what role might the state play in promoting (or undermining) them? We also look at some questions in social philosophy. For example: What are social groups? And when and why are social norms oppressive?

20 credits

Reason and Argument

This module teaches basic philosophical concepts and skills to do with argument.  The first part of the course deals with arguments in ordinary language.  It teaches techniques for recognizing, interpreting, analyzing, and assessing arguments of various kinds.  It also teaches important concepts related to arguments, such as truth, validity, explanation, entailment, consistency, and necessity.  The second part of the course is a basic introduction to formal logic.  It teaches how to translate ordinary-language arguments into formal languages, which enables you to rigorously prove validity, consistency, and so on.

20 credits

Mind and World

This module is an introduction to a range of topics in epistemology, metaphysics, and the philosophy of mind. In the first half of the module we consider questions such as: How should we understand knowledge? What implications does cognitive and cultural diversity have for our understanding of knowledge? Should we privilege some points of view? Should we trust others? Can we wrong them if we don't? And what should we say about disagreement? In the second half of the module we ask questions such as: Is the mind a physical thing? Can a machine have a mind? Can you survive the destruction of your body? Do you have free will? And can a machine be responsible for its own actions?

20 credits

Optional philosophy modules:

Philosophy of Religion

Religious teachings and practices raise many philosophical questions. For example, how should we understand the nature of God for purposes of evaluating evidence for and against God's existence? Are there persuasive arguments for believing God does exist, or for believing God doesn't? Could the universe itself in some sense be divine? Is there any evidence for thinking that people can survive the death of their physical bodies? Does the pervasiveness of religious disagreement provide support for suspending judgment about religious claims in general? Does it make any sense to follow a religion without believing what it teaches? This module will interrogate philosophical work bearing on questions such as these.

10 credits

Philosophy of Sex

Sex is one of the most basic human motivators, of fundamental importance in many people's lives, and a topic of enormous moral, religious, and political contention. No surprise, then, that it turns out to be of great philosophical interest. We will discuss moral issues related to sex' asking when we might be right to judge a particular sex act to be morally problematic; and what political significance (if any) sex has. We will also discuss metaphysical issues, such as the surprisingly difficult questions of what exactly sex is and what a sexual orientation is. Throughout our study, we will draw both on philosophical sources and on up-to-date contemporary information.

10 credits

LGBTQ [Lesbian, Gay, Bisexual, Trans and Queer] Studies

This module introduces students to study of genders and sexualities, and LGBTQ scholarship, both historical and contemporary. It examines genders and sexualities in society, culture, media, and their academic study, as well as contemporary issues of inequality affecting sexual minorities in different global contexts. The module is team taught by experts in different departments at the University of Sheffield, who will introduce students to a wide range of theoretical and methodological perspectives, such as philosophy, history, social sciences, psychology, evolutionary biology, education, cultural studies, and critical study of religion. The module is assessed by a coursework portfolio, where students answer a number of short questions on different topics in the syllabus. 

10 credits

History of Philosophical Ideas

The history of philosophy is made up of a series of debates between competing philosophical traditions and schools: for example, idealists argue with realists, rationalists with empiricists. And at different times, distinctive philosophical movements have dominated the discussion, such as pragmatism, existentialism, phenomenology, analytic philosophy, and critical theory. This module will introduce you to some of these central movements and traditions in the history of philosophy from Plato onwards, and the key philosophical concepts and issues that they have brought in to western thought.

10 credits

Truth, Reality and Virtual Reality

This module examines the idea that there is an objective reality to which the things we say and believe are answerable, which makes some claims true and others false. The emphasis is not so much on the question of whether and how we know things, but on metaphysical questions concerning truth and reality. 'What is Truth?' is one of these questions. Different attempts to define truth - including the Correspondence Theory of truth and the Pragmatic Theory of truth will be examined. Another question the course will tackle is the question of whether relativism about reality can be successfully refuted. And the module will address arguments relating to virtual reality, including arguments to the conclusion that what we think of as the real world is in fact a simulation, and arguments that call into question the supposed difference between reality and virtual reality. There are political and moral questions that hinge on answers to our metaphysical questions. The aim of the module is to introduce theories, concepts and frameworks that will be helpful to attempts to grapple with the metaphysical questions and further questions that hinge on them.

10 credits

Death

This module is mainly about death itself . What is death? What happens to us when we die? Could there be an afterlife? Would it be a good thing if there were? What is it about death that we dislike so much, or that makes it bad? Is it rational, or even possible to fear death? What is the right attitude towards our own death? Do we have moral duties towards the dead? The course will clarify these questions and attempt to answer them. Readings will be taken from both historical and contemporary sources.

10 credits

Ethics in Antiquity: East and West

How should we live? What are the right values and principles by which we should guide our lives? What weight should we give to considerations of morality and justice? Are there fixed truths about these matters or are they just determined by choice or convention? Ethics is concerned with questions such as these. This course will engage with such questions by examining some important and influential texts from the ancient world, both Western and Eastern, including key writings by the Greek philosopher Plato and the Chinese philosopher Zhuangzi.

10 credits

Try a new subject:

The flexible structure of your first year at Sheffield means that you also have the chance to experience modules from outside of English and Philosophy - you can choose up to 40 credits of modules from a list approved by the Faculty of Arts and Humanities. A final guided module list is made available to new students when you select your modules as part of registration.

Core English modules:

Literature and Critical Theory (b)

This course introduces writers, concepts and approaches fundamental to contemporary literary theory, and explores their application to diverse relevant texts. You will engage in a transhistorical study of the formal, literary and cultural functions of genre (e.g. in the forms of comedy and tragedy). You will also encounter theorists such as Karl Marx, Sigmund Freud, Ferdinand de Saussure, Mikhail Bakhtin, Roland Barthes, Michael Foucault, Julia Kristeva, Jacques Lacan and Jean Baudrillard. Lectures will introduce and explain this material, and seminars will discuss and apply it to the study of literature. This module helps you develop your academic writing, critical thinking and research skills while studying the work of major theorists.

20 credits

Romanticism to Modernism (b)

This module focuses on a diverse range of texts (including poetry, prose, drama and film) produced between the late eighteenth to the late twentieth century. It pays detailed attention to the varied styles, issues, and movements produced by the rapid technological, political and cultural shifts that characterise these two centuries. Drawing on the expertise of the teaching team, the module introduces cutting-edge research carried out within the department in areas such as romanticism, the Gothic and science fiction, experimental literature, colonial and postcolonial contexts, war studies, and animal studies.

20 credits

Literature and Critical Theory (a)

This course introduces writers, concepts and approaches fundamental to contemporary literary theory, and explores their application to diverse relevant texts. You will engage in a transhistorical study of the formal, literary and cultural functions of genre (e.g. in the forms of comedy and tragedy). You will also encounter theorists such as Karl Marx, Sigmund Freud, Ferdinand de Saussure, Mikhail Bakhtin, Roland Barthes, Michael Foucault, Julia Kristeva, Jacques Lacan and Jean Baudrillard. Lectures will introduce and explain this material, and seminars will discuss and apply it to the study of literature. This module helps you develop your academic writing, critical thinking and research skills while studying the work of major theorists.

40 credits

Romanticism to Modernism (a)

This module focuses on a diverse range of texts (including poetry, prose, drama and film) produced between the late eighteenth to the late twentieth century. It pays detailed attention to the varied styles, issues, and movements produced by the rapid technological, political and cultural shifts that characterise these two centuries. Drawing on the expertise of the teaching team, the module introduces cutting-edge research carried out within the department in areas such as romanticism, the Gothic and science fiction, experimental literature, colonial and postcolonial contexts, war studies, and animal studies

40 credits

Optional English modules:

The History of Persuasion

This module focuses on why some written texts seem more persuasive (or authoritative) than others. To answer this question we will look at non-literary writing from a range of different contexts: journalism, advertising, political speaking, science writing, and religious communication. You'll look closely at the language used in each context, think about what constitutes persuasive writing in each, and talk about why this differs from context to context. You'll also have a chance to look at the histories of these different kinds of text. Examples from earlier periods look different from what we are used to in the 21st century and it is fascinating to explore how journalism, for example, has come to look as it does today. All these types of writing are associated with powerful institutions: journalism with the national press, advertising with big corporations, political speaking with the major political parties. But we will also explore how people with more marginalised identities use them, resist them, and are represented through them. The overall aim is help you become more critical in your response to the different kinds of written communication that surround us and this is valuable in many of the careers that English graduates go into.

20 credits

Literature and Critical Theory (b)

This course introduces writers, concepts and approaches fundamental to contemporary literary theory, and explores their application to diverse relevant texts. You will engage in a transhistorical study of the formal, literary and cultural functions of genre (e.g. in the forms of comedy and tragedy). You will also encounter theorists such as Karl Marx, Sigmund Freud, Ferdinand de Saussure, Mikhail Bakhtin, Roland Barthes, Michael Foucault, Julia Kristeva, Jacques Lacan and Jean Baudrillard. Lectures will introduce and explain this material, and seminars will discuss and apply it to the study of literature. This module helps you develop your academic writing, critical thinking and research skills while studying the work of major theorists.

20 credits

Romanticism to Modernism (b)

This module focuses on a diverse range of texts (including poetry, prose, drama and film) produced between the late eighteenth to the late twentieth century. It pays detailed attention to the varied styles, issues, and movements produced by the rapid technological, political and cultural shifts that characterise these two centuries. Drawing on the expertise of the teaching team, the module introduces cutting-edge research carried out within the department in areas such as romanticism, the Gothic and science fiction, experimental literature, colonial and postcolonial contexts, war studies, and animal studies.

20 credits

Creative Writing: Poetry, Experimentation, De/Construction

This module offers a practical and theoretical workshop which is designed to look at current methods of creative writing exploring a wide range of forms of poetry and poetics, prose poetry, poetic prose and hybrid writing. During the term our core readings and discussions (critical and creative) will be focusing on producing new work, new texts while we will be revisiting, reconfiguring and deconstructing concepts of poetry, contemporary poetry and its various new, experimental formations, poetics of fusion and the hybrid while discovering themes and concepts of self and selves, borders and boundaries of both psyche and language, the liminal, memory, as creative source of self invention, concepts of I as Non-I, Anti-I, gender, history, identity and culture as complex components of identity, identity as construction, identity as self-theory, as text(s). During the module you will be given the opportunity to develop your writing in various contemporary formations of more established and currently forming conventions/experimentations; your critical thinking through a wide range of creative samples by currently published authors of both poetry and prose and other speculative genres of fusion; and through the weekly workshops to sharpen your editorial skills.

20 credits

The Novella and the Uncanny

This course will explore novellas (and some film adaptations of novellas) from across the last 150 years which represent uncanny experiences of haunting, madness, obsession, and psychological and political disorientation, with these intense experiences often refracted through the consciousness of a central character. We will consider whether the particularities of this literary form lend themselves to representing unsettling experiences at the 'limits of reason', and explore connections between the uncanny and the operations of political and personal power . Texts will include works by Kafka, Camus, George Eliot, Daphne Du Maurier and Muriel Spark. The course will also encompass the study of Freud's essay 'The Uncanny' - which itself contains an analysis of Hoffman's bizarre short story 'The Sandman'.

20 credits

Chaucer

Geoffrey Chaucer is not only the most famous medieval English writer, he is also one of the most varied, controversial, and gritty writers at the time. This course aims to introduce students to a wide range of Chaucer's writings, including the Canterbury Tales, while situating Chaucerian writing in its medieval context, which will also allow us to assess the commonly held notion of Chaucer as the father of English literature. We will explore literary, linguistic, material, cultural, religious, and political aspects of his fascinatingly rich body of texts to gauge Chaucer's status as a medieval poet, and interrogate questions of society, gender, tradition and philosophy that his work continues to inspire.

20 credits

The Art and Politics of Hip Hop

This module will introduce you to Hip Hop as a musical, cultural and (especially) literary phenomenon. Both extremely popular and at times highly controversial, we will explore various forms of the art of Hip Hop from its early developments to the present.The module is organised around two principal ideas. The first is that Hip Hop is poetical; the second is that Hip Hop is political.Working mainly in a North American context, over the course of the module, we will reflect upon the various ways in which Hip Hop fuses manner and matter, combining aesthetic innovation and different kinds of social commentary.Each week, we will focus on a specific artist or group, and attend principally to one album. Expect to study some 'mainstream' work (e.g., Fugees or Cardi B, but definitely NOT Vanilla Ice). You will also encounter underground, 'conscious' and alternative artists.Seminars are complemented by 'listening sessions' wherein we gather to collectively experience albums (i.e., 'sound works') in a specially-dedicated space in Western Bank Library, using a specially-dedicated collection of vinyl recordings.Throughout, we consider how radical forms of rhetoric, prosody, intertextuality, performance relate to explicit expressions of power, hope, marginalisation, identity, community. Our aim is to start understanding Hip Hop in its troubling and ingenious complexities.

20 credits

English Works: Foundations

Students taking this module will connect their academic studies to future careers. Teaching from experts across the School's different subject areas - linguistics, language, literature, screen studies and creative practice - will challenge students to think deeply (critically, creatively, reflectively) about the meanings and practices of work and education. Sessions dedicated to career-decision planning (e.g. applications and interviews; online profiles and networking) will enable students to reflect on their values, motivations and career aspirations in addition to providing practical guidance and support. This module provides opportunities to gain career insights and access to work-related learning (e.g. workplace visits; virtual internships and projects). Together, through a series of interactive workshops, students will think about their future careers while making novel connections between English studies and the worlds of education and work.

20 credits

Writing the Real

In both fiction and drama, there is an approach to writing called 'realism' (or, in the case of theatre, 'naturalism'). Realist writers make a commitment to telling their readers about the world as it actually is and this means avoiding supernatural or speculative material and instead focusing on the experiences of ordinary people in a world that is recognisably like our own. The hey-day of realism was the nineteenth century but, since then, virtually all writers have had to take up a position in relation to it and decide whether to write about a world in which people have guardian angels and animals can talk or focus instead on 'real life' in contemporary London or New York City or Lagos. The module examines how realist and non-realist styles work linguistically and you will learn to analyse both kinds of text in a fine-grained way. You will read examples by British authors from different backgrounds as well as writers from other parts of the world. Narrative is central to how we define ourselves and understand the world around us, so the module looks beyond the strictly academic and helps you understand more about how we respond to the world through story-telling.

20 credits

Representing the Holocaust

This module takes an interdisciplinary approach to various artistic representations that deal with the subject of the Holocaust, tracing the development of national memory cultures and exploring the current transnational trends in Holocaust representation. We will examine fictional and non-fictional, literary and filmic representations of the Holocaust, including less conventional forms like documentary film, memoir, short story and graphic novel. By reading, watching and analysing texts like James Hawes' 'One Life', Martin Amis's 'Time's Arrow', Sylvia Plath's 'Daddy', or Art Spiegelman's 'Maus', we will explore and critically assess how a broad range of forms represent the Holocaust. In addition to a critical evaluation of these diverse artistic representations, the historical development of these forms will be considered as well as their national and transnational contexts. By taking this module you will develop advanced skills of literary analysis through challenging secondary reading, close textual study, debate and writing practice.

20 credits

European Gothic

What were the historical circumstances which led to the rise of the Gothic in Europe? This course will interrogate the Gothic through this and many other questions which will place emphasis upon its historical and political contexts. We will examine a variety of Gothic texts from 1764 to the present day, and locate and critique them historically through a variety of contemporary reviews and critical essays. Gothic art and architecture will also be examined in relation to the texts with a scheduled slide show, examining work by 'Gothic' artists such as Goya and Piranesi.

20 credits

Shakespeare: Page, Stage, Screen

This module focuses on the poetry and plays of William Shakespeare. You will read a wide range of his works and analyse them in the context of the cultural and historical energies of sixteenth- and seventeenth-century England, as well as exploring how they have been reinvented and reimagined through performance and as texts which have been refashioned through editorial intervention or adaptation. The module considers the range of dramatic styles and genres that Shakespeare uses, alongside the conditions of performance, kinds of publication, and the characteristics of the language in which he worked. It also relates the texts to critical methods that help illuminate the relationships between drama and the culture, politics, and religion of the period and the ways in which Shakespeare's works have been remade for different times and contexts.

20 credits

English Works: Enhanced

Students taking this module go beyond English Works: Foundations. They will continue to explore ideas of education and work from across the School's subject areas - linguistics, language, literature, screen studies and creative practice - while undertaking short-term work experience as an integrated part of their learning. An embedded peer coaching programme provides an effective support structure for students undertaking their work experience and develops valuable coaching and leadership skills. Students will be empowered to design their own work experience with dedicated support from the module team, and will reflect on their professional development in a showcase event. Together, through a series of interactive workshops, peer coaching and work experience, students will test their ambitions and build career confidence while advocating for the vital skills and contributions made by English studies to the workplace and wider society.

20 credits

Literature and Critical Theory (a)

This course introduces writers, concepts and approaches fundamental to contemporary literary theory, and explores their application to diverse relevant texts. You will engage in a transhistorical study of the formal, literary and cultural functions of genre (e.g. in the forms of comedy and tragedy). You will also encounter theorists such as Karl Marx, Sigmund Freud, Ferdinand de Saussure, Mikhail Bakhtin, Roland Barthes, Michael Foucault, Julia Kristeva, Jacques Lacan and Jean Baudrillard. Lectures will introduce and explain this material, and seminars will discuss and apply it to the study of literature. This module helps you develop your academic writing, critical thinking and research skills while studying the work of major theorists.

40 credits

Romanticism to Modernism (a)

This module focuses on a diverse range of texts (including poetry, prose, drama and film) produced between the late eighteenth to the late twentieth century. It pays detailed attention to the varied styles, issues, and movements produced by the rapid technological, political and cultural shifts that characterise these two centuries. Drawing on the expertise of the teaching team, the module introduces cutting-edge research carried out within the department in areas such as romanticism, the Gothic and science fiction, experimental literature, colonial and postcolonial contexts, war studies, and animal studies

40 credits

Optional philosophy modules:

Ethics: From Theory to Practice

Ethical values shape our world and the lives we lead - from how we relate to our friends and community, to our social and political attitudes, to the aspirations and goals that guide our life choices. But ethics is also challenging. When our values clash, or we face unfamiliar problems, or we reflect on the objectionable values of people in the past, it becomes unclear what to do. Ethical theories attempt to help us solve these problems by giving a precise, unified and systematic account of moral values, ideals and duties.

This module introduces students to a range of contemporary and historical ethical theories. We discuss six broad approaches to ethical theorising, each centred on a core unifying value: altruism, relationships, freedom, agreements, rights and excellence. In doing so we will encounter theories such as Utilitarianism, Contractualism and Feminist Care Ethics, and the ideas of philosophers including JS Mill, Harriet Taylor, Simone de Beauvoir, Immanuel Kant, Thomas Hobbes, Mary Wollestonecraft, Aristotle and Freidrich Nietzsche.

Students will learn how to articulate the key concepts and theories in philosophical ethics, and to evaluate, compare and criticise different approaches to ethical theorising. They will also learn to employ philosophical concepts to uncover and analyse the ethical values and presuppositions made in contemporary moral and social debates.

20 credits

Formal Logic

The course will start by introducing some elementary concepts from set theory; along the way, we will consider some fundamental and philosophically interesting results and forms of argumentation. It will then examine the use of 'trees' as a method for proving the validity of arguments formalised in propositional and first-order logic. It will also show how we may prove a range of fundamental results about the use of trees within those logics, using certain ways of assigning meanings to the sentences of the languages which those logics employ.

20 credits

Philosophy of the Arts

This module introduces students to a broad range of issues in the philosophy of art. The first half asks 'What is art?'. It examines three approaches: expression theories, institutional accounts, and the cluster account. This is followed by two critiques focusing on the lack of women in the canon and problems surrounding 'primitive' art. The evolutionary approach to art is discussed , and two borderline cases: craft and pornography. The second half examines four issues: cultural appropriation of art, pictorial representation, aesthetic experience and the everyday, and the nature of artistic creativity.

20 credits

History of Political Philosophy

We are citizens in a democratic capitalist society, we vote and choose our representatives and our government, our representatives make laws that we must then follow. We do not only obey the laws only for fear of being punished; we believe that our system of government is just, and that it is just for us to obey the laws. We believe that - by and large - we live in a just society. Do we? What justifies our system of government? Are there alternative possible relations, alternative forms of citizenship; alternative forms of government, alternative ways of organising a society? Is ours the only just one?
We will look at the history of political philosophy and explore various systems of citizenship, government and economic arrangements. Our main aim will be to understand how these different systems justify or legitimise the existence of government and its authority to make and enforce laws. We will also look at the more general notion of 'justice' that accompanies and grounds these systems of government.
Two side concerns will be:-
1. The relation between a philosopher's view of ethics and her political philosophy.
2. The relation between a philosopher's view of human nature and her political philosophy.

20 credits

Religion and the Good Life

What, if anything, does religion have to do with a well-lived life? For example, does living well require obeying God's commands? Does it require atheism? Are the possibilities for a good life enhanced or only diminished if there is a God, or if Karma is true? Does living well take distinctive virtues like faith, mindfulness, or humility as these have been understood within religious traditions? In this module, we will examine recent philosophical work on questions like these while engaging with a variety of religions, such as Buddhism, Christianity, Confucianism, Daoism, Islam, and Judaism.

20 credits

Theory of Knowledge

The aim of the course is to provide an introduction to philosophical issues surrounding the knowledge. We will be concerned with the nature and extent of knowledge. How must a believer be related to the world in order to know that something is the case? Can knowledge be analysed in terms of more basic notions? Must our beliefs be structured in a certain way if they are to be knowledge? In considering these questions we will look at various sceptical arguments that suggest that the extent of knowledge is much less than we suppose. And we will look at the various faculties of knowledge: perception, memory, introspection, and testimony.

20 credits

Reference and Truth

This module is an introductory course in the Philosophy of Language. The overall focus of the course will be on the notion of meaning. The first part of the course will attempt to shed light on the notion of meaning by investigating different accounts of the meanings of some types of linguistic expressions, in particular names (for instance 'Nelson Mandela') and definite descriptions (for instance 'the inventor of the zip', 'the first minister of Scotland'). We will then look at an influential approach to understanding what it is for words to have meaning and for people to mean things by their words, one due to Paul Grice. And we will examine the role and understanding of conventions and how someone can say something and yet communicate something very different from its conventional meaning. We will also explore the phenomena of 'implicature' where people can communicate more (or something different from) what they literally say.

20 credits

Philosophy of Science

It is virtually impossible to overstate the importance that science has in our everyday life. Here is a brief list of things that would not exist without modern science: computers, phones, internet, cars, airplanes, pharmaceutical drugs, electric guitars. Imagine your life without these things. It looks very different doesn't it? Science, however, is not important only in virtue of its practical applications. in fact, many would agree that the the primary value of science is that of being the best available source of knowledge about the world. Indeed, it seems fair to say that we made more discoveries after the 17th century scientific revolution [e.g. the laws of planetary motion, the principles underlying biological evolution, the laws governing quantum phenomena, the structure of DNA, the cellular architecture of the brain] than in all the previous millenia. This raises important philosophical questions.

First, what is science? What are the criteria that demarcate science from non-science? For example, what is the difference between science and religion? Second, how does science work? What are the methods and eplanatory strategies that make it so successful? Is there such a thing as the scientific method, and what counts as a scientific explanation? Third, is science objective? That is, is science a form of rational and unbiased inquiry, or does it reflect ethical, political, and social factors? Finally, is science the fundamental source of knowledge about the world? Does science tell us how things really are? These are some of the questions that we will tackle in this course.

20 credits

Bioethics

Bioethics arose in response to the moral challenges thrown up by technological advances of the twentieth century. As we move through the 21st century, new moral problems are emerging, even as old one still concern us.

How should we allocate resource for medical care and research? Are there limits to what can be done to our bodies, or does consent permit everything? In a pandemic, how should we balance concerns for liberty and protecting the vulnerable? Should we try to 'enhance' human beings, or should we be happy with the way we are?

This module will introduce a range of practical bioethical problems, as well as some methods for approaching them. Our emphasis will be on doing philosophy practically, with a view to the implications of philosophical argument in the real world of healthcare, research and bioscience.

20 credits

Feminism

Feminists have famously claimed that the personal is political. This module takes up various topics with that methodological idea in mind: the family, cultural critique, language. We examine feminist methodologies - how these topics might be addressed by a feminism that is inclusive of all women - and also turn attention to social structures within which personal choices are made - capitalism, and climate crisis .

20 credits

Metaphysics

This course is an introduction to metaphysics. It will focus on two general themes: whether we are material things, and the nature of time. Readings will be drawn mainly from recent and contemporary sources.

20 credits

Philosophy of Mind

This module provides a survey of philosophical theories of the mind, looking at such questions as: How is consciousness possible? Why is it that vibrations in the air around us produce conscious experiences of particular auditory experiences in our minds? Why is it that electromagnetic waves hitting our retinas produce particular visual experiences in our minds? What makes our thoughts represent things in the world? What is it about your thought that cats have whiskers that makes it about cats and whiskers? What is it about your thought that there are stars in the universe too far away for any human to have perceived them that makes it about such stars? What is the relation between thoughts and conscious experiences and brain states? We'll look at a variety of answers to these and related questions and examine some of the most important and influential theories that contemporary philosophers have to offer.

20 credits

Political Philosophy Today

This module will investigate a broad range of contemporary topics and issues in political philosophy. Example topics include the political rights of animals and children, how we should allocate scarce health resources, whether we should ban private education, and the limits of free speech in the workplace. By studying these topics and others, students will gain a broad knowledge of the state of contemporary political philosophy, develop their ability to critically assess and discuss real-world issues, and improve their understanding of how theoretical topics in political philosophy can be applied in practical ways.

20 credits

Philosophy of Education

What is education? And what is it for? These are the questions at the heart of this course. To begin to try to answer them, students will engage in: (1) a theoretical exploration of the central philosophical problems related to education and schooling; and (2) a practical task focusing on learning how philosophy can be taught effectively to secondary school pupils. The theoretical exploration will be taught in a similar way to other philosophy modules (through a weekly lecture and seminar) and a mid-term coursework essay will assess this component (counting for 50% of the module grade).

The practical element will be taught through workshops, engagement with reflective practice, observations at a secondary school, and actual experience of running seminars with secondary school pupils at the University during a three-day conference at the end of the course. The practical part of the course will be assessed by a teaching portfolio (which counts for 50% of the module grade) composed of lesson plans and a reflection. Teaching is a special kind of challenge, but students on the course are not expected to have any previous experience in teaching or in planning lessons. Help and support will be provided throughout the module to make the delivery of lessons to secondary school pupils a realistic goal for all motivated students.

20 credits

Environmental Justice

This module will introduce students to contemporary philosophical discussions of environmental justice at the global level. Topics to be covered may include: The nature of global environmental injustices; responsibility for global environmental problems; the relationship between global environmental challenges and other historical and contemporary injustices; fair international sharing of the costs of environmental action; the justifiability of environmental activism; the rights of indigenous peoples; fairness in global environmental decision-making; and the politics of ‘geoengineering’ the planet.

20 credits

The Philosophy of AI and Robotics

This module will investigate a range of philosophical  issues pertaining to current developments in AI and  robotics. Example topics might include relationships with  AI and robots, responsibility concerns in regard to  autonomous technology such as self-driving cars, the rise of data ethics, and the rights of cyborgs and future  artificial beings. By studying these topics and others,  students will gain a broad knowledge of the philosophical  questions pertaining to contemporary and near-future  technology, develop their ability to critically assess and  discuss philosophy in regards to real world uses and  developments in AI and robotics, as well as improve their  understanding of how theoretical philosophical theories  can be applied and used to tackle practical challenges  posed by modern technology.

20 credits

Theories of Value : Aesthetics and Ethics

This module will introduce students to a range of 

topics relating to the nature of value in aesthetics and

ethics, including relations between the two. 

20 credits

Try a new subject:

The flexible structure of your second year at Sheffield means that you also have the chance to experience modules from outside of English and Philosophy - you can choose up to 20 credits of modules from a list approved by the Faculty of Arts and Humanities. A final guided module list is made available to new students when you select your modules as part of registration.

Optional English modules:

Life After Death? Romantic Poets and Writing the Afterlife

Kant's Critique of Pure Reason held that there were only two real questions: Is there a God and is there eternal life? Poets and philosophers (and for Coleridge, 'no man was ever yet a great poet, without being at the same time a profound philosopher') have sought to imagine, conjure, or deny the idea of a life after death. This module will explore the versions of eternity written by Romantic poets. From Keats's denial of eternity, Byron's questioning, Shelley's agnostic yearning, and Hemans's feminist redress of the issue, we will consider the idea of life after death in poetry. Starting with a grounding in key philosophical ideas from Plato's assertion of the soul's immortality and Lucretius' denial of any life after death, this module will look at the hell, purgatory, heaven, and nothingness of life after death as written by Romantic poets.

20 credits

Apocalypse: The Beginning of the End of the World

It is impossible to make sense of our world of pandemics, the climate crisis, economic instability, and violent, divisive rhetoric without an understanding of apocalyptic literature. While 20th and 21st century contributions to apocalyptic literature, such as Octavia Butler's Parable of the Sower, are far ranging in their examination of what the end of the world looks and feels like, they all have their origins in ancient notions of catastrophic ends and the hope for a new beginning. This module will guide you to explore the apocalypse's origins in texts left out of the biblical canon, such as the Dead Sea Scrolls, as well as those that are more well known, such as Revelation. You'll learn to engage critically with a range of literature, including contemporary novels dreaming about the end of colonial violence, and cinematic interpretations about climate apocalypse. You will have the opportunity to apply their knowledge about apocalypses to a text and topic that are important to you.

20 credits

Chaucer

Geoffrey Chaucer is not only the most famous medieval English writer, he is also one of the most varied, controversial, and gritty writers at the time. This course aims to introduce you to a wide range of Chaucer's writings, including the Canterbury Tales, while situating Chaucerian writing in its medieval context. We will explore literary, linguistic, material, cultural, religious, and political aspects of his fascinatingly rich body of texts to gauge Chaucer's status as a medieval poet, and interrogate questions of society, gender, and philosophy that his work continues to inspire.

20 credits

The Idea of America

If you are interested in how and why contemporary (1950-present day) American writers revise myths of America, then this module will appeal to you. We explore how foundational ideas of America (such freedom, equality, democracy, self-reliance, the frontier, capitalism and American exceptionalism) are reimagined by its poets, playwrights and prose writers. You might read works by authors such as Toni Morrison, James Baldwin, Cormac McCarthy, C Pam Zhang, Charles Yu, Arthur Miller and Ocean Vuong and the module is organised around a series of thematic strands that will help you to make connections between writers and key American mythologies. For example, the themes could include a focus on the ongoing legacies of slavery and settler colonisation and/or a study of the role of religion, region and place in shaping literary perspectives of America. You can expect to read a diverse range of works by Asian-American, Native-American, African-American and Arab-American authors and by the end of this module you will develop valuable leadership and employability skills including improved emotional intelligence and global awareness.

20 credits

Researching Readers

Your studies so far will have given you many opportunities to think about how you interpret texts and how texts are discussed by professional critics. This module encourages you to engage with the responses of readers outside of University too, in the wider reading public. Academic discussions regularly make claims about the effects of a text on its 'readers' or 'audience', but these readers are often theoretical constructs rather than actual people. This module is a practical introduction to methods that can be used to collect data so that you can investigate the responses of real readers in a variety of contexts. Methods that we study might include experimental tasks, questionnaires, focus groups and internet resources. We focus on qualitative, verbal data: the things which people say or write about their reading experiences. You will learn how to use that data to test and develop your own textual analyses. For instance, we might use data to explore how readers engage with fictional characters, how they make sense of metaphors, or how they respond emotionally to patterns in language. You will be supported in designing, conducting and reflecting upon your own study of real readers, with free choice of the text you study and the method you use, so there is lots of scope for pursuing what interests you.

20 credits

Narrative Style in the Contemporary Novel

On this module you will consider how the contemporary novel experiments with narrative style and technique, and the effects of this on you as a reader. We will be looking at writing in English from all over the world, and from a wide variety of backgrounds and perspectives. We will be looking at key narrative concepts, such as point of view, in order to enable appreciation of the ways in which contemporary writers play with traditional styles. Some of the experimental features we will look at include: disruptions to chronological sequence; the use of second-person ('you') narration; the use of multiple narrators. We will look at how such techniques increase or hinder such experiences as empathy and identification with characters. You will get a chance to work extensively on a contemporary novel of your choice and deepen your enjoyment of it by looking at how it is written.

20 credits

Creative Writing Poetry Experiments: (De)Constructing Paper Selves

This module offers a practical and theoretical workshop which is designed to look at current methods of creative writing exploring a wide range of forms of poetry and poetics, prose poetry, poetic prose and hybrid writing. During the term our core readings and discussions (critical and creative) will be focusing on producing new work, new texts while we will be revisiting, reconfiguring and deconstructing concepts of poetry, contemporary poetry and its various new, experimental formations, poetics of fusion and the hybrid while thematically and theoretically we will explore concepts of borders and boundaries of the contemporary poem while looking at complex concepts of identity, self, form and language, inner and outer landscapes, gender and politics, trauma, historicity and phenomenology. We will be focussing on the manifold ways in which language constructs and deconstructs self and selves, breaches old paradigms, looks 'behind' itself (in panic?) and yet audaciously ploughs on towards the 'unforeseeable'. During the module you will be given the opportunity to develop your writing in various contemporary formations of more established and currently forming conventions/experimentations; your critical thinking through a wide range of creative samples by currently published authors of both poetry and prose and other speculative genres of fusion; and through the weekly workshops to sharpen your editorial skills.

20 credits

The Brontës

'Literature cannot be the business of a woman's life, nor ought it to be.' So advised Robert Southey, Poet Laureate, to a young Charlotte Bronte in 1837. Just ten years later she and her sisters, Emily and Anne, caused a sensation: their first novels, published under pseudonyms just weeks apart, were read and reviewed with astonishment, praise and censure. Now some 200 years since their births, the Bronte siblings (including their brother, Branwell) sustain a thriving industry of literary tourism and their works can be read and enjoyed via a multitude of editions and adaptations. This module will explore the art of the Brontës, their writings, drawings and paintings from collaborative juvenilia through to Charlotte's final novel, Villette. These works shed light upon the socio-cultural trends and political upheavals of the 1840s and 1850s, from the plight of the governess to machine breaking in the industrial North. This module will also ask how and why the Brontës have enjoyed such a varied and long-lasting cultural afterlife.

20 credits

Experiments in Interactive Digital Narrative

This module offers the chance to learn about and experiment with the possibilities of interactive digital narratives. What are interactive digital narratives? In brief, they are stories designed (a) to be read on screen and (b) to give the reader choice about how to navigate them. For example, you might have come across digital adventure stories that read like this: 'You walk up to the house but the door is locked. Do you search for a hidden key or do you break the door down?' Here both 'search' and 'break' will be links so you can choose what you want to do and find out what happens when you do it. Stories like this are widely available online but writers and artists have used the same approach to explore a wider range of human experience than fantasy adventures. Early in the semester we will think about various issues relating to digital narrative: the relationship between material and virtual worlds, the relationship between author and reader, our fears about Artificial Intelligence. Then you'll create an experimental narrative of your own inspired by your critical reading. You don't need any special knowledge of computers or coding - all that will be taught in the module. The learning you experience as you develop your project will be invaluable if you go on to work in any field where you need to make digital content.

20 credits

Writing Fiction 3

What is the relationship between creation and destruction? How might we creatively 'destroy' literary conventions, and to what ends, particularly in a time of widespread environmental destruction? This module considers the possibilities and potentials of experimental creative prose - not only the short story and the novel, but the creative essay, memoir and hybrid texts. You will read examples of work which deliberately destroys the boundaries between form and genre; you will also be encouraged to experiment in your own creative work.We will explore destructive writing from two angles. First, we will look at writing which breaks with the conventions of literary narrative, form, genre and language. We will focus, in particular, on texts that creatively engage with the failures writers experience during the writing process. Second, we will consider writing which explores destructive worlds - both internal and external, realist and dystopian and speculative. We will read examples of creative texts alongside craft essays and critical texts, relating our discussion of specific techniques and styles to broader questions about the ethical, political and philosophical purposes of creative prose.The seminars will alternate between text-based classes in which we will discuss set reading and engage in generative writing exercises, and workshops where you will exchange constructive critical feedback with your peers. You will be encouraged to take inspiration from the reading both in terms of writing process and in terms of technique.

20 credits

Contemporary Black British Writing

This module explores contemporary Black British culture, focusing on narratives representing Black British experiences since the arrival of the Windrush in 1948. You will read novels by writers such as Andrea Levy, Bernardine Evaristo, Zadie Smith and Caleb Azumah Nelson alongside films and/or plays that might include work by Isaac Julien and debbie tucker green. Poetry by writers such as Kei Miller and Elizabeth Jane Burnett will offer insights into experimental and interdisciplinary artistic practice. The module includes sessions delivered by guest writers who discuss their own work and their key influences; for instance, the poet and hip hop artist Otis Mensah. The aim of the module is to appreciate the fluid 'canon' of Black British literature and to interrogate what 'Britishness' and 'B/blackness' mean, whether labels such as BAME / POC are helpful and how we can engage critically with race in the classroom without assuming that Black writers 'should' always be talking race. You will be guided in theoretical discussions by critics who might include Akala, bell hooks, Reni Eddo-Lodge, Patricia Hill Collins and Stuart Hall and you will approach texts in relation to colonial history and current socio-political concerns, including migration, white privilege and ecological activism.

20 credits

Dissertation (English Literature 20 Credits)

The Dissertation is a long essay of between 5-7,000 words, the result of a sustained period of independent study in the second semester where you work closely with an academic specialist in your area of interest. This module provides final year undergraduate students with an opportunity to build on work done in previous modules, or study a topic that has not been included in the degree. Students taking this module are expected to demonstrate a capacity both for independent research and for organising a long piece of work. In addition to writing a critical dissertation, you also have the option to work on a piece of creative writing that could include a collection of poetry, a piece of short fiction or theatre, or a video-essay.

20 credits

Language and the Environment

This module will introduce students to a range of research focused on language and the natural environment. We will begin by exploring the discipline of Ecolinguistics and the concept of an 'ecosophy', the ecological philosophy underpinning environmental linguistic research. Students will have an opportunity to define their own key ethical principles and design a small-scale research project around their personal ecosophy. We will examine a range of different linguistic theories and their application in the rigorous and systematic analyses of language and the natural environment. We will also explore different linguistic methodologies which might enable these analyses, drawn from disciplines including discourse analysis, corpus linguistics, and empirical stylistics. We will investigate a variety of different discourse types in our lectures and seminars, including political speeches, the language of environmental documentaries, literary texts, social media, marketing and advertising, and everyday conversation. Students will have the opportunity at the end of the module to use their knowledge and skills to execute their own research project, investigating the relationships between language and the natural world in a discourse of their choice.

20 credits

Reading Animals

Contemporary literature is filled with stories about animals, and told by animals, which provide astonishing perspectives on animals' experiences—their ideas and feelings, needs and desires; their sense of place, of past and future; their sense of community, loneliness, freedom or danger, or solidarity with humans. In literature, animals tell us what it is like to live in family homes or factories; to go on adventures or to go extinct; to be wild or captive, domestic or feral; to lose their home; to be owned, watched, admired, hunted, worshipped, medically treated, and more. This module looks at literary texts in which nonhuman animals' lives are the central concern. We will study works by writers such as NoViolet Bulawayo, George Saunders, Sabrina Imbler, George Orwell, Yoko Tawada, and Ceridwen Dovey. We will ask: in what ways have authors given voice to animals' experience? What are the most effective literary strategies for representing animals (both portraying and speaking for them)? How have writers re-imagined the fable and other genres in which animals conventionally appear? How are portrayals altered in authors of different race, nation, or gender? And, perhaps most topically, how does literary writing help us rethink animals' importance in an age of extinction and industrial-scale consumption?

20 credits

Privilege and Subversion in Early Modern Drama, 1580-1700

This module surveys the theatre of early modern England, a cultural phenomenon that ranged from the scandalous and iconoclastic drama of Christopher Marlowe to the bawdy, urbane comedy of William Wycherley. We will interrogate the manifold ways in which the privileges and hierarchies of the period (relating, for example, to knowledge, power, gender, politics, sexuality and social class) were interrogated, subverted or upheld by dramatists such as Aphra Behn, John Dryden, Thomas Middleton and John Ford. We will read plays in a variety of genres and will analyse them in the context of landmark cultural and historical changes of sixteenth- and seventeenth-century England, such as religious conflict, colonial expansion, and the growth of London as a centre of pleasure and consumption.The module considers the changing conditions of performance in pre- and post-civil-war theatre, the kinds of publication that dramatists used, and the characteristics of the language with which dramatists worked. It also relates the texts to critical methods that help illuminate the relationships between theatre and the explosive cultural, political, and religious differences of the period.

20 credits

The Invention of Romanticism

This module is about the birth and legacy of romantic-era writing. It studies famous figures such as William Wordsworth, John Keats and Emily Bronte alongside lesser-known writers such as Charlotte Smith, Charles Waterton and John Clare. It is taught by a team who use their research interests in fields such as environmental criticism, gender studies or colonial writing to think about how such authors inform our thinking about the world today. Over the year you'll write two essays and develop a proposal for an end-of-year module conference where, supported by your tutors, you can present your ideas and findings to the class. As well as helping you find your own critical voice and developing your academic writing and research skills, this module believes that the modern world and how we think of it was born and shaped by the literature of the Romantics and it encourages you to think critically about that legacy.

40 credits

Renaissance Literature, Modern Crisis

This module considers early modern and Renaissance literature in relation to some of the pressing concerns of the modern world, e.g. the climate emergency, decolonisation, and gender identity (topics may vary from year to year depending on staff expertise and current events). It will combine historicism (looking at texts in historical contexts) with presentism (thinking about how we read texts in our own historical context). You'll write a critical essay relating early modern literature to a modern priority, and then work on a project whose nature and scope you'll decide in dialogue with your tutor(s): for example, an edited collection of texts based around a shared theme; teaching materials; or a magazine-style article. As well as helping you hone your academic writing and your research and critical thinking skills, this module encourages you to think about how literary texts can speak to problems in the wider world.

40 credits

Research Topics in Theatre and Film

This module introduces you to significant research topics that cut across theatre and film studies, opening up the synergies and divergence between these art forms. Key themes such as Bodies, Identities, Memory, Site and Migration will focus our analysis of diverse historical and contemporary examples, positioned critically alongside notable remakings and sometimes radical adaptations. Research into these case studies will uncover important contexts of creation, production and reception that serve to deepen and problematise their meanings. You will also explore current approaches in theory and criticism that reframe theatre and film in exciting and challenging ways. The module's year-long structure allows substantial time to pursue individual research interests, guided by your tutors and inspired by and extending beyond work we undertake as a group. Reflecting the creative mediums we focus on, this module includes supported assessment options for video essays and project pitches, building skills in editing and audiovisual presentation, as alternatives to the traditional essay. Whether or not you choose to experiment with these formats, you will acquire sophisticated knowledge of film and theatre, deepen your understanding of cinematic and performance languages, and gain valuable skills in creative thinking and expression beyond the written word.

40 credits

Mod Cons: Exploring the Long 20th Century

This module introduces you to current research in the study of literary and related forms of cultural text and practice, focusing on the modern and contemporary periods from the beginning of the twentieth century to the present. With a curriculum adapted each year in response to the current research interests of academic staff, the module focuses on the ways in which literary and related works can be understood in terms of important aesthetic, cultural and socio-political concerns in the period. During this module you will be given the opportunity to develop your critical thinking and your writing and analytical skills through an in-depth engagement with a variety of text from the modern and contemporary periods.

40 credits

Optional philosophy modules:

Work Place Learning

This module involves a work placement of 35-70 hours with a local organisation (voluntary or commercial sector). You will experience firsthand the practical challenges and problems facing the organisation. You will learn about the organisation's overall aims, and the various methods and strategies employed to accomplish those aims. You will draw on the concepts and theoretical frameworks studied in your other philosophy modules to identify a philosophical issue relevant to the organisation's work or goals, and to write a piece or pieces of coursework addressing that issue; or you will be able to use the skills and knowledge you have gained in your other philosophy modules to analyse a problem of philosophical interest faced by the organisation or encountered in the course of your employment. You will have two meetings together with other students in the module to discuss your work placement and formulate ideas for your written coursework. You will have a further individual meeting with the module convener or an appropriate supervisor from the School of History, Philosophy and Digital Humanities to discuss the progression of the coursework.

At the end of the module, you should have:

    the ability to apply ideas from your other philosophy modules in rigorously assessing the challenges facing organisations like the one you worked for, and interrogating potential solutions to them

    insight into the practical application of theoretical issues in philosophy

    practical experience that will make you a strong candidate for jobs in the sector you worked in.

20 credits

Bodies and Souls

Descartes is famous for his view that all mental activity takes place in an immaterial substance, so that what we call a human being is really two things: a thinking soul and an unthinking body. Aristotle thought that every living thing, whether conscious or not, was a compound of matter and form, and he called this form a 'soul'. This view, 'hylomorphism', dominated European philosophy throughout the middle ages. Both views are currently the subject of renewed interest. This module will examine them from a contemporary perspective.

20 credits

Pain, Pleasure, and Emotions

Affective states like pain, pleasure, and emotions have a profound bearing on the meaning and quality of our lives. Chronic pain can be completely disabling, while insensitivity to pain can be fatal. Analogously, a life without pleasure looks like a life of boredom, but excessive pleasure seeking can disrupt decision-making. In this module, we will explore recent advances in the study of the affective mind, by considering theoretical work in the philosophy of mind as well as empirical research in affective cognitive science. These are some of the problems that we will explore: Why does pain feel bad? What is the relation between pleasure and happiness? Are emotions cognitive states? Are moral judgments based on emotions? Can we know what other people are feeling?

20 credits

Dissertation Project 1

A variety of topics including an independent choice will be set  For each topic, a short list of key readings is provided. Having chosen a topic, students are expected to master the readings, and then supplement them with at least two other pieces of relevant literature having used the available library and web resources to research. They then, having agreed a title with a supervisor assigned to them for the module, write an extended essay that identifies the central issue (or issues) under discussion, relates the various responses to that issue found in the literature, evaluates those contributions, and goes some way to identifying a satisfactory resolution of the issue.

20 credits

Ethics and Belief

We know things as individuals, but we also know things collectively. And what we know individually can depend on our relation to other knowers and collective knowledge. These relations are not merely epistemic, they are also practical and ethical. Knowledge can, for instance, be based on trust, while a failure to recognize someone as a knower can be a matter of injustice. Knowledge thereby has a social character and an ethical dimension. This course will introduce a broad range of topics in epistemology that explore this social and ethical turn.

20 credits

Ancient Chinese Philosophy

This course will introduce students to ancient Chinese Philosophy through a study of some of it classical texts.

20 credits

Global Justice

What are the demands of justice at the global level? On this module we will examine this question from the perspective of analytic Anglo-American political philosophy. We will start by looking at some debates about the nature of global justice, such as whether justice demands the eradication of global inequalities. We will then turn to various questions of justice that arise at the global level, potentially including: how jurisdiction over territory might be justified; whether states have a right to exclude would-be immigrants; whether reparations are owed for past international injustices such as colonialism; and how to identify responsibilities for combatting global injustice.

20 credits

People, Organisations and Technology

This module addresses some of the most important moral and political questions faced by human beings in our relation to each other, to organizations and to technology.  The aim of the module is to understand some of our  basic moral concepts as they apply in the context of organisational life as mediated by technology; including truthfulness, trustworthiness, integrity, manipulation, freedom, responsibility and complicity. 

Can organisations be held morally responsible for the effects they have on the world, or is moral responsibility restricted to individuals? What about the effects of technology, such as artificially intelligent machines? 

Does it make sense  to hold a machine morally responsible for its behaviour? Is information technology a threat to human freedom or flourishing  in virtue of its ability to predict, manipulate or control human thought and behaviour? And to what extent do current technological development reinforce existing injustice, oppression or prejudice, as opposed to presenting us with new form

of emancipation, protection or control? In this module these and related questions are addressed both theoretically and by applying them to actual example in the present.

20 credits

Free Will & Religion

This module focuses on philosophical questions about the relationship between free will and theistic religions. It has often been claimed that adherents of these religions have significant motivations to affirm an incompatibilist conception of free will according to which free will is incompatible with determinism. Incompatibilist conceptions of free will, it has been argued, have benefits for the theist such as enabling them to better account for the existence of moral evil, natural evil, divine hiddenness, and traditional conceptions of hell. Yet, on the other hand, it has been argued that there is a significant tension between theistic religions and incompatibilist conceptions of free will. For example, there are tempting arguments that an incompatibilist conception of free will makes trouble for affirming traditional views about God's omniscience, freedom, and providence. We will engage in a critical examination of these and related arguments.

20 credits

Feminist and Queer Studies in Religion, Global Perspectives

This module applies feminism, queer studies and trans philosophy in analysis of genders and sexualities in religious traditions and cultures around the world. We will examine deities and goddesses, gendered language in religions, cisheteropatriarchy, and LGBTQIA life in e.g. Hinduism, Buddhism, Christianity, Judaism and Islam, as well as in Chinese, and Japanese cultures. We will discuss genders, rituals, spirituality, sexual practices, procreation, abstinence, and asexuality, reading a range of feminist, queer and trans philosophical works, and texts ranging from the Kama Sutra to Confucius and the Vatican documents, Scriptures, and empirical research. Assignments allow students in Philosophy, Humanities, and Social Sciences develop their expertise using their preferred methods and topics, on religions of their choice.

20 credits

Phenomenology

This module introduces students to Phenomenology - a philosophical tradition in continental European philosophy, which is closely related to Existentialism. Phenomenology seeks to understand the human condition. Its starting-point is everyday experience, where this includes both mundane and less ordinary forms of experience such as those typically associated with conditions such as schizophrenia. Whilst Phenomenology encompasses a diverse range of thinkers and ideas, there tends to be a focus on consciousness as embodied, situated in a particular physical, social, and cultural environment, essentially related to other people, and existing in time. (This is in contrast to the disembodied, universal, and isolated notion of the subject that comes largely from the Cartesian tradition.) There is a corresponding emphasis on the world we inhabit as a distinctively human environment that depends in certain ways on us for its character and existence. Some of the central topics addressed by Phenomenology include: embodiment; ageing and death; the lived experience of oppression; human freedom; our relations with and knowledge of, other people; the experience of time; and the nature of the world. In this module, we will discuss a selection of these and related topics, examining them through the work of key figures in the Phenomenological Movement, such as Edmund Husserl, Simone de Beauvoir, Maurice Merleau-Ponty, Frantz Fanon, and Edith Stein.

20 credits

Dissertation Project 2

A variety of topics including an independent choice will be set  For each topic, a short list of key readings is provided. Having chosen a topic, students are expected to master the readings and then supplement them with at least two other pieces of relevant literature, having used the available library and web resources to uncover research. They then, having agreed a title with a supervisor assigned to them for the module, write an extended essay that identifies the central issue (or issues) under discussion, relates the various responses to that issue found in the literature, evaluates those contributions, and goes some way to identifying a satisfactory resolution of the issue.

20 credits

Plato's Symposium

The Symposium is a vivid, funny and moving dramatic dialogue in which a wide variety of characters - orators, doctor, comic poet, tragic poet, soldier-cum-statesman, philosopher and others - give widely differing accounts of the nature or erotic love (eros) at a banquet. Students should be willing to engage in close textual study, although no previous knowledge of either ancient philosophy or ancient Greek is required. We will be exploring the origins, definition, aims, objects and effects or eros, and asking whether it is viewed as a predominantly beneficial or harmful force. Are some manifestations or eros better than others? Is re-channelling either possible or desirable, and if so, how and in what contexts? What happens to eros if it is consummated? We will in addition explore the issues that the dialogue raises about relations between philosophy and literature, and the influence it has had on Western thought (e.g. Freud). The edition we will use is Rowe, C . J., 1998, Plato Symposium. Oxford: Aris and Phillips Classical texts.

20 credits

Moral Theory and Moral Psychology

This course examines the relationship of moral theory and moral psychology. We discuss the relationship of science and ethics, examine the nature of self-interest, altruism, sympathy, the will, and moral intuitions, explore psychological arguments for and against familiar moral theories including utilitarianism, virtue ethics, deontology and relativism, and confront the proposal that understanding the origins of moral thought 'debunks' the authority of ethics. In doing so, we will engage with readings from historical philosophers, including Hobbes, Butler, Hume, Smith, Kant, Mill, Nietzsche and Moore, as well as contemporary authors in philosophy and empirical psychology.

20 credits

Memory and the Self

Our memories of our personal past (i.e. our episodic memories) play an important role in our lives. They help us perform mundane tasks like finding our keys, but they arguably also form the foundation of our sense of self and personal identity. They let us know who we are by recording what we've done and experienced. In this module we will try to better understand what episodic memory is and to what extent it grounds our understanding of the self. This module will introduce students to the cognitive science of memory and to core issues in the philosophical foundations of cognitive science.In the first part of the module, we will look at methodological issues that arise when we attempt to describe the mind's structure within philosophy, psychology, and neuroscience. In the second part of the module, we will look towards the cognitive sciences to better understand what sort of thing episodic memory is. In the final part of the module, we will consider the relationship between episodic memory and our sense of the self. This is an interdisciplinary module. Understanding how the mind is structured is a complex project. In order to make progress we need to appeal to both empirical and philosophical work (and work that blurs this distinction). We'll read scientific and philosophical papers; however, no prior knowledge of cognitive science (or neuroscience) will be presumed.

20 credits

Language, Speakers and the World

This module explores in depth some of the most important notions in 20th and 21st century Philosophy of Language, an area of study which has often been seen as central to analytic philosophy more generally. As well as examining theories of central elements of language, such as names and descriptions, it investigates potentially puzzling phenomena such as fiction and the vagueness of language. And it explores issues in Applied Philosophy of Language including questions about lying and misleading, about forms of silencing, and about language and power. Language is at the heart of much distinctively human activity, and so study of language provides insight into us - its users/speakers - and also into how we relate to each other and to the world.

20 credits

Political Resistance

This course examines various dimensions of political resistance in the face of injustice. 



The course begins with a basic examination of some key texts discussing concepts such as individuals' natural duties, political authority and political legitimacy. Here, the goal is to figure out the bases of citizens' obligation to comply with the law, in order to specify the conditions in which those obligations might be void, unenforceable, or overridden. This is crucial for understanding the conditions in which political resistance or even disobedience of the law could be permissible.

We will also examine various justifications for political resistance and disobedience. Is the point of resistance to communicate one's principled disagreements with, or objection to, some law or public policy? Or is it to make an appeal to the sense of justice of the community, in the hopes of stirring democratic action to remedy injustices? Or might resistance and disobedience be justifiable in a more direct fashion, as a form of defensive action which eliminates or at least mitigates injustice? Following this, we turn to the question of whether there might be principles that can even impose duties on individuals to engage in resistance or disobedience.

We will also examine the distinctions between different forms of political resistance and disobedience. How do we differentiate among legal protests and marches, illegal sit-ins or occupation of public or private spaces, property damage, rioting, among others? Why should we be interested in differentiating among these forms of political action? How can those who engage in political protest against injustice differentiate themselves from non-politically motivated criminals? A related goal is to critically examine the arguments for and against each of these forms of political action. We shall also consider the weight of pragmatic or strategic considerations, relative to those of normative considerations. 

We will also examine how the state should respond to political resistance and disobedience which disrupts social norms or breaks the law. How should law-enforcement decide whether and how to intervene? How should prosecutors decide whether and when to file charges against protestors? How should judges and juries decide whether to convict, and how much to punish? 



Throughout the course, the discussions are anchored in a variety of historical and contemporary cases of political resistance and disobedience, and in a variety of contexts. We will examine environmental activism, animal rescue, hacktivism, facilitating illegal migration, anti-colonial resistance, civil rights movements, independence and liberatory struggles, among others. Students should expect to develop their ability to critically analyse and assess these cases with reference to the philosophical ideas discussed in the course.

20 credits

Try a new subject:

The flexible structure of your third year at Sheffield means that you also have the chance to experience modules from outside of English and Philosophy - you can choose up to 20 credits of modules from a list approved by the Faculty of Arts and Humanities. A final guided module list is made available to new students when you select your modules as part of registration.