English and History BA

English literature pathway core modules:

Renaissance to Revolution

This module surveys the English drama, poetry, and prose from the sixteenth, seventeenth and eighteenth centuries. We will look at different genres including comedy, tragedy,lyric, prose fiction, the novel, epic, and prose polemic in the works of writers such as Aphra Behn, Frances Burney, John Donne, Oloudah Equiano, Aemelia Lanyer, Ben Jonson, Christopher Marlowe, John Milton and Alexander Pope. The texts studied will be related to critical methods that help us understand the relationships between literature and the culture, society, and politics of the period in which it was produced.

40 credits

English literature pathway optional modules:

Early Englishes

This module is of particular interest to anyone who wants to know more about the first 1000 years of English language and literature. Early Englishes works backward over a whole millennium of English, 1600 to 600. Each week's lectures and seminar focus on one century and one text representative of that century (for example, Margery Kempe's Book, Chaucer's Canterbury Tales, and Beowulf). We will use a variety of techniques - literary, linguistic, anthropological, cultural-historical - to analyse each text, thereby opening up discussion of issues that preoccupied the English of the time, from glorious monster-slaying to the first expressions of love and desire, from religious devotion to comedy, from the power of insults to the status of English. We will investigate international influences on English language and literature, explore medieval worldviews and how they might differ from modern ones, and query what it means when we say something is medieval. No prior knowledge of Old or Middle English is necessary; students will be given the opportunity to examine texts in the original language but where necessary translations will be provided.

20 credits

Foundations in Literary Study: Biblical and Classical Sources in English Literature

The Bible, Greek and Roman mythology, represent some of the central sources for European literary imaginations. In this module you will explore the range of literature indebted to biblical and classical literature, themes, and characters. Featuring a range of lecturers from across the School of English, the module will help you learn to think critically about biblical and classical themes such as divine destruction, love, gender, homecoming, colonialism, nostalgia, and empire, and read a variety of authors, from Amelia Lanyer and Shakespeare to Derek Walcott and Margaret Atwood. When we understand the ways in which biblical and classical writers shaped their narratives, and how creative authors revised, resisted or radicalised their themes, we have several important keys to unlock crucial facets of English literary tradition.

20 credits

Contemporary Literature

This module introduces you to a diverse range of texts in English (prose, poetry, and film) with a focus on texts published since 2000. Texts will be chosen to provoke thinking and debate on urgent and controversial topics that might include: globalisation and neoliberalism; ecology and animal lives; artificial intelligence and the posthuman; political activism and social justice; migration and displacement; state violence and armed conflict. We will discuss formally and conceptually challenging works, raise ethical and philosophical questions and begin to discover how current critical and theoretical approaches can help us to engage with contemporary texts.

20 credits

Studying Theatre: A History of Dramatic Texts in Performance

Ranging chronologically from classical to contemporary examples, this module aims to turn an interest in drama and theatre-going into a deeper appreciation of the ways in which traditions of playwriting, acting, design and performance have shaped theatre's development over the centuries. Each week you will study a particular play and the contexts that informed its first performances and its theatrical afterlife. Engaging with contrasting texts and productions will build your knowledge of dramatic genres and styles, the relationship between performance and politics, the representation on page and stage of racial and gendered identities, and the roles and responsibilities of audiences. We will approach theatre as a social practice and an artistic discipline, exploring production videos and related materials alongside study of the script, and experimenting with creative exercises in writing, directing and stage design. This module develops skills in analysing diverse texts and forms whilst also revealing the distinctive qualities and capabilities of drama as a literary genre.

20 credits

Darwin, Marx, Freud

This course is structured around the writings of Darwin, Marx, Freud. We will consider selections from all three philosophers' writings, such as, for example, Darwin's The Origin of Species; cover key concepts from Marx's work—commodity fetishism; alienation—and investigate Freud's philosophy of the subject through selected readings from his writings. We will dismantle cultural prejudice and engage with, and in, revolutionary thinking. This course will prepare you for modules like Critical and Literary Thought but, most importantly, it will help you become critical, potentially revolutionary, thinkers.

20 credits

Exploring Literary Language

This module explores the language of literary texts. We will look at how different literary styles create particular effects and describe these styles and effects using linguistics. The course aims to provide students interested in English literature with a practical introduction to language, and to provide students interested in language with experience of applying linguistic analysis to literary texts. The emphasis is on a hands-on approach, and topics covered will include sentence structure, register, narrative structure, conversation analysis (with reference to drama and dialogue) and point of view in narrative fiction. The texts studied will be predominantly literary and twentieth century, and will include extracts from novels, plays, poetry and short stories.

20 credits

Hybrid Forms? Comedy and Tragedy

This module gives you the opportunity to study developments in comedy and tragedy from classical antiquity to the present day. This focus on genre enables you to take a broadly comparative approach, setting, for instance, works of classical antiquity alongside those of the early modern, modern, and contemporary worlds. As such, the module equips you to draw connections between periods studied separately at different points of your degree and between disparate forms, e.g. drama and the novel. Over the course of this module we will consider questions such as: what is genre, and why is it important? How does genre reflect or respond to historical change? Is there any such thing as a 'pure' genre or is hybridization a defining feature of genre itself? We will answer these questions by reading texts by authors such as Angela Carter, Noel Coward, Plautus, Shakespeare, Sophocles, and Michaela Coel.

20 credits

History of English

What is English? Taking this question as a point of departure, this module introduces students to the exceptionally dynamic linguistic history of English(es). Changing linguistic forms and functions are contextualized within their historical moment, and language external factors such as language contact, imperialism and racism are also discussed as they pertain to periods of English. To be clear: this is not just a module about old forms of language (although there is plenty of that!) - it's about gaining historical linguistic perspective on current Englishes (including related Creoles) and their place within a much bigger story.

20 credits

Introduction to Creative Writing

The aim of this unit is to help you to develop your expressive and technical skills in writing poetry and prose and to improve your abilities as an editor and critic of your own and other people's writing. You will be guided in the production of new work and encouraged to develop an analytical awareness of both the craft elements and the wider cultural and theoretical contexts of writing. This module explores poetic and prose techniques for creating new poems and narrative techniques for generating some prose work through the critical study of published examples, imaginative exercises, discussion and feedback on your own writing. This exploration will help you develop your own creative work while sharpening critical appreciation of published poetry and modern and contemporary fiction. The course is designed to give you the experience of being workshopped as well as to establish basic creative writing techniques at Level 1 in preparation for the challenges of Creative Writing Level 2 and/or 3.

20 credits

Introduction to Cinema

This module aims to study a cross-section of the most important American films up to the present day and to develop both a formalist and an institutional analysis of these works. Its intention is to study the growth of the classical Hollywood style, a matter of a sophisticated range of technical stratagems as well as of a genre-based cinema, and of the institution of Hollywood itself, the most significant force in cinema to-day.

20 credits

English language pathway core modules:

The Sounds of English

This module is an introduction to the subdisciplines of linguistics known as phonetics and phonology, focusing on the sounds of the English language. It is designed to provide you with an understanding of the key concepts and terminology necessary to describe and explain sounds of English and of other languages. It will equip you with the practical skills necessary to transcribe and write about sounds. It serves as an essential basis for more advanced linguistic study.

10 credits

The Structures of English

This module is an introduction to the syntax of natural languages, providing an essential grammatical base for more advanced studies in linguistic theory, historical linguistics, and sociolinguistics. This module is intended as a sister module to the 10-credit 'Sounds of English' module, which runs in parallel. It is designed to provide a firm grounding in the descriptions of sentence structure(s) cross-linguistically, and to introduce students to the tools used to describe syntactic structures, and the main methods of syntactic argumentation. The lectures will cover major topics in the formal description of morpho-syntax, while the seminar workshops will provide hands-on experience in analysing and thinking about sentence structure.

10 credits

English language pathway optional modules:

Varieties of English

This module looks at accent and dialect variation in the English language, in the UK and beyond. It will provide you with the tools to analyse and discuss variation in English words, sounds, and grammar. During the module you will collect your own data and learn how to analyse and visualise it. The module will develop your awareness of sociolinguistic aspects of the English language, and the relationship between language variation and change. You will be encouraged to consider your own experiences of language attitudes, language change, and language variation in order to reflect on the extraordinary diversity of the English language today.

20 credits

Early Englishes

This module is of particular interest to anyone who wants to know more about the first 1000 years of English language and literature. Early Englishes works backward over a whole millennium of English, 1600 to 600. Each week's lectures and seminar focus on one century and one text representative of that century (for example, Margery Kempe's Book, Chaucer's Canterbury Tales, and Beowulf). We will use a variety of techniques - literary, linguistic, anthropological, cultural-historical - to analyse each text, thereby opening up discussion of issues that preoccupied the English of the time, from glorious monster-slaying to the first expressions of love and desire, from religious devotion to comedy, from the power of insults to the status of English. We will investigate international influences on English language and literature, explore medieval worldviews and how they might differ from modern ones, and query what it means when we say something is medieval. No prior knowledge of Old or Middle English is necessary; students will be given the opportunity to examine texts in the original language but where necessary translations will be provided.

20 credits

Exploring Literary Language

This module explores the language of literary texts. We will look at how different literary styles create particular effects and describe these styles and effects using linguistics. The course aims to provide students interested in English literature with a practical introduction to language, and to provide students interested in language with experience of applying linguistic analysis to literary texts. The emphasis is on a hands-on approach, and topics covered will include sentence structure, register, narrative structure, conversation analysis (with reference to drama and dialogue) and point of view in narrative fiction. The texts studied will be predominantly literary and twentieth century, and will include extracts from novels, plays, poetry and short stories.

20 credits

History of English

What is English? Taking this question as a point of departure, this module introduces students to the exceptionally dynamic linguistic history of English(es). Changing linguistic forms and functions are contextualized within their historical moment, and language external factors such as language contact, imperialism and racism are also discussed as they pertain to periods of English. To be clear: this is not just a module about old forms of language (although there is plenty of that!) - it's about gaining historical linguistic perspective on current Englishes (including related Creoles) and their place within a much bigger story.

20 credits

Linguistic Theory

This module explores how language is structured by examining central issues in linguistic theory, building upon the concepts introduced in EGH105 Sounds of English and EGH106 Structures of English. Students will be instructed in (1) foundational theories and concepts in areas such as phonology, morphology, syntax, and semantics, (2) the linguistic evidence that informs these approaches, (3) the analytical techniques required to apply these theories to language data, and (4) the relevance of such theoretical models for the wider study of language. This inclusive module will develop analytical tools and problem-solving skills in using linguistic theory, training students to think critically to interpret data from any language within theoretical frameworks.

20 credits

Core history modules:

History Workshop

What does it take to be a historian? In this module, you will study the process of historical research, learning discipline-specific methods and essential study and writing skills through close engagement with a historical text (usually a work of narrative non-fiction) linked to your tutor's research interests. You will develop skills in critical reading, historiography, essay writing, bibliographic techniques, and reflection.

The assessment for this module is aimed at giving you a strong foundation in the skills you will need throughout your degree and beyond: critical reading and writing, bibliographic techniques, and the ability to reflect on and articulate your skills as a historian.

20 credits

Thinking Historically

Building upon the foundational skills acquired in the introductory 'History Workshop,' this module will cultivate your ability to critically engage with the past, develop disciplinary awareness, and apply historical thinking. To do so it provides an introduction to the breadth of interests in the school and the way historians have made sense of patterns in historical developments. Moving from the Ancient and Medieval past to the contemporary world, the module shows how Sheffield historians approach the periods and places that interest us, whilst provoking you to ponder the issues involved in framing historical questions of your own. In this module, you will explore a recurring set of questions which inform history as a discipline: how and why have historians divided up the past into discrete periods, and with what consequences? How have historians constructed narratives that give shape and meaning to the events of the past? How can we evaluate the truth of historical representations and interpretations? How are they shaped by the availability of sources about past societies, and what determines which sources have survived to the present day? How have relationships of power influenced the sorts of stories that we tell and the voices that we hear from the past, and how do they continue to do so?By the end of the module, you will not only have a strong sense of what it means to see problems through a historical lens, but also a better understanding of the chronological and geographical range of work undertaken by Sheffield historians.

20 credits

Optional history modules:

The 'Disenchantment' of Early Modern Europe, c. 1570-1770

This module explores the fundamental shifts in mental attitudes and public behaviour that occurred in Europe between the age of the Reformation and the age of the Enlightenment. The central focus of the course will be the examination of the supernatural - religious beliefs, but also witchcraft and magic. You will explore the changing ways in which beliefs impinged on people's lives at various social levels. You will also have an opportunity to study the impact on people's world views of such changes as rising literacy, urbanisation, state formation and new discoveries about the natural world. All these will be investigated in the institutional contexts of state and church and the ways in which they sought to channel and mould beliefs and behaviour. This module enables you to understand how the early modern period is distinctive from and links medieval and later modern historical studies.

20 credits

The Making of the Twentieth Century

This module considers the twentieth century as a time that transformed the social and political order in the world, calling into question the role of the European powers in global contexts, and dramatically reorienting the relationship between states and societies. You will engage with case studies representing key themes in twentieth-century global history: imperialism and the processes of decolonisation; the challenges of building the postcolonial nation; revolutions and the emergence of new states; war, genocide and conflict; and the institutions of international order.

In addressing these themes, The Making of the Twentieth Century has a particular aim of counteracting prevailing tendencies towards Eurocentrism.  You will gain a considerable body of knowledge on the histories of Asia, Africa and Latin America especially.  At the same time, emphasis is placed on the empirical and theoretical grounds upon which competing interpretations rest in order to encourage you to develop critical awareness of the character of historical analysis.  More generally, this module aims to develop analytical, conceptual and literary skills through class discussion and written assignments.  Communication skills will also be emphasised in weekly seminars that will allow specific issues to be discussed in more depth, often with reference to primary source material.  Above all, the module seeks to stimulate an interest in history and an appreciation of cultural diversity.

20 credits

The Long View: an introduction to archaeology

This module traces the development of modern humans through to the modern era. It introduces the wide range of materials and methods that archaeologists use to study the past.  The practical laboratory-based classes and field classes provide experience in the basic identification, investigation and interpretation of archaeological evidence. They are supported by lectures that introduce archaeological methods, theories and worldwide case studies. From field to laboratory using examples from throughout the world, you will learn about how archaeology shapes knowledge about the deep and recent human past.

Through this module students will be introduced to debates on the formation and development of archaeological thought through a world-wide perspective from the Palaeolithic to the present. They will be presented with techniques and ideas used by archaeologists to explore the human record and understand the past. It offers an opportunity to explore and discover the archaeological record through practical engagement, using field and laboratory methods, while also highlighting the importance of selecting analytical techniques appropriate to the question posed and the data available. The module will enable students to develop core skills in decoding and critically understanding literature, observation, recording, analysis and interpreting archaeological evidence.

20 credits

The Transformation of the United Kingdom, 1800 - 2000

This module explores the central political, social, economic, cultural and diplomatic developments that have transformed Britain since 1800. Unlike most of its European neighbours, Britain did not experience dramatic moments of revolution, constitution-building, invasion or military defeat; indeed the belief that the nation was set on a course of gradual evolutionary progress was central to many versions of British identity. This course examines how, when and why change occurred in Britain. Key themes include the transition to mass democracy; the impact of industrialisation; shifts in social relationships based on class, gender and ethnicity; and the rise and fall of Britain as an imperial power.

20 credits

Try a new subject:

The flexible structure of your first year at Sheffield means that you also have the chance to experience modules from outside of English and History - you can choose up to 40 credits of modules from a list approved by the Faculty of Arts and Humanities. A final guided module list is made available to new students when you select your modules as part of registration.

Core English literature modules:

Literature and Critical Theory (b)

This course introduces writers, concepts and approaches fundamental to contemporary literary theory, and explores their application to diverse relevant texts. You will engage in a transhistorical study of the formal, literary and cultural functions of genre (e.g. in the forms of comedy and tragedy). You will also encounter theorists such as Karl Marx, Sigmund Freud, Ferdinand de Saussure, Mikhail Bakhtin, Roland Barthes, Michael Foucault, Julia Kristeva, Jacques Lacan and Jean Baudrillard. Lectures will introduce and explain this material, and seminars will discuss and apply it to the study of literature. This module helps you develop your academic writing, critical thinking and research skills while studying the work of major theorists.

20 credits

Romanticism to Modernism (b)

This module focuses on a diverse range of texts (including poetry, prose, drama and film) produced between the late eighteenth to the late twentieth century. It pays detailed attention to the varied styles, issues, and movements produced by the rapid technological, political and cultural shifts that characterise these two centuries. Drawing on the expertise of the teaching team, the module introduces cutting-edge research carried out within the department in areas such as romanticism, the Gothic and science fiction, experimental literature, colonial and postcolonial contexts, war studies, and animal studies.

20 credits

Literature and Critical Theory (a)

This course introduces writers, concepts and approaches fundamental to contemporary literary theory, and explores their application to diverse relevant texts. You will engage in a transhistorical study of the formal, literary and cultural functions of genre (e.g. in the forms of comedy and tragedy). You will also encounter theorists such as Karl Marx, Sigmund Freud, Ferdinand de Saussure, Mikhail Bakhtin, Roland Barthes, Michael Foucault, Julia Kristeva, Jacques Lacan and Jean Baudrillard. Lectures will introduce and explain this material, and seminars will discuss and apply it to the study of literature. This module helps you develop your academic writing, critical thinking and research skills while studying the work of major theorists.

40 credits

Romanticism to Modernism (a)

This module focuses on a diverse range of texts (including poetry, prose, drama and film) produced between the late eighteenth to the late twentieth century. It pays detailed attention to the varied styles, issues, and movements produced by the rapid technological, political and cultural shifts that characterise these two centuries. Drawing on the expertise of the teaching team, the module introduces cutting-edge research carried out within the department in areas such as romanticism, the Gothic and science fiction, experimental literature, colonial and postcolonial contexts, war studies, and animal studies

40 credits

Optional English literature modules:

The History of Persuasion

This module focuses on why some written texts seem more persuasive (or authoritative) than others. To answer this question we will look at non-literary writing from a range of different contexts: journalism, advertising, political speaking, science writing, and religious communication. You'll look closely at the language used in each context, think about what constitutes persuasive writing in each, and talk about why this differs from context to context. You'll also have a chance to look at the histories of these different kinds of text. Examples from earlier periods look different from what we are used to in the 21st century and it is fascinating to explore how journalism, for example, has come to look as it does today. All these types of writing are associated with powerful institutions: journalism with the national press, advertising with big corporations, political speaking with the major political parties. But we will also explore how people with more marginalised identities use them, resist them, and are represented through them. The overall aim is help you become more critical in your response to the different kinds of written communication that surround us and this is valuable in many of the careers that English graduates go into.

20 credits

Literature and Critical Theory (b)

This course introduces writers, concepts and approaches fundamental to contemporary literary theory, and explores their application to diverse relevant texts. You will engage in a transhistorical study of the formal, literary and cultural functions of genre (e.g. in the forms of comedy and tragedy). You will also encounter theorists such as Karl Marx, Sigmund Freud, Ferdinand de Saussure, Mikhail Bakhtin, Roland Barthes, Michael Foucault, Julia Kristeva, Jacques Lacan and Jean Baudrillard. Lectures will introduce and explain this material, and seminars will discuss and apply it to the study of literature. This module helps you develop your academic writing, critical thinking and research skills while studying the work of major theorists.

20 credits

Romanticism to Modernism (b)

This module focuses on a diverse range of texts (including poetry, prose, drama and film) produced between the late eighteenth to the late twentieth century. It pays detailed attention to the varied styles, issues, and movements produced by the rapid technological, political and cultural shifts that characterise these two centuries. Drawing on the expertise of the teaching team, the module introduces cutting-edge research carried out within the department in areas such as romanticism, the Gothic and science fiction, experimental literature, colonial and postcolonial contexts, war studies, and animal studies.

20 credits

Creative Writing: Poetry, Experimentation, De/Construction

This module offers a practical and theoretical workshop which is designed to look at current methods of creative writing exploring a wide range of forms of poetry and poetics, prose poetry, poetic prose and hybrid writing. During the term our core readings and discussions (critical and creative) will be focusing on producing new work, new texts while we will be revisiting, reconfiguring and deconstructing concepts of poetry, contemporary poetry and its various new, experimental formations, poetics of fusion and the hybrid while discovering themes and concepts of self and selves, borders and boundaries of both psyche and language, the liminal, memory, as creative source of self invention, concepts of I as Non-I, Anti-I, gender, history, identity and culture as complex components of identity, identity as construction, identity as self-theory, as text(s). During the module you will be given the opportunity to develop your writing in various contemporary formations of more established and currently forming conventions/experimentations; your critical thinking through a wide range of creative samples by currently published authors of both poetry and prose and other speculative genres of fusion; and through the weekly workshops to sharpen your editorial skills.

20 credits

The Novella and the Uncanny

This course will explore novellas (and some film adaptations of novellas) from across the last 150 years which represent uncanny experiences of haunting, madness, obsession, and psychological and political disorientation, with these intense experiences often refracted through the consciousness of a central character. We will consider whether the particularities of this literary form lend themselves to representing unsettling experiences at the 'limits of reason', and explore connections between the uncanny and the operations of political and personal power . Texts will include works by Kafka, Camus, George Eliot, Daphne Du Maurier and Muriel Spark. The course will also encompass the study of Freud's essay 'The Uncanny' - which itself contains an analysis of Hoffman's bizarre short story 'The Sandman'.

20 credits

Chaucer

Geoffrey Chaucer is not only the most famous medieval English writer, he is also one of the most varied, controversial, and gritty writers at the time. This course aims to introduce students to a wide range of Chaucer's writings, including the Canterbury Tales, while situating Chaucerian writing in its medieval context, which will also allow us to assess the commonly held notion of Chaucer as the father of English literature. We will explore literary, linguistic, material, cultural, religious, and political aspects of his fascinatingly rich body of texts to gauge Chaucer's status as a medieval poet, and interrogate questions of society, gender, tradition and philosophy that his work continues to inspire.

20 credits

The Art and Politics of Hip Hop

This module will introduce you to Hip Hop as a musical, cultural and (especially) literary phenomenon. Both extremely popular and at times highly controversial, we will explore various forms of the art of Hip Hop from its early developments to the present.The module is organised around two principal ideas. The first is that Hip Hop is poetical; the second is that Hip Hop is political.Working mainly in a North American context, over the course of the module, we will reflect upon the various ways in which Hip Hop fuses manner and matter, combining aesthetic innovation and different kinds of social commentary.Each week, we will focus on a specific artist or group, and attend principally to one album. Expect to study some 'mainstream' work (e.g., Fugees or Cardi B, but definitely NOT Vanilla Ice). You will also encounter underground, 'conscious' and alternative artists.Seminars are complemented by 'listening sessions' wherein we gather to collectively experience albums (i.e., 'sound works') in a specially-dedicated space in Western Bank Library, using a specially-dedicated collection of vinyl recordings.Throughout, we consider how radical forms of rhetoric, prosody, intertextuality, performance relate to explicit expressions of power, hope, marginalisation, identity, community. Our aim is to start understanding Hip Hop in its troubling and ingenious complexities.

20 credits

English Works: Foundations

Students taking this module will connect their academic studies to future careers. Teaching from experts across the School's different subject areas - linguistics, language, literature, screen studies and creative practice - will challenge students to think deeply (critically, creatively, reflectively) about the meanings and practices of work and education. Sessions dedicated to career-decision planning (e.g. applications and interviews; online profiles and networking) will enable students to reflect on their values, motivations and career aspirations in addition to providing practical guidance and support. This module provides opportunities to gain career insights and access to work-related learning (e.g. workplace visits; virtual internships and projects). Together, through a series of interactive workshops, students will think about their future careers while making novel connections between English studies and the worlds of education and work.

20 credits

Writing the Real

In both fiction and drama, there is an approach to writing called 'realism' (or, in the case of theatre, 'naturalism'). Realist writers make a commitment to telling their readers about the world as it actually is and this means avoiding supernatural or speculative material and instead focusing on the experiences of ordinary people in a world that is recognisably like our own. The hey-day of realism was the nineteenth century but, since then, virtually all writers have had to take up a position in relation to it and decide whether to write about a world in which people have guardian angels and animals can talk or focus instead on 'real life' in contemporary London or New York City or Lagos. The module examines how realist and non-realist styles work linguistically and you will learn to analyse both kinds of text in a fine-grained way. You will read examples by British authors from different backgrounds as well as writers from other parts of the world. Narrative is central to how we define ourselves and understand the world around us, so the module looks beyond the strictly academic and helps you understand more about how we respond to the world through story-telling.

20 credits

Representing the Holocaust

This module takes an interdisciplinary approach to various artistic representations that deal with the subject of the Holocaust, tracing the development of national memory cultures and exploring the current transnational trends in Holocaust representation. We will examine fictional and non-fictional, literary and filmic representations of the Holocaust, including less conventional forms like documentary film, memoir, short story and graphic novel. By reading, watching and analysing texts like James Hawes' 'One Life', Martin Amis's 'Time's Arrow', Sylvia Plath's 'Daddy', or Art Spiegelman's 'Maus', we will explore and critically assess how a broad range of forms represent the Holocaust. In addition to a critical evaluation of these diverse artistic representations, the historical development of these forms will be considered as well as their national and transnational contexts. By taking this module you will develop advanced skills of literary analysis through challenging secondary reading, close textual study, debate and writing practice.

20 credits

European Gothic

What were the historical circumstances which led to the rise of the Gothic in Europe? This course will interrogate the Gothic through this and many other questions which will place emphasis upon its historical and political contexts. We will examine a variety of Gothic texts from 1764 to the present day, and locate and critique them historically through a variety of contemporary reviews and critical essays. Gothic art and architecture will also be examined in relation to the texts with a scheduled slide show, examining work by 'Gothic' artists such as Goya and Piranesi.

20 credits

Shakespeare: Page, Stage, Screen

This module focuses on the poetry and plays of William Shakespeare. You will read a wide range of his works and analyse them in the context of the cultural and historical energies of sixteenth- and seventeenth-century England, as well as exploring how they have been reinvented and reimagined through performance and as texts which have been refashioned through editorial intervention or adaptation. The module considers the range of dramatic styles and genres that Shakespeare uses, alongside the conditions of performance, kinds of publication, and the characteristics of the language in which he worked. It also relates the texts to critical methods that help illuminate the relationships between drama and the culture, politics, and religion of the period and the ways in which Shakespeare's works have been remade for different times and contexts.

20 credits

English Works: Enhanced

Students taking this module go beyond English Works: Foundations. They will continue to explore ideas of education and work from across the School's subject areas - linguistics, language, literature, screen studies and creative practice - while undertaking short-term work experience as an integrated part of their learning. An embedded peer coaching programme provides an effective support structure for students undertaking their work experience and develops valuable coaching and leadership skills. Students will be empowered to design their own work experience with dedicated support from the module team, and will reflect on their professional development in a showcase event. Together, through a series of interactive workshops, peer coaching and work experience, students will test their ambitions and build career confidence while advocating for the vital skills and contributions made by English studies to the workplace and wider society.

20 credits

Literature and Critical Theory (a)

This course introduces writers, concepts and approaches fundamental to contemporary literary theory, and explores their application to diverse relevant texts. You will engage in a transhistorical study of the formal, literary and cultural functions of genre (e.g. in the forms of comedy and tragedy). You will also encounter theorists such as Karl Marx, Sigmund Freud, Ferdinand de Saussure, Mikhail Bakhtin, Roland Barthes, Michael Foucault, Julia Kristeva, Jacques Lacan and Jean Baudrillard. Lectures will introduce and explain this material, and seminars will discuss and apply it to the study of literature. This module helps you develop your academic writing, critical thinking and research skills while studying the work of major theorists.

40 credits

Romanticism to Modernism (a)

This module focuses on a diverse range of texts (including poetry, prose, drama and film) produced between the late eighteenth to the late twentieth century. It pays detailed attention to the varied styles, issues, and movements produced by the rapid technological, political and cultural shifts that characterise these two centuries. Drawing on the expertise of the teaching team, the module introduces cutting-edge research carried out within the department in areas such as romanticism, the Gothic and science fiction, experimental literature, colonial and postcolonial contexts, war studies, and animal studies

40 credits

Core English language modules:

The History of Persuasion

This module focuses on why some written texts seem more persuasive (or authoritative) than others. To answer this question we will look at non-literary writing from a range of different contexts: journalism, advertising, political speaking, science writing, and religious communication. You'll look closely at the language used in each context, think about what constitutes persuasive writing in each, and talk about why this differs from context to context. You'll also have a chance to look at the histories of these different kinds of text. Examples from earlier periods look different from what we are used to in the 21st century and it is fascinating to explore how journalism, for example, has come to look as it does today. All these types of writing are associated with powerful institutions: journalism with the national press, advertising with big corporations, political speaking with the major political parties. But we will also explore how people with more marginalised identities use them, resist them, and are represented through them. The overall aim is help you become more critical in your response to the different kinds of written communication that surround us and this is valuable in many of the careers that English graduates go into.

20 credits

Phonetics

The first year module Sounds of English will be expanded upon in order to give a practical knowledge of a much broader range of speech sounds, how they are produced and how they can be analysed by careful listening and by examination of their acoustic properties. A working knowledge of phonetics is fundamental to the wider study of linguistics, both theoretical and applied. You will be given straightforward access to other bodies of knowledge which are often denied to students of the humanities but which inform the study of phonetics, such as the biological and physical sciences. The module has a practical as well as a theoretical component which involves learning to recognise, produce and transcribe the sounds of the International Phonetic Alphabet.

20 credits

Syntax

This module builds on what students have learnt in the Level 1 Structure of English and Linguistic Theory modules, providing a more in-depth look at the structure and organising principles of sentences cross-linguistically. We will discuss how syntactic structures form a system of cognitive representation that can be used for any language, including constraints on the grouping of words into phrases, and various operations that move elements inside sentences to generate word orders. This module will also begin to introduce the interfaces between syntax and other areas of language, particularly phonology, meaning, and sentence processing.

20 credits

Language and Cognition

This module introduces you to the key theories and frameworks at the core of cognitive linguistics. The module explores the relationships between language and the human mind and considers how recent advances in the study of human cognition can enhance our understanding of the conceptual processes that underpin the production and reception of discourse. The module introduces you to such concepts as embodiment, prototypes, situated simulation, profiling, mental representation, conceptual mapping, and conceptual integration. The module equips you with the necessary knowledge and analytical skills to design and carry out your own investigations into language and cognition.

20 credits

Chaucer

Geoffrey Chaucer is not only the most famous medieval English writer, he is also one of the most varied, controversial, and gritty writers at the time. This course aims to introduce students to a wide range of Chaucer's writings, including the Canterbury Tales, while situating Chaucerian writing in its medieval context, which will also allow us to assess the commonly held notion of Chaucer as the father of English literature. We will explore literary, linguistic, material, cultural, religious, and political aspects of his fascinatingly rich body of texts to gauge Chaucer's status as a medieval poet, and interrogate questions of society, gender, tradition and philosophy that his work continues to inspire.

20 credits

English Works: Foundations

Students taking this module will connect their academic studies to future careers. Teaching from experts across the School's different subject areas - linguistics, language, literature, screen studies and creative practice - will challenge students to think deeply (critically, creatively, reflectively) about the meanings and practices of work and education. Sessions dedicated to career-decision planning (e.g. applications and interviews; online profiles and networking) will enable students to reflect on their values, motivations and career aspirations in addition to providing practical guidance and support. This module provides opportunities to gain career insights and access to work-related learning (e.g. workplace visits; virtual internships and projects). Together, through a series of interactive workshops, students will think about their future careers while making novel connections between English studies and the worlds of education and work.

20 credits

Writing the Real

In both fiction and drama, there is an approach to writing called 'realism' (or, in the case of theatre, 'naturalism'). Realist writers make a commitment to telling their readers about the world as it actually is and this means avoiding supernatural or speculative material and instead focusing on the experiences of ordinary people in a world that is recognisably like our own. The hey-day of realism was the nineteenth century but, since then, virtually all writers have had to take up a position in relation to it and decide whether to write about a world in which people have guardian angels and animals can talk or focus instead on 'real life' in contemporary London or New York City or Lagos. The module examines how realist and non-realist styles work linguistically and you will learn to analyse both kinds of text in a fine-grained way. You will read examples by British authors from different backgrounds as well as writers from other parts of the world. Narrative is central to how we define ourselves and understand the world around us, so the module looks beyond the strictly academic and helps you understand more about how we respond to the world through story-telling.

20 credits

Sociolinguistics

Is there any use of language that isn't social? To what extent do situation and context affect how we speak? In this module, we will explore the relationship between how we speak and our social class, gender, race, ethnicity, age and social connections. We also examine what constrains our ability to vary language use across space and time. You will be provided with the methodological tools necessary to carry out independent fieldwork and undertake your own exploration of language in social contexts. We consider both language practice (how people use language to do social action) and language perceptions (what we think and believe about speakers on the basis of their language variety). Consequently, in the course of this module, you will develop a sense of your own ethical responsibilities as language users and analysts.

20 credits

First Language Acquisition

This second-year module is aimed at students who have already taken Linguistic Theory in Level 1. In this course, we focus specifically on the first language acquisition of phonetic, phonological, and morpho-syntactic knowledge. Addressing both theoretical and methodological issues, the course explores the relationship between the logical problem of language acquisition -- how very young children manage to acquire quite abstract and subtle properties of their target grammars in the absence of clear positive evidence -- and the developmental problem of acquisition -- how children recover from systematic errors, and acquire subtle language-specific properties. We also explore the related tension between nativist vs. emergentist explanations for language acquisition and development.

20 credits

Phonology

This module examines phonological theories and the data on which they are constructed, exploring how languages across the world organise their systems of speech sounds, and critically interrogating how their phonological processes can be analysed. Sound-based and prosodic (e.g. syllable-based) phenomena will be investigated, using rule- and constraint-based frameworks. Problem-solving, data-handling, and critical thinking are key skills developed in this module, and by treating all languages equally in terms of what they can tell us about human communication, the module is inherently diverse and inclusive. As well as being a core part of theoretical linguistics, an understanding of phonology is essential to the studies of historical linguistics, sociolinguistics, psycholinguistics, speech pathologies, language acquisition, and computerised speech synthesis and recognition technologies.

20 credits

Historical Linguistics

Language change is a fact of all living languages, and historical linguistics is as much about the present and future as it is about its past. This module introduces the study of how and why languages change, and how languages are related. Students are encouraged to reflect on the ways in which historical linguistics bears on other areas of linguistics. The subject will be approached by 1) levels of inquiry, e.g. semantic, phonological, morphological, syntactic and pragmatic change; and 2) 'big questions', e.g. language families and linguistic prehistory, the role of acquisition in change, linguistic reconstruction, and historical sociolinguistics.

20 credits

English Works: Enhanced

Students taking this module go beyond English Works: Foundations. They will continue to explore ideas of education and work from across the School's subject areas - linguistics, language, literature, screen studies and creative practice - while undertaking short-term work experience as an integrated part of their learning. An embedded peer coaching programme provides an effective support structure for students undertaking their work experience and develops valuable coaching and leadership skills. Students will be empowered to design their own work experience with dedicated support from the module team, and will reflect on their professional development in a showcase event. Together, through a series of interactive workshops, peer coaching and work experience, students will test their ambitions and build career confidence while advocating for the vital skills and contributions made by English studies to the workplace and wider society.

20 credits

Core history modules (choose one):

History and Historians

How has History developed as a subject of inquiry? Why do historians view the same issues and sources in different ways? What forces internal and external to our profession have shaped the way the past has been written? And who has had the power to write history and for what ends? This module, building on the foundational work students have done at Level 1, poses these questions. It is designed to encourage greater methodological reflection on the part of students. What kind of historian are they? And why? It also sets them up for more advanced interrogation of 'historiography' elsewhere in the programme.

20 credits

History and the Public

This module explores the theory and practice of public history by providing students with the opportunity to communicate their scholarly work to an audience beyond the boundaries of our discipline. Students will work collaboratively in writing a critique of a piece of public history as part of a broader evaluation of the use of history outside academic settings. The course will engage in debate about important questions facing historians in the present, and consider ideas about the role and purposes of History as an academic subject.

20 credits

Optional history modules:
Option modules are 20 credits each. Dual honours students will normally take between one and three modules from across our options and document options, depending on if you choose to major or minor in history.

Trumpism: An American Biography

Donald Trump's election, commentators claim, was unprecedented as well as unexpected: a break with more than two centuries of custom. Yet closer scrutiny of American history suggests Trump is no aberration. The module will interrogate the U.S. past to better understand the present, looking at the likes of populism as a political language, whiteness as a psychological wage, masculinity as a path to high office, protectionism as an economic policy, and deindustrialization as a political spur. By asking historical questions about the roots of Trump's rise, we will situate the American present in a complex and often painful past.

20 credits

Holy Russia, Soviet Empire: Nation, Religion, and Identity in the 20th Century

This module explores the twentieth-century history of Russia, the Soviet Union, and its successor states. Rather than approaching this turbulent period in history by focusing on the rise and fall of different political leaders (as is often the case in survey courses), we instead approach this subject through the prism of nation, religion and identity. The course probes the following questions: What did the 'Russian revolution mean for the multi-national empire created by the Romanovs? How far did the communist party manage to create a 'Soviet' identity, and on what was this based? Did the Bolsheviks attempt to create an atheist society succeed? And what happened to 'Soviet' identity when communist leaders began to lose their grip on power in the final decades of the twentieth century?

20 credits

Shell-Shock to Prozac: Mental Health in Britain

This course charts the history of psychiatry and mental health in Britain. We start at the First World War, with the large-scale management of psychiatric casualties (shell-shock). We will look at the uptake of psychoanalysis in interwar Britain, contrasted with 'extreme' asylum treatments such as lobotomy and insulin coma therapy. We shall then gauge the impact of the National Health Service from 1948, the closure of the asylums, and the impact of new drug therapies (including the iconic Prozac). Finally we shall analyse the rise of patient activism, and the emergence of new 'epidemic' illnesses such as depression and self-harm.

20 credits

Life Worth Living

What does it mean for a life to go well? How does one live life well? What is a flourishing life? These questions have shaped intellectual endeavour for millennia. Life Worth Living explores approaches to these questions through engagement with diverse traditions/thinkers including classical Greek philosophy, Buddhism, Judaism, Christianity, Islam, Confucianism, Existentialism, Marx, and Nietzsche. The module includes historical analysis of these traditions, visits from individuals whose lives are shaped by them, fieldwork to discuss the ideas beyond the classroom, and assessments to help students develop their own vision of a life worth living.

20 credits

Egypt's Golden Empire

Ancient Egypt has stimulated public interest for hundreds of years.  This is because of the rich legacy left by the Egyptians to illustrate their power, wealth and belief system in elaborate temples, monuments and highly decorated tombs containing treasures, and latterly a deciphered script.  But, how much of this evidence is a skewed version of a rich past based on power, wealth and propaganda?  This module focuses on the New Kingdom Egypt, between the 16th and 11th centuries BCE, the Age of Empire, to interrogate the historical record and throw light on Egyptian society in the New Kingdom. In the late Bronze Age, from the late fifteenth century BCE, Egypt's political power and wealth reached its zenith; it dominated the political landscape and trade in and around the Mediterranean.  It had an empire that stretched beyond the Euphrates and Turkey in the north, and into what is now Sudan in the south.  This is the time of warrior kings such as Thutmose III, alleged heretics in Akhenaten whose iconoclastic rule all but erased Egyptian history, magnificent queens in Nefertiti and minor insignificant royals such as Tutankhamun who brought a powerful dynasty to its end; the so-called pharaohs of the sun.  The later meteoric rise of Ramesses II again brought dominance to Egypt only to be eroded by a succession of weak leaders around 1100 BCE.  These economic powerhouses provided the wealth to build the documentary, architectural and material legacy we have today.  This is the Egypt which excites the popular imagination.  However, these resources tell the story not only of the succession of powerful rulers, but also about how ordinary people lived their lives, and how society functioned. Through a series of fascinating case studies, this module traces the development and decline of this superpower through these empire builders, heretic kings, and young rulers who had their power usurped by generals and administrators.  It draws on wide range of sources; hieroglyphic texts document a written history through the succession lists of Egypt's rulers, economic transactions at home and abroad attesting to a powerful trade network and efficient economic system, financial accounts showing ownership and trade at home, judicial trials of treachery and plots, and poems giving a more intimate view of daily life.  Magnificent stone temples tell of power, but also of religious practice, social hierarchy and of international relations.  Statuary, effigies and art tells us of elite dominance, power and achievements, but also of conflict, control and the use of propaganda.  Extensive and elaborate funerary monuments and burial sites with rich and extremely well-preserved artefactual evidence demonstrate an elite wealth, but also illustrate trade, craft and workmanship; these tombs also contain the remains of individuals which enables us to explore lifestyle, health and, through genetic analysis, family relationships.  How science and experiment has changed our views of written history in recent years, and the apparent conflict between the different sources of data will be discussed.  Topics such as the interplay of power at both local and international levels, the lives of everyday Egyptians - social and economic inequalities, how society functioned and was organised, and the pressures of gaining and maintaining international dominance will be explored.

20 credits

A History of Eastern Africa since 1940

This module examines the history of Eastern Africa during the era of decolonisation. It focuses on comparisons and connections between three states: Kenya, Tanzania, and Uganda. The module assumes no prior knowledge of African history and seeks to provide an accessible, dynamic introduction to the region's often contentious past.

The module begins by situating Eastern Africa within the context of British colonialism, which came under increasing strain due to the global impact of the Second World War. It then turns to the contrasting experiences of independence in the region. We will analyse the development of nationalist movements in Tanganyika and Uganda, which took peaceful if still politically contentious paths to independence. On the other hand, in Kenya the end of empire took a violent shape. We will ask whether the 'Mau Mau' conflict was an anticolonial struggle or civil war. The journey from colonial territory to independent nation-state was not the only possible outcome at this moment, as we go on to explore the rise and fall of regional integration projects and the notion of an 'East African' identity.

The region's states became democracies at independence, but multiparty politics soon gave way to single-party governments in all three countries. Yet 'authoritarianism' meant different things across the region. We will study Tanzania's turn to revolutionary socialism and Uganda's years of dictatorship and civil war, including the notorious - but poorly understood - military regime of Idi Amin. Finally, we will examine the reasons behind the return to democratic government at the end of the Cold War - and the limits of reform.

Although this political story provides a spine to the module, we will understand it not just from the perspective of state actors, but those of ordinary East Africans. Themes of gender, race, generation, and class run through the module. For example, we will assess the role of women's activists in struggles for first independence and then democracy. We will examine the changing role of the family in decolonising societies, whether under socialism or military dictatorship and in contexts shaped by rapid urbanisation and the AIDS pandemic. We will explore the experiences of the region's minorities, such as Muslim communities and South Asian diaspora. 

Throughout the module, we will consider how historians can 'decolonise' the study of African history, especially by foregrounding the rich but often overlooked work of East African historians. In class, we will work at first hand with primary sources like newspapers, cinema, and short stories, to place the voices of the region's peoples at the centre of this overview.

20 credits

A Protestant Nation? Religion, Politics and Culture in England 1560-1640

On the accession of Elizabeth I, England became an officially Protestant country but the Church, State and laypeople did not necessarily agree about the nature of changes needed to accommodate the new religion. On the level of national government policy, we shall explore what governments expected from their subjects and how they attempted to secure religious conformity during the reigns of Elizabeth I, James I and Charles I. How far did anti-Catholicism define English identity in this period? Did authorities at the national and local levels disagree about how severely religious minorities should be treated?

20 credits

The Heretic, the Witch and the Inquisitor: The Medieval Inquisition from the Cathars to Joan of Arc

The Inquisition - an extraordinary court instituted by bishops from the 13th century to judge heretics and encourage their return to the Roman Church - marks an important development in medieval history and has played an essential role in modern perceptions of the Middle Ages. By focusing on some of the best known sources of the Inquisition, which have been important in recent historiography as well as contemporary fiction (The Name of the Rose), this module allows you to reflect on how a better understanding of the Middle Ages and a critical questioning of modern prejudices can benefit from each other.

The module focuses on two main source collections (which are available online in English translation): the inquisition record of Jacques Fournier, bishop of Pamiers in South France in the early 14th century, who became Pope Benedict XII, and the two trials of Joan of Arc, i.e., the accusation trial of 1431, at the end of which she was burned at the stake, and the rehabilitation trial of the 1450s that overturned the verdict of the first trial. It examines other forms and continuations of inquisition, such as the Spanish Inquisition (starting in 1478), the Roman Inquisition (which famously condemned Galileo in 1633), and the beginning of the witch-craze of the early modern period in late medieval Europe.

20 credits

Empire at War: World War Two in Global Context

One of the most enduring myths of 'British history' is that in September 1939, when the Second World War began, Britain stood alone to fight the 'good' war against Nazism and Fascism. But this is not only a reductive narrative of the war, with restricted military focus, but also entirely focussed on British and European experience. The truth is that Britain was never alone - behind her was the full material (and sometimes, moral) weight of her empire. Studies which neglect this not only limit our understanding of the Second World War in history, but also (dangerously) suffer from Eurocentrism. Such a Eurocentric focus obscures different experiences and understandings of the war that existed specifically in the British colonies in Asia, Africa and the Middle-East, and determined how they responded to this war. It also obscures the role that imperialism played, and how imperial powers like Britain heavily policed and repressed freedom movements in their colonies, while fighting the 'world' war in the name of freedom in their own land. The way out of this narrow focus is to decolonise the history around these wars, to interrogate how European histories of the world wars have so far formed the basis of (universal) concepts and definitions by which we study wars in both the Global North and Global South.

In this module, you will unpack the diverse and complex strands to understanding the 'world' in the Second World War. You will study the experiences of people living in territories across the British empire; how the war was not just an event in history that started and ended on specific dates, but also part of the processes that generated and accelerated decolonisation, especially in Asia and Africa. You will also explore the extent to which World War Two was rooted in the experience of World War One, how the politics of the inter-war period had an impact on political and social processes in the colonies and the kind of epistemic violence these wars generated at everyday lived experiences. This, in turn, will enable you to not only look at the Second World War in a new light, but also to understand why the study of these wars is integral to understanding the nature of the British empire itself. 

20 credits

Research Project

In this module, you will learn how to develop and execute a historical research project. Providing a stepping stone from the critical source work of document options to the dissertation at Level 3, you will develop essential skills in locating and evaluating sources  while gaining a first hand experience of how to design, develop, and present a short research project of 3,500 words. Through practical, lab-style teaching, you will undertake hands-on source work and consider the issues involved in posing questions and finding answers in evidence. 

The module will be taught through 11 two-hour workshops developed and delivered by academic staff around their areas of research specialism. Sessions will provide context on the area in question delivered both through short informal lectures and discussion of secondary reading. As the module progresses, focus will turn towards the process of developing an independent research project, deploying primary source material selected from electronically available resources (for instance digital databases or online source compendiums). Workshop tasks will help you to develop the skills necessary to identify, evaluate, and employ primary and secondary sources in research. These lab-style workshops with your tutor will be complemented by five research skills workshops for the whole module cohort led by the module convenor on subjects such as research data management and project planning. You will have the opportunity for written feedback on work submitted as a portfolio that will feed into the final 3,500 word research essay.

20 credits

History document option module examples:

Document option modules are 20 credits each. Dual honours students have the option to take one document option module.

History document modules have a narrower focus than our standard option modules and usually cover a specific event, a movement, or a moment in time. They help you develop your skills in the use and analysis of primary sources which will be invaluable as you progress through your degree. Dual honours students have the option to take one document option module.

From Democracy to Dictatorship: the 1973 coup in Chile

This document option explores the coup of 11 September 1973 as a turning point in Chilean, Latin American and global history. It will use primary sources to explore events on both sides of this critical date, casting light on life in Chile under both democracy and dictatorship. This module will also situate the Chilean coup in international and global history, asking why events in a small Latin American country held such global importance. We'll use government documents to explore why  the United States found it necessary to intervene against the Allende government and assist the reactionary forces who supported the military coup and transcripts of interviews to grasp how everyday life changed for Chileans in 1973. We'll also explore the significance of events in Chile for the wider global Cold War, using music, art and documents left by activists to ask why everyday people in countries across the world - including the United Kingdom - mobilised in solidarity with the Chilean people and in the name of human rights, and we'll also assess the impact this activism had.

20 credits

Murder in the cathedral: the Becket Affair

On 29 December 1170, Thomas Becket, Archbishop of Canterbury, was brutally murdered in his cathedral by four knights of his King and one-time friend, Henry II. In the space of ten years, a close friendship had been ruined, and Thomas' stubbornness, flight to France, and untimely death created additional tensions for the English king. This document option investigates events surrounding Thomas' death and the emergence of his cult. It asks how a minor squabble became a continent-wide cause célèbre, forcing Henry into an act of ritual humiliation to clear his name while ensuring that Thomas' memory lived on.

20 credits

The Putney Debates, October 1647

Following the first English civil war there was political stalemate over the post-war settlement. By late 1647 there were calls for revolutionary political change, not least at the famous Putney debates. They came at a crucial moment in the development of the revolution, and successive editors between 1891 and 2007 presented the records of the debates in varying contexts in order to reveal the fundamental significance of the revolution. This module explores the background to the debates at Putney, what was said, and also considers how different editions of the debates reflect the shifting significance attached to the English revolution.

20 credits

Tenochtitlan, City of Blood and Flowers: Aztec society in the early sixteenth century

Since the devastating arrival of the Spanish conquistadors in 1519, the history of the Aztecs has been haunted by the spectre of human sacrifice. But their unique island-capital was not only a centre for spectacular religious bloodshed, but also a sophisticated metropolis, and home to a very civilized and familiar society of educated individuals and loving families. Attempting to recover the history of this complex indigenous culture, this document option examines life in Tenochtitlan at the time of the Spanish arrival through the records of the remarkable encounter between the Aztecs and Spanish, along with pre-conquest archaeological and visual sources.

20 credits

Try a new subject:

The flexible structure of your second year at Sheffield means that you also have the chance to experience modules from outside of English and History - you can choose up to 20 credits of modules from a list approved by the Faculty of Arts and Humanities. A final guided module list is made available to new students when you select your modules as part of registration.

Optional English literature modules:

Life After Death? Romantic Poets and Writing the Afterlife

Kant's Critique of Pure Reason held that there were only two real questions: Is there a God and is there eternal life? Poets and philosophers (and for Coleridge, 'no man was ever yet a great poet, without being at the same time a profound philosopher') have sought to imagine, conjure, or deny the idea of a life after death. This module will explore the versions of eternity written by Romantic poets. From Keats's denial of eternity, Byron's questioning, Shelley's agnostic yearning, and Hemans's feminist redress of the issue, we will consider the idea of life after death in poetry. Starting with a grounding in key philosophical ideas from Plato's assertion of the soul's immortality and Lucretius' denial of any life after death, this module will look at the hell, purgatory, heaven, and nothingness of life after death as written by Romantic poets.

20 credits

Apocalypse: The Beginning of the End of the World

It is impossible to make sense of our world of pandemics, the climate crisis, economic instability, and violent, divisive rhetoric without an understanding of apocalyptic literature. While 20th and 21st century contributions to apocalyptic literature, such as Octavia Butler's Parable of the Sower, are far ranging in their examination of what the end of the world looks and feels like, they all have their origins in ancient notions of catastrophic ends and the hope for a new beginning. This module will guide you to explore the apocalypse's origins in texts left out of the biblical canon, such as the Dead Sea Scrolls, as well as those that are more well known, such as Revelation. You'll learn to engage critically with a range of literature, including contemporary novels dreaming about the end of colonial violence, and cinematic interpretations about climate apocalypse. You will have the opportunity to apply their knowledge about apocalypses to a text and topic that are important to you.

20 credits

Chaucer

Geoffrey Chaucer is not only the most famous medieval English writer, he is also one of the most varied, controversial, and gritty writers at the time. This course aims to introduce you to a wide range of Chaucer's writings, including the Canterbury Tales, while situating Chaucerian writing in its medieval context. We will explore literary, linguistic, material, cultural, religious, and political aspects of his fascinatingly rich body of texts to gauge Chaucer's status as a medieval poet, and interrogate questions of society, gender, and philosophy that his work continues to inspire.

20 credits

The Idea of America

If you are interested in how and why contemporary (1950-present day) American writers revise myths of America, then this module will appeal to you. We explore how foundational ideas of America (such freedom, equality, democracy, self-reliance, the frontier, capitalism and American exceptionalism) are reimagined by its poets, playwrights and prose writers. You might read works by authors such as Toni Morrison, James Baldwin, Cormac McCarthy, C Pam Zhang, Charles Yu, Arthur Miller and Ocean Vuong and the module is organised around a series of thematic strands that will help you to make connections between writers and key American mythologies. For example, the themes could include a focus on the ongoing legacies of slavery and settler colonisation and/or a study of the role of religion, region and place in shaping literary perspectives of America. You can expect to read a diverse range of works by Asian-American, Native-American, African-American and Arab-American authors and by the end of this module you will develop valuable leadership and employability skills including improved emotional intelligence and global awareness.

20 credits

Researching Readers

Your studies so far will have given you many opportunities to think about how you interpret texts and how texts are discussed by professional critics. This module encourages you to engage with the responses of readers outside of University too, in the wider reading public. Academic discussions regularly make claims about the effects of a text on its 'readers' or 'audience', but these readers are often theoretical constructs rather than actual people. This module is a practical introduction to methods that can be used to collect data so that you can investigate the responses of real readers in a variety of contexts. Methods that we study might include experimental tasks, questionnaires, focus groups and internet resources. We focus on qualitative, verbal data: the things which people say or write about their reading experiences. You will learn how to use that data to test and develop your own textual analyses. For instance, we might use data to explore how readers engage with fictional characters, how they make sense of metaphors, or how they respond emotionally to patterns in language. You will be supported in designing, conducting and reflecting upon your own study of real readers, with free choice of the text you study and the method you use, so there is lots of scope for pursuing what interests you.

20 credits

Narrative Style in the Contemporary Novel

On this module you will consider how the contemporary novel experiments with narrative style and technique, and the effects of this on you as a reader. We will be looking at writing in English from all over the world, and from a wide variety of backgrounds and perspectives. We will be looking at key narrative concepts, such as point of view, in order to enable appreciation of the ways in which contemporary writers play with traditional styles. Some of the experimental features we will look at include: disruptions to chronological sequence; the use of second-person ('you') narration; the use of multiple narrators. We will look at how such techniques increase or hinder such experiences as empathy and identification with characters. You will get a chance to work extensively on a contemporary novel of your choice and deepen your enjoyment of it by looking at how it is written.

20 credits

Creative Writing Poetry Experiments: (De)Constructing Paper Selves

This module offers a practical and theoretical workshop which is designed to look at current methods of creative writing exploring a wide range of forms of poetry and poetics, prose poetry, poetic prose and hybrid writing. During the term our core readings and discussions (critical and creative) will be focusing on producing new work, new texts while we will be revisiting, reconfiguring and deconstructing concepts of poetry, contemporary poetry and its various new, experimental formations, poetics of fusion and the hybrid while thematically and theoretically we will explore concepts of borders and boundaries of the contemporary poem while looking at complex concepts of identity, self, form and language, inner and outer landscapes, gender and politics, trauma, historicity and phenomenology. We will be focussing on the manifold ways in which language constructs and deconstructs self and selves, breaches old paradigms, looks 'behind' itself (in panic?) and yet audaciously ploughs on towards the 'unforeseeable'. During the module you will be given the opportunity to develop your writing in various contemporary formations of more established and currently forming conventions/experimentations; your critical thinking through a wide range of creative samples by currently published authors of both poetry and prose and other speculative genres of fusion; and through the weekly workshops to sharpen your editorial skills.

20 credits

The Brontës

'Literature cannot be the business of a woman's life, nor ought it to be.' So advised Robert Southey, Poet Laureate, to a young Charlotte Bronte in 1837. Just ten years later she and her sisters, Emily and Anne, caused a sensation: their first novels, published under pseudonyms just weeks apart, were read and reviewed with astonishment, praise and censure. Now some 200 years since their births, the Bronte siblings (including their brother, Branwell) sustain a thriving industry of literary tourism and their works can be read and enjoyed via a multitude of editions and adaptations. This module will explore the art of the Brontës, their writings, drawings and paintings from collaborative juvenilia through to Charlotte's final novel, Villette. These works shed light upon the socio-cultural trends and political upheavals of the 1840s and 1850s, from the plight of the governess to machine breaking in the industrial North. This module will also ask how and why the Brontës have enjoyed such a varied and long-lasting cultural afterlife.

20 credits

Experiments in Interactive Digital Narrative

This module offers the chance to learn about and experiment with the possibilities of interactive digital narratives. What are interactive digital narratives? In brief, they are stories designed (a) to be read on screen and (b) to give the reader choice about how to navigate them. For example, you might have come across digital adventure stories that read like this: 'You walk up to the house but the door is locked. Do you search for a hidden key or do you break the door down?' Here both 'search' and 'break' will be links so you can choose what you want to do and find out what happens when you do it. Stories like this are widely available online but writers and artists have used the same approach to explore a wider range of human experience than fantasy adventures. Early in the semester we will think about various issues relating to digital narrative: the relationship between material and virtual worlds, the relationship between author and reader, our fears about Artificial Intelligence. Then you'll create an experimental narrative of your own inspired by your critical reading. You don't need any special knowledge of computers or coding - all that will be taught in the module. The learning you experience as you develop your project will be invaluable if you go on to work in any field where you need to make digital content.

20 credits

Writing Fiction 3

What is the relationship between creation and destruction? How might we creatively 'destroy' literary conventions, and to what ends, particularly in a time of widespread environmental destruction? This module considers the possibilities and potentials of experimental creative prose - not only the short story and the novel, but the creative essay, memoir and hybrid texts. You will read examples of work which deliberately destroys the boundaries between form and genre; you will also be encouraged to experiment in your own creative work.We will explore destructive writing from two angles. First, we will look at writing which breaks with the conventions of literary narrative, form, genre and language. We will focus, in particular, on texts that creatively engage with the failures writers experience during the writing process. Second, we will consider writing which explores destructive worlds - both internal and external, realist and dystopian and speculative. We will read examples of creative texts alongside craft essays and critical texts, relating our discussion of specific techniques and styles to broader questions about the ethical, political and philosophical purposes of creative prose.The seminars will alternate between text-based classes in which we will discuss set reading and engage in generative writing exercises, and workshops where you will exchange constructive critical feedback with your peers. You will be encouraged to take inspiration from the reading both in terms of writing process and in terms of technique.

20 credits

Contemporary Black British Writing

This module explores contemporary Black British culture, focusing on narratives representing Black British experiences since the arrival of the Windrush in 1948. You will read novels by writers such as Andrea Levy, Bernardine Evaristo, Zadie Smith and Caleb Azumah Nelson alongside films and/or plays that might include work by Isaac Julien and debbie tucker green. Poetry by writers such as Kei Miller and Elizabeth Jane Burnett will offer insights into experimental and interdisciplinary artistic practice. The module includes sessions delivered by guest writers who discuss their own work and their key influences; for instance, the poet and hip hop artist Otis Mensah. The aim of the module is to appreciate the fluid 'canon' of Black British literature and to interrogate what 'Britishness' and 'B/blackness' mean, whether labels such as BAME / POC are helpful and how we can engage critically with race in the classroom without assuming that Black writers 'should' always be talking race. You will be guided in theoretical discussions by critics who might include Akala, bell hooks, Reni Eddo-Lodge, Patricia Hill Collins and Stuart Hall and you will approach texts in relation to colonial history and current socio-political concerns, including migration, white privilege and ecological activism.

20 credits

Dissertation (English Literature 20 Credits)

The Dissertation is a long essay of between 5-7,000 words, the result of a sustained period of independent study in the second semester where you work closely with an academic specialist in your area of interest. This module provides final year undergraduate students with an opportunity to build on work done in previous modules, or study a topic that has not been included in the degree. Students taking this module are expected to demonstrate a capacity both for independent research and for organising a long piece of work. In addition to writing a critical dissertation, you also have the option to work on a piece of creative writing that could include a collection of poetry, a piece of short fiction or theatre, or a video-essay.

20 credits

Language and the Environment

This module will introduce students to a range of research focused on language and the natural environment. We will begin by exploring the discipline of Ecolinguistics and the concept of an 'ecosophy', the ecological philosophy underpinning environmental linguistic research. Students will have an opportunity to define their own key ethical principles and design a small-scale research project around their personal ecosophy. We will examine a range of different linguistic theories and their application in the rigorous and systematic analyses of language and the natural environment. We will also explore different linguistic methodologies which might enable these analyses, drawn from disciplines including discourse analysis, corpus linguistics, and empirical stylistics. We will investigate a variety of different discourse types in our lectures and seminars, including political speeches, the language of environmental documentaries, literary texts, social media, marketing and advertising, and everyday conversation. Students will have the opportunity at the end of the module to use their knowledge and skills to execute their own research project, investigating the relationships between language and the natural world in a discourse of their choice.

20 credits

Reading Animals

Contemporary literature is filled with stories about animals, and told by animals, which provide astonishing perspectives on animals' experiences—their ideas and feelings, needs and desires; their sense of place, of past and future; their sense of community, loneliness, freedom or danger, or solidarity with humans. In literature, animals tell us what it is like to live in family homes or factories; to go on adventures or to go extinct; to be wild or captive, domestic or feral; to lose their home; to be owned, watched, admired, hunted, worshipped, medically treated, and more. This module looks at literary texts in which nonhuman animals' lives are the central concern. We will study works by writers such as NoViolet Bulawayo, George Saunders, Sabrina Imbler, George Orwell, Yoko Tawada, and Ceridwen Dovey. We will ask: in what ways have authors given voice to animals' experience? What are the most effective literary strategies for representing animals (both portraying and speaking for them)? How have writers re-imagined the fable and other genres in which animals conventionally appear? How are portrayals altered in authors of different race, nation, or gender? And, perhaps most topically, how does literary writing help us rethink animals' importance in an age of extinction and industrial-scale consumption?

20 credits

Privilege and Subversion in Early Modern Drama, 1580-1700

This module surveys the theatre of early modern England, a cultural phenomenon that ranged from the scandalous and iconoclastic drama of Christopher Marlowe to the bawdy, urbane comedy of William Wycherley. We will interrogate the manifold ways in which the privileges and hierarchies of the period (relating, for example, to knowledge, power, gender, politics, sexuality and social class) were interrogated, subverted or upheld by dramatists such as Aphra Behn, John Dryden, Thomas Middleton and John Ford. We will read plays in a variety of genres and will analyse them in the context of landmark cultural and historical changes of sixteenth- and seventeenth-century England, such as religious conflict, colonial expansion, and the growth of London as a centre of pleasure and consumption.The module considers the changing conditions of performance in pre- and post-civil-war theatre, the kinds of publication that dramatists used, and the characteristics of the language with which dramatists worked. It also relates the texts to critical methods that help illuminate the relationships between theatre and the explosive cultural, political, and religious differences of the period.

20 credits

The Invention of Romanticism

This module is about the birth and legacy of romantic-era writing. It studies famous figures such as William Wordsworth, John Keats and Emily Bronte alongside lesser-known writers such as Charlotte Smith, Charles Waterton and John Clare. It is taught by a team who use their research interests in fields such as environmental criticism, gender studies or colonial writing to think about how such authors inform our thinking about the world today. Over the year you'll write two essays and develop a proposal for an end-of-year module conference where, supported by your tutors, you can present your ideas and findings to the class. As well as helping you find your own critical voice and developing your academic writing and research skills, this module believes that the modern world and how we think of it was born and shaped by the literature of the Romantics and it encourages you to think critically about that legacy.

40 credits

Renaissance Literature, Modern Crisis

This module considers early modern and Renaissance literature in relation to some of the pressing concerns of the modern world, e.g. the climate emergency, decolonisation, and gender identity (topics may vary from year to year depending on staff expertise and current events). It will combine historicism (looking at texts in historical contexts) with presentism (thinking about how we read texts in our own historical context). You'll write a critical essay relating early modern literature to a modern priority, and then work on a project whose nature and scope you'll decide in dialogue with your tutor(s): for example, an edited collection of texts based around a shared theme; teaching materials; or a magazine-style article. As well as helping you hone your academic writing and your research and critical thinking skills, this module encourages you to think about how literary texts can speak to problems in the wider world.

40 credits

Research Topics in Theatre and Film

This module introduces you to significant research topics that cut across theatre and film studies, opening up the synergies and divergence between these art forms. Key themes such as Bodies, Identities, Memory, Site and Migration will focus our analysis of diverse historical and contemporary examples, positioned critically alongside notable remakings and sometimes radical adaptations. Research into these case studies will uncover important contexts of creation, production and reception that serve to deepen and problematise their meanings. You will also explore current approaches in theory and criticism that reframe theatre and film in exciting and challenging ways. The module's year-long structure allows substantial time to pursue individual research interests, guided by your tutors and inspired by and extending beyond work we undertake as a group. Reflecting the creative mediums we focus on, this module includes supported assessment options for video essays and project pitches, building skills in editing and audiovisual presentation, as alternatives to the traditional essay. Whether or not you choose to experiment with these formats, you will acquire sophisticated knowledge of film and theatre, deepen your understanding of cinematic and performance languages, and gain valuable skills in creative thinking and expression beyond the written word.

40 credits

Mod Cons: Exploring the Long 20th Century

This module introduces you to current research in the study of literary and related forms of cultural text and practice, focusing on the modern and contemporary periods from the beginning of the twentieth century to the present. With a curriculum adapted each year in response to the current research interests of academic staff, the module focuses on the ways in which literary and related works can be understood in terms of important aesthetic, cultural and socio-political concerns in the period. During this module you will be given the opportunity to develop your critical thinking and your writing and analytical skills through an in-depth engagement with a variety of text from the modern and contemporary periods.

40 credits

Optional English language modules:

Research Practice (English Language and Linguistics)

Research Practice' is normally taken in combination with the 'Dissertation' module. Taken together these two units give students the opportunity to spend a whole year researching a topic of particular interest to them, engaging with new data or primary sources, and working on material that is typically more advanced than that covered in taught modules. 'Research Practice' focuses on the planning of the larger project. Students receive support and training through whole-group workshops and one-to-one support from a supervisor. By the end of the module, students will have designed an appropriate programme of research and begun to implement it. Although support will be provided by supervisors and the module convenor, students will be expected to drive their projects forward themselves and be proactive in seeking guidance and help when they need it. The module is not suitable for students who do not enjoy independent research and reading. In preparation for the module, students will be required to submit a research proposal towards the end of Level 2. Students will receive guidance on this and may seek help with this part of the process from members of academic staff. Registration for this module depends on both the coherence of the research proposal and the availability of suitable supervisors.

20 credits

Psychology of Language

This final-year module in psycholinguistics examines the relationship between the human mind and language, addressing both theoretical and methodological issues. We look at the processes involved in speaking, listening, and reading, exploring the ways in which we represent and store linguistic knowledge. The core linguistic components will be investigated: phonology, morphology, syntax, and semantics. Evidence from speech errors, language impairments, and neuroscience alongside classic psychological experimental work in the field will be considered. Students will gain a firm grounding in psycholinguistic theory and practice, and should acquire the tools to undertake their own research in the future.

20 credits

Chaucer

Geoffrey Chaucer is not only the most famous medieval English writer, he is also one of the most varied, controversial, and gritty writers at the time. This course aims to introduce you to a wide range of Chaucer's writings, including the Canterbury Tales, while situating Chaucerian writing in its medieval context. We will explore literary, linguistic, material, cultural, religious, and political aspects of his fascinatingly rich body of texts to gauge Chaucer's status as a medieval poet, and interrogate questions of society, gender, and philosophy that his work continues to inspire.

20 credits

Researching Readers

Your studies so far will have given you many opportunities to think about how you interpret texts and how texts are discussed by professional critics. This module encourages you to engage with the responses of readers outside of University too, in the wider reading public. Academic discussions regularly make claims about the effects of a text on its 'readers' or 'audience', but these readers are often theoretical constructs rather than actual people. This module is a practical introduction to methods that can be used to collect data so that you can investigate the responses of real readers in a variety of contexts. Methods that we study might include experimental tasks, questionnaires, focus groups and internet resources. We focus on qualitative, verbal data: the things which people say or write about their reading experiences. You will learn how to use that data to test and develop your own textual analyses. For instance, we might use data to explore how readers engage with fictional characters, how they make sense of metaphors, or how they respond emotionally to patterns in language. You will be supported in designing, conducting and reflecting upon your own study of real readers, with free choice of the text you study and the method you use, so there is lots of scope for pursuing what interests you.

20 credits

Narrative Style in the Contemporary Novel

On this module you will consider how the contemporary novel experiments with narrative style and technique, and the effects of this on you as a reader. We will be looking at writing in English from all over the world, and from a wide variety of backgrounds and perspectives. We will be looking at key narrative concepts, such as point of view, in order to enable appreciation of the ways in which contemporary writers play with traditional styles. Some of the experimental features we will look at include: disruptions to chronological sequence; the use of second-person ('you') narration; the use of multiple narrators. We will look at how such techniques increase or hinder such experiences as empathy and identification with characters. You will get a chance to work extensively on a contemporary novel of your choice and deepen your enjoyment of it by looking at how it is written.

20 credits

Language and Religion

This module examines the ways in which people talk about what they hold sacred, both in overtly religious and 'secular' contexts. This module takes a critical, functional approach to language, first asking, what does religious language do for us? Among the topics that will be covered are definitions of religion and religious language, a three-dimensional approach to studying religious language and common discursive strategies and linguistic features used to perform religion. The module will be of particular interest to students interested in language and power as well as language and ideology, but we will also be looking at language and religion as it enacts and represents the full range of human experience.

There will be opportunities each week to examine religious language in a variety of contexts, using specific analytic tools within three levels of critical discourse analysis (text, discourse practice and sociocultural practice). In the assessments, you will have the freedom to develop these skills further by analysing texts of your choice, taken from contexts that suit your interests. The tutor will provide support in finding and selecting these texts.Overall, this module aims to examine the porous boundaries between the sacred and the secular. In so doing, we will consider the language not just of those looking to a sacred supernatural but those who articulate ultimate significance to values and priorities without adherence to organized religion.

20 credits

Teaching English to Speakers of Other Languages

This final-year module is designed to provide you with a thorough grounding on the key theoretical and practical aspects of teaching English as a second or foreign language. It reviews the historical developments, methodological approaches and principles underlying contemporary TESOL practices. It also explores and assesses what we know about teaching the grammar and vocabulary of English as a foreign or second language, the processes involved in language production and reception in a second language and the implications for teaching and assessing the four language skills (i.e., reading, listening, writing and speaking). Finally, it discusses context and learner differences that influence and determine the teaching of a second language. The module aims to help you uncover your individual beliefs about language teaching and guide you to critically explore a variety of language teaching techniques. It also encourages you to critically reflect on the complex and diverse nature of language teaching, as well as to design lesson plans for specific educational situations that involve research-informed choices. On completion of this course, you should be able to understand, identify and evaluate the various TESOL methodologies and techniques, and select and apply the most appropriate ones for different learning contexts, including the design of lesson plans and activities to teach and undertake research on the various language features and skills.

20 credits

Language and Power

In this module we take a critical look at the relationships between language, persuasion, and power in public life. Each week we take a different analytical framework with which to explore the ways in which we use language to shape our identities, (power) relations with others, and to persuade, manipulate, and deceive. Frameworks covered include pragmatics and conversation analysis, genre analysis, intertextuality, transitivity and multimodality. We will apply these to different types of social practice from advertising to journalism to politics. There are no pre-requisites for this module, although students who have studied English language A-level or taken 'Exploring the Language of Literature', may find some of the frameworks we cover familiar.

20 credits

Dissertation (English Language and Linguistics)

The 'Dissertation' module is always taken in combination with the 'Research Practice' module and, together, these two units give students the opportunity to spend a whole year researching a topic of particular interest to them, engaging with new data or primary sources, and working on material that is typically more advanced than that covered in taught modules. The final result is a dissertation of up to 7,000 words. Students receive support through whole-group workshops and one-to-one support from a supervisor. In the process, they develop research and communication skills valuable in academic and professional contexts. Although support will be provided by supervisors and the module convenor, students will be expected to drive their projects forward themselves and be proactive in seeking guidance and help when they need it. The module is not suitable for students who do not enjoy independent research and reading

20 credits

Conversation Analysis

In this module we will work with recordings of real conversation, analysing aspects of spoken interaction such as turn-taking, overlap, repair, sequence organisation and topic from the perspective of Conversation Analysis (CA). The module provides an opportunity to: deepen your understanding of how conversation is structurally organised; develop analyses of conversation which are inductive and do not rely on reading the minds of participants but are grounded in the observable linguistic-sequential properties of the talk; and explore the relationship between CA and linguistics.

20 credits

Language attitudes, perceptions and regard

This module examines the ways in which non-specialists react to language variation. Students taking the module will learn about why such reactions matter, both for speakers of stigmatised varieties and languages, but also in relation to theories of language variation and change. The module will introduce students to the field of language regard, which moves the study of non-specialists reactions to language beyond the traditional approaches taken in language attitudes research. Students taking the module will consider the theoretical underpinnings of language regard, and examine topics such as real-time reactions to regional speech, manipulating listener reactions, language attitudes findings, perceptual dialectology, and the sociolinguistic monitor.

20 credits

Experiments in Interactive Digital Narrative

This module offers the chance to learn about and experiment with the possibilities of interactive digital narratives. What are interactive digital narratives? In brief, they are stories designed (a) to be read on screen and (b) to give the reader choice about how to navigate them. For example, you might have come across digital adventure stories that read like this: 'You walk up to the house but the door is locked. Do you search for a hidden key or do you break the door down?' Here both 'search' and 'break' will be links so you can choose what you want to do and find out what happens when you do it. Stories like this are widely available online but writers and artists have used the same approach to explore a wider range of human experience than fantasy adventures. Early in the semester we will think about various issues relating to digital narrative: the relationship between material and virtual worlds, the relationship between author and reader, our fears about Artificial Intelligence. Then you'll create an experimental narrative of your own inspired by your critical reading. You don't need any special knowledge of computers or coding - all that will be taught in the module. The learning you experience as you develop your project will be invaluable if you go on to work in any field where you need to make digital content.

20 credits

Advanced Phonetics

Increasingly it is necessary for linguists to provide acoustic evidence in support of claims they make about spoken data. In this module you will undergo training in the use of specialist computer software to provide robust analyses of a range of different phonetic parameters. This will involve working with waveforms, spectrograms, spectra and pitch traces. You will be shown how to write computer code to allow you to automate speech analysis tasks. The module is likely to be of particular interest to you if you are considering further study or a career in phonetics, speech science or speech technology.

20 credits

Second Language Acquisition

This module will introduce students to major theoretical notions and assumptions in Second Language Acquisition (SLA) - a theory that investigates how language speakers acquire a second language both in adulthood and childhood. The module focuses on the second language knowledge that is by formal linguistic constraints, as well as on how it interplays with language differencs, language input and classroom teaching. It provides a historical overview of how SLA theories have evolved and examines influential concepts to explore how different arguments have been developed and how they have been investigated empirically. At the same time, the module offers students hands-on training in analyzing second language learner data. This will help students relate data to theories they learn and learn how to extend the data with a follow-up study.

20 credits

Historical Linguistics

Language change is a fact of all living languages, and historical linguistics is as much about the present and future as it is about its past. This module introduces the study of how and why languages change, and how languages are related. You are encouraged to reflect on the ways in which historical linguistics bears on other areas of linguistics. The subject will be approached by 1) levels of inquiry, e.g. semantic, phonological, morphological, syntactic and pragmatic change; and 2) 'big questions', e.g. language families and linguistic prehistory, the role of acquisition in change, linguistic reconstruction, and historical sociolinguistics.

20 credits

Language and the Environment

This module will introduce students to a range of research focused on language and the natural environment. We will begin by exploring the discipline of Ecolinguistics and the concept of an 'ecosophy', the ecological philosophy underpinning environmental linguistic research. Students will have an opportunity to define their own key ethical principles and design a small-scale research project around their personal ecosophy. We will examine a range of different linguistic theories and their application in the rigorous and systematic analyses of language and the natural environment. We will also explore different linguistic methodologies which might enable these analyses, drawn from disciplines including discourse analysis, corpus linguistics, and empirical stylistics. We will investigate a variety of different discourse types in our lectures and seminars, including political speeches, the language of environmental documentaries, literary texts, social media, marketing and advertising, and everyday conversation. Students will have the opportunity at the end of the module to use their knowledge and skills to execute their own research project, investigating the relationships between language and the natural world in a discourse of their choice.

20 credits

History optional module examples:
There are two dissertation options available. All students can choose to take the 20 credit short dissertation. Students who wish to major in History can choose to take the 40 credit dissertation; in this case the dissertation must be taken in combination with a Special Subject.

In addition to the modules listed below, we expect you to have the opportunity to take a new module that will give you the chance to build on your core work in your second year and learn how to navigate conflicting and controversial disputes in history and historiography by focusing on a single interpretive issue.

Short Dissertation

The dissertation in History is an exercise of 7,500-8,500 words in which students explore an individually chosen topic involving problems and issues derived from a module taken at level two or level three. It is expected to consist of research at a high level where interpretation and analysis will be of importance. The balance between primary and secondary materials will depend on the topic and an availability of sources. In each case students work independently under the guidance of a supervisor.

20 credits

A Comparative History of Revolution

This module takes a comparative approach to the study of Revolution as a way to gain a better understanding of significant transformation of the social, economic and political landscapes of entire societies, to question underlying assumptions regarding values and legitimacy, as well as to understand and assess the vocabulary of revolution which has come to permeate political language. By comparing different case studies, students will have an opportunity to engage with the rich and stimulating historiography in this area and to formulate their own interpretations of a subject that touches on significant questions about change and power.

20 credits

Decolonising History: Empires, Colonialism and Power

This module examines the rise and fall of empires as processes that shape our contemporary world. It considers the growth and governance of empires, decolonisation struggles, and the telling of imperial history from the perspective of colonised and coloniser. In approaching this history from multiple vantage points, this module asks: who held power, particularly over knowledge production, both during empire and after empire's end? Drawing upon diverse historiographical traditions, and examining a wide range of time periods and places, we will question the centrality of empires in the telling of global history. In doing so, we will bring the past to bear on contemporary debates about race, globalisation, migration, and decolonisation. This module is, above all, about what it means to decolonise history, society and the academy.

20 credits

The Family

The family is one of the most important forms of social relation across historical periods and places. But this seemingly 'natural' form of social organisation has a diverse history, as households and familial relationships were shaped by their cultural, economic, and political contexts. This module examines historical family structures and familial relations, from affection and care to authority and exclusion. We pay particular attention to gender and race, considering how intersecting identities shaped the family as we know it today. Drawing on anthropology, feminist history, and queer history, we also consider non-biological kinship: from 'chosen families' to surrogacy.

20 credits

Making History Public

This core module is designed to allow students the opportunity to produce a piece of public history. It will equip students with the skills required to effectively communicate their scholarly research to a non-academic audience, and develop transferable skills beyond the traditional academic skills of a History degree. Drawing on any aspect of their experience as History undergraduates, students will design and produce an accessible digital artefact presenting a topic or theme of their choosing. Students will be supported by workshops and seminars to identify suitable topics and develop communication and digital skills central to public history, and will also be encouraged to bring their extra-curricular skills and interests to this module. A virtual exhibition will showcase student work to the whole History community. In addition, students will submit an interpretative written exercise, situating and explaining the artefact they have created and analysing their experience over the course of the module.

20 credits

History Special Subject examples:

Special subjects are 40 credits each. Dual honours students have the option to take one special subject.

The United States and the Cold War, 1945-1975

The Cold War shaped American foreign policy as well as domestic politics and culture for much of the second half of the 20th century. But how all-encompassing was the Cold War? How did non-state actors react to and influence the course of its development? And how 'cold' was the Cold War? This module will examine the Cold War with fresh perspective. We will revisit the traditional historiography, which focuses on high policy actors and U.S. relations with the Soviet Union. But we will also gain new insight from an emerging literature that challenges such a deterministic and elite framing of what was a global conflict that involved multiple actors at all levels of society, many of whom brought with them complex motivations that existed prior to, or outside of, the rigid Cold War binary. In addition to these secondary sources, we will explore a wide range of primary source material, from declassified State Department documents to Third World assertions of sovereignty to popular films and novels.

40 credits

Permissive Britain? Social and Cultural Change 1956-74

This module explores British society and culture as the nation moved from an era of austerity to one of unprecedented affluence. Key topics include the impact of affluence on class and gender relationships, the emergence of a national youth culture, changes and continuities in sexual behaviour, and debates about immigration and race. The unit encourages students to assess the significance of reforming legislation that relaxed the censorship regime, decriminalised homosexuality, enabled easier access to abortion, liberalised the divorce system and abolished capital punishment, examining the arguments of those who resisted, as well as those who championed the 'permissive society'.

40 credits

Fascism and Anti-Fascism in Britain, 1923-1945

This module examines three inter-related issues in order to assess the impact of fascism in Britain between the wars. Making full use of one of the best archives for this purpose in the country held here in the Special Collection of the University Library, first we examine the political organization, the ideas and the culture of 'native' British fascism from its inception in 1923 to the Second World War. Second, we move on to explore active and ideological resistance to British fascist and racist organisations by a loose coalition of Communists, Socialists, Liberals and even Conservatives, as well as the resistance mounted by those religious and ethnic groups most affected by fascist racial provocation and violence. Third, we will consider how contemporary interpretations of fascism, and formal and more informal relations with the European dictatorships, contributed to the National Government's policy of appeasement on the one hand, and, on the other hand, to the greater definition of what was quintessentially 'British' about Britain's war aims with the outbreak of World War Two. We will approach these topics by analysing primary source material, including political pamphlets and propaganda, newspapers, public records, memoirs, oral testimonies, visual material, film and recordings, and novels.

40 credits

Visions and Violence: race, empire and identity in mid-nineteenth-century Britain

British expansion did not result from a single, coherent imperial strategy, or a fit of 'absence of mind'; it developed from specific cross-cultural encounters and competing colonial visions. Some saw the Empire as a place of adventure, others an opportunity for Christianisation, still others as a 'New World' in which to build a Greater Britain. These visions were always contested and challenged both overseas and in Britain. This module explores these contested visions and the impact of empire at home. It is structured around different 'visions of empire' including those of humanitarians; missionaries; settlers; travellers; scientists and the British public.

40 credits

The World of Intoxicants in Early Modern England

Intoxicants were a key feature of early modern societies. This is as true for 'old' world alcohols like wine, beer, ale, and other fermented drinks as it is for 'new' intoxicants like opiates, tobacco, sugar, caffeines, chocolate, and distilled liquors that began to enter European diets after 1600 from the Levant, the Americas, and Asia. Focusing on intoxicants in England, this module considers a) the ongoing importance and, indeed, increasing significance of alcohols to culture, society, and economy over the course of the seventeenth century and b) the introduction and popularisation of new intoxicants over the same period.

40 credits

Cannibals and Christians: Mexico and Spain, c.1492-1600

This module examines the extraordinary clash of cultures which occurred following the 'discovery' of America, and the reciprocal relationship which developed between Europe and the 'New World' in the sixteenth century. Focusing on the sixteenth-century discovery, conquest and settlement of Central and South America, especially Mexico, the module will address such themes as the nature of the encounter, the intellectual and cultural impact, trade and exchange, migration, evangelisation and empire. The module addresses the encounter from a wide range of perspectives, evaluating the encounter from the viewpoint of sailors, conquistadors, priests, historians, explorers, missionaries, administrators and the indigenous people themselves.

40 credits

Popes, Caliphs, Emperors, ca. 1130-1215

The Crusades are known as religious wars, in search of the earthly and heavenly Jerusalem. Yet they were only part of the complex interactions between peoples of different politics, religions, and cultures in the medieval Mediterranean basin. Using sources including histories, letters, buildings, art and mosaics, this module will examine how religion intertwined with medieval politics, culture and society. From Iberia to Jerusalem, and from Italy to Africa, we will investigate religion's role in expressing political power and in the everyday life of the people who lived there. How was religious authority received, understood, and contested by contemporaries?

40 credits

Tools of Empire? Medicine, Science and Colonialism, 1800-1950

Western science and biomedicine have, for long, been seen as symbols and agents of progress. Research in the last two decades has, however, revealed their close ties with the history of colonial conquest and rule - so much so that scientific discoveries such as guns, steamboats, and quinine have been seen as 'tools of empire'. This module will, however, go beyond this fact and discuss much larger questions of equal relevance. It will, for instance, deal with the question of the 'consumption' of science in the colonies, the role of the colonies in constituting western science, the role of medicine in furthering colonial hegemony, the 'reinvention' of traditional sciences such as Unani and Ayurveda under colonial influence, the relationship between scientific centres and peripheries, and post-colonial developments with respect to medical and scientific administration. In exploring these themes, the module will not limit itself to any particular region, but will draw upon readings from South Asia, Africa, and the Americas.

40 credits

The Wars for Vietnam: Empire, Decolonisation and Liberation

In the middle decades of the twentieth century, Vietnam was wrenched by wars: a world war, a war of decolonisation, a civil war, the Cold War, and a war against its erstwhile communist allies. By studying these conflicts, we not only learn about modern Vietnam, but also the French empire, U.S. foreign policy, and communist internationalism in the mid-20th Century. As case studies, these wars shed light on larger global processes of imperial conquest, decolonisation and neo-colonial control, communist revolution and the limits of internationalism. As an archetype of national liberation, events in Vietnam also profoundly shaped anti-colonial struggles around the world and social movements in the United States and Europe, from Black Power to the women's liberation movement. This module explores the wars for Vietnam through the themes of empire, decolonisation, and liberation, paying close attention to Vietnamese perspectives, exploring the role of France, the United States, the Soviet Union, and China, and uncovering the global reverberations of these conflicts. We will investigate the historiography which set the broad parameters of debate, as well as newer scholarship which has challenged these orthodox interpretations, and we will examine a wide range of primary sources, from government documents, memoirs, and oral histories, to images, fiction, and film.

40 credits

The West & the East in each other's eyes 1850-2000

The idea that the 'East' and the 'West' are fundamentally different in their thinking and values and are locked in a mutually antipathetic 'clash of civilizations' is an age-old one. It has been argued by European and Asian politicians and writers alike, by imperialists and anti-imperialists, 'orientalists' and their critics, and has been manifested in a range of approaches and ideologies, including 'Orientalism', 'Occidentalism', pan-Asianism, pan-Islam, and Samuel Huntington's notorious 'clash of civilizations' thesis. It has fed into both colonialist and anti-colonialist thought. This course is intended as a case study in the history of ideas. We will investigate how ideas of a division between 'West' and 'East' have been expressed and developed in the late 19th and 20th centuries and how they have been deployed by politicians in a range of different countries and contexts. We will also examine some of the more subtle, alternative formulations of East/West cultural difference, assimilation and appropriation that have been articulated in the same period. The course will encourage you to rethink how cultures relate to each other, and about what is distinctively 'Western' or 'Eastern' about political and economic organization, human rights, democracy and secularism. Can we really talk about 'East' and 'West' as meaningful categories, and if not, when and how did people start using these terms and why, and what does that tell us about how we should understand the world and write about it? In semester 1, after an initial introduction of the themes and questions of the course, the next 4 weeks ('the West looks at the East') will analyse Western accounts of the East. The second half of the first semester ('the East looks at the West') then undertakes a chronological and thematic analysis of the different ways in which Asian governments and writers have understood, analysed and critiqued the West and its values. The second semester ('the East looks at the East') concentrates on how Asian governments and thinkers have understood the East, and their views of how far it can be said to enshrine coherent non-Western values. As well as studying transnational movements (pan-Asianism, pan-Islam and the Non-aligned Movement), we will also study selected Asian writing on democracy, human rights, nationalism, and secularism up to the present day.
During the course we will be using a wide range of documents in translation - from constitutional debates, political tracts, government declarations, policy documents and educational literature, to travel accounts, speeches, letters, poetry and images.
The course is intended to help you to rethink how you understand Western and non-Western cultures and to provide you with a more informed sense of the roots and nature of current global geo-political and cultural tensions.

40 credits

Resistance & Liberation in South Africa: Gandhi to Mandela

This module analyses resistance to segregation, apartheid, and white supremacy in South Africa. Drawing upon memoirs, oral histories, novels, films, speeches, news reporting, online databases, and document collections, we begin with the non-violent campaigns led by Mohandas Gandhi in the 1900s against the segregation of Indians in South Africa, and end with Nelson Mandela's election as president in the country's first non-racial democratic elections in 1994. We will explore the inspirations, nature, and effects of a wide range of forms of political, social, and cultural resistance by opponents of white supremacy - from ordinary people to elite politicians - both inside South Africa and around the world.

40 credits

Nomadland: The Peoples of the Steppe, 600-1000

Nomads are the dark matter of history. Choosing neither to produce written sources, nor found cities which are the usual target of archaeology, they defy the typical means of investigation of the historian. Yet their political impact – from the Huns of Attila to the Mongols of Ghengis Khan – was vast. Fear of the nomad other, framed in terms of barbarism, is one of the defining literary themes of the settled civilisations who were their neighbours. This fear had a huge impact on settled society: the Great Wall of China was built to keep nomads out.This course asks how we can look beyond the fearsome, caricatured image produced by sedentary authors to reconstruct the politics, mentalities, and lifestyles of these crucial agents of pre-modern history. To do so, we will focus on the varied experiences of the nomadic peoples who emerged in the aftermath of the disintegrations of the great Turkic Khaganate in the seventh century. The Khaganate stretched over the vast, flat, grasslands of the Steppe, from China to Hungary and its successors settled regions across modern day Kazakhstan, Uzbekistan, Russia, Ukraine and the Balkans. These new peoples and their cultural and political choices fundamentally transformed the region, and had a profound impact on the great empires around them, namely Byzantines, Sassanian Iranians, and the Islamic caliphate.Throughout, we will use material culture and sources written originally in Greek, Arabic, Armenian and Slavonic (all available in modern English translation), to ask: how do we write a history of a people who chose not to write? 

40 credits

Mao and the Making of Twentieth-Century China

In 2015, citizens in Henan Province erected a 120-foot gold statue of Mao Zedong, which was swiftly torn down on government orders. Why does Mao still provoke such strong feelings? To some he is a monster: history's greatest mass murderer. But recently historians have painted a richer picture of Mao's China, trying to understand its social character, political culture, and role in Cold War rivalries. Focusing on the origins, character, and legacy of Maoist rule, and devoting most of our attention to the period between the declaration of the People's Republic in 1949 and Mao's death in 1976, we will use translated primary sources, a rich visual culture, and a burgeoning scholarly literature to explore Maoist thought and its critics; major upheavals like the Great Leap Forward and Cultural Revolution; and everyday life under 'Communism with Chinese characteristics'.

40 credits

Red Continent: Socialism in Twentieth Century Africa

When we think about the history of 'socialism', we might first consider Marx and Mao, Lenin and the Soviet Union, even Castro and Cuba. Africa rarely features in these conversations. Yet no fewer than 35 African countries claimed to be 'socialist' at some point in the late twentieth century. There was little consensus as to what 'socialism' meant in Africa, however. To some, it was a homegrown ideology, with its origins in 'traditional' village life. To others, it was a set of imported theories that could propel anticolonial liberation struggles. Critics alleged that Africa's socialists were simply pawns of Cold War superpowers. Socialism's proponents responded that they were building a new future after empire - a vision which had evaporated by the end of the century, but increasingly of interest to historians today.

Rather than seek an encyclopaedic understanding of socialism in every African country, this special subject module combines in-depth studies of key cases with the study of broader, transnational themes. We will examine the political thought of major thinkers, including pan-Africanists among the diaspora, anticolonial leaders, and public intellectuals. We will assess the 'African socialist' project in Tanzania and the military dictatorship in Ethiopia which preached Marxist revolution. Yet no leader or government controlled the meaning of socialism, as their visions were challenged by students, workers, and women's activists. Locating African socialism in a global context, we will follow the transnational journeys of these figures as they forged relationships with Cold War actors and contributed to the radical project of the Third World. 

The thematic classes will trace connections and divergences between these socialist experiences in Africa. We will investigate the role that the media played in communicating socialism. We will understand how artists, directors, and novelists all engaged with the ideas of socialism. The module will take us into the villages, to see how rural communities responded to state-making projects which were imposed from national capitals. Then we will explore the concrete design of Africa's 'socialist cities' and the livelihoods of the men and women who lived among them. Finally, we will gain an understanding of life in post-socialist Africa and ask 'what's left of the African left?' 

In this module, students will work with a wide range of primary source material. This includes excerpts from the work of major African intellectuals, like Kwame Nkrumah, Léopold Senghor, and Julius Nyerere. Students will examine how these ideas were put into practice (or not) through material drawn from government archives and diplomatic cables. Moving beyond the vision of the state, we will also analyse student magazines, film, poetry, fiction, street photography and architecture. All source material and secondary reading will be provided in English, either as original or in translation.

40 credits

The Rise and Fall of the British Transatlantic Slave Trade, 1640-1807

The transatlantic slave trade is the largest forced migration in human history. Europeans transported 12 million captive Africans across the Atlantic Ocean between the sixteenth and nineteenth centuries. This contributed to the development of a transatlantic economic system that linked three continents - Europe, Africa, and the Americas - and which funnelled wealth created through the exploitation of enslaved Africans into the hands of Europeans.  Britain was the pre-eminent slave trading nation of the eighteenth century. From 1640 to 1807, British vessels trafficked 3.2 million captive Africans across the Atlantic to work in the plantation economies of North America and the Caribbean. This module traces the rise and fall of Britain's participation in the transatlantic slave trade, studying developments in West Africa, the Caribbean, and Britain, and exploring the linkages between the three. It begins in the seventeenth century with the corporate activities of the London-based Royal African Company, moves into the eighteenth century when non-corporate merchants based in the outports of Liverpool and Bristol dominated the trade, and ends with Abolitionist efforts to abolish British involvement in the trade in the late eighteenth and early nineteenth centuries.  The module is fully Atlantic in scope. Using a wide range of primary and secondary sources we will analyse the process of cross-cultural exchange on the West African coast, the horrors of the Middle Passage, the exploitation of enslaved Africans in the Caribbean plantation system, and the direct and indirect impacts of the transatlantic slave trade on early modern Britain. We will make regular use of case studies to explore the history of the transatlantic slave trade 'from below', foregrounding the lived experience of enslavement for captive Africans and the vital role of African Abolitionists in precipitating the process of abolition.

40 credits

Revolution, Dictatorship and Democracy in Latin America, 1944-90

This special subject uses the three themes of revolution, dictatorship and democracy to examine the history of Latin America in the second half of the twentieth century. Beginning with Guatemalan Revolution (1944-54), this module explores key events over the next four decades, including the Cuban Revolution of 1959, the rise of anticommunist dictatorships across the region in the 1960s and 1970s, the Nicaraguan Revolution of 1979, and the 'Third Wave' of democratisation that swept the region in the 1980s. Throughout, we will identify and analyse regional trends in Latin American history while remaining attentive to national dynamics. In particular, this module will focus on two subregions of Latin America: the Southern Cone (especially Chile, Argentina and Brazil) and Central America (especially Nicaragua, Guatemala and El Salvador). Primary sources will include government documents, speeches, visual sources and other cultural outputs, including song, poems, and testimonials. This mix of different sources will allow students to consider the ways in which gender, race, and class all shaped how different Latin Americans experienced the second half of the twentieth century.

40 credits

The National Security State, Treason, and Individual Rights during the Twentieth Century

National security scares over 'whistleblowers' such as Edward Snowden, Chelsea Manning or Kathrine Gun have catapulted the image of the 'traitor' back into public discourse. At the same time, controversies over Wikileaks' political agenda and Russian interference with the Brexit referendum and the 2016 US presidential elections were as much discussed in terms of British and US national security as a threat to the security of 'the West' as a whole. These conflicts stand at the end of a century that has seen the rise of the modern surveillance state and transnational security frameworks organized through institutions such as Interpol, NATO, and the Warsaw Pact states (until 1989/91).  Over the course of the 20th century, more and more people saw themselves suspected of betrayal of the community. The First World War transformed older clearly defined criminal offences of 'high treason' against the sovereign and their immediate family members to wider accusations of treason against the nation, state, and people. The rise of communism and fascism triggered the building of new domestic public security apparatuses in the interwar period. War crimes and genocide of the Second World War further complicated debates on the morality of collaboration with the enemy. In response, security agencies professionalized their work and the early Cold War saw calls for transnational bloc-wide security regimes to combat subversion by the Cold War enemy. Since then, state surveillance has come to be seen more and more as a constant everyday threat to privacy and individual rights after the digital revolution of the 1970s.  In this special subject, we explore through rich source material the political, emotional, social, and cultural dynamics that were at play when individuals or groups from across Europe, the US and Soviet Union were accused of betraying society. We will consider how people's ethnic, gender, and class background impacted their fate of becoming 'traitors'. Taken together, their cases will provide answers to the central question of how demands for the professionalization of the national security state have impacted ordinary people's lives and rights under different forms of government and how they shape our contemporary understandings of democracy and authoritarianism.

40 credits

Capitalism in Crisis: a Global History of the Great Depression

During the interwar period, the United States and European nation-states were thrown into near simultaneous and deep social and economic crisis, ushering a decade of de-globalization, which was spurred by deep financial and monetary crisis, the breakdown of international trade, protectionism, border closures, and world-wide disruptions in the production and circulation of goods and foodstuffs. But what did interwar de-globalization mean for the colonial world? This course will explore the joint crises of European colonialism and capitalism during the 1930s. Using case studies from the British, French, Dutch, and Portuguese colonial empires in Africa, Asia, and the Caribbean, the course will examine the politics of European imperial economic blocs while seeking to move beyond Western-centric understandings of this global crisis. Bringing together perspectives from political, economic, social, intellectual, and cultural history, we will look at the workings of colonial capitalism, commodity production patterns, the role of imperial states in the management of colonial economies, peasant uprisings, and urban strikes. Sources may include pamphlets, novels, administrative documents produced by colonial states, peasants' petitions, labour control devices and objects (e.g. workbooks, tax receipts), films, etc. 

Topics for discussion will include channels of contagion of economic crisis to Asia, Africa, and the Caribbean; responses of colonial powers and nominally independent nations; the collision of imperial and indigenous capitalisms; debates about industrialization and manufacturing; overlapping political, social, and economic crisis; and the roots of decolonization. A century after the onset of the 1929 Wall Street Crash, and the beginning of a decade of global economic fragmentation or 'de-linking', what can we learn from the experience of countries which were then under formal and informal colonial rule? Did they manage to 'weather the storm' or did the crisis on the contrary reveal and exacerbate irremediable tensions? 

This course seeks to introduce students to the various ways in which a crucial episode of economic crisis has been experienced and discussed in areas of the world which are known today as the 'Global South' and whose economic and political role will shape the twenty-first century. Through critical engagement with a wide range of historical sources, they will develop the skills to distil arguments and marshal relevant evidence.

40 credits

Italy in the Age of Dante, ca. 1200-1350

In the 13th and 14th centuries, northern-central Italy was one of the most urbanized, economically dynamic and culturally innovative parts of Western Europe, to the point that important scholars of the past have seen the Italian city-states as forerunners of modern concepts of republicanism and individualism. The cultural efflorescence of this period is still visible in the historical city centre of many Italian towns, in the frescoes of Giotto, and in the literary works of authors such as Dante Alighieri (1265-1321), best known for his exploration of the Christian afterlife in the Divine Comedy. And yet, Dante's Italy was also plagued by instability, civil wars and factionalism, as exemplified by the poet's banishment from his city, Florence, on account of political rivalries. How did the Italian city-states manage to flourish economically and culturally in such a fraught political landscape? How could they reconcile intellectual sophistication and religious revival on one side, and significant levels of violence and turmoil on the other? This module will make use of sources such as artwork, chronicles, literature and charters to explore various facets of the political, social and cultural life of the communes with the aim of providing a deeper understanding of this multi-faceted society.

The module will introduce you to the political, religious, social, and cultural landscapes of the Italian city-states between the 13th and the 14th century. It will develop your awareness of the historiographical interpretations of the period and its key features, e.g., the communal movement, merchant capitalism, the 14th century crisis and lay sanctity.

40 credits

Try a new subject:

The flexible structure of your third year at Sheffield means that you also have the chance to experience modules from outside of English and History - you can choose up to 20 credits of modules from a list approved by the Faculty of Arts and Humanities. A final guided module list is made available to new students when you select your modules as part of registration.