Dr Carmen Levick

School of English

Senior Lecturer in Theatre

Carmen Levick standing in Jessop West
Profile picture of Carmen Levick standing in Jessop West
c.levick@sheffield.ac.uk
+44 114 222 0212

Full contact details

Dr Carmen Levick
School of English
Jessop West
1 Upper Hanover Street
Sheffield
S3 7RA
Profile

I joined the School as Lecturer in Theatre in 2009, after two years teaching drama at University College Dublin.

I studied English and Spanish for my undergraduate degree at Babes-Bolyai University in Cluj-Napoca, Romania, and I completed my MA in Irish Cultural Studies at the same University.

I moved to University College Dublin in 2002 where I completed my PhD in theatre studies, focusing on the Field Day Theatre Company and political theatre in Northern Ireland. My thesis was published as a monograph in 2007 by Cambridge Scholars Publishing with the title: Clearing the Ground: The Field Day Theatre Company and the Construction of Irish Identities.

My current research and teaching interests include Holocaust Literature,  Memory and Trauma studies, postcolonial literature and adaptations of Shakespeare’s plays.

Given my continuous fascination with Shakespeare´s plays in production and in the classroom, I completed an MA in Shakespeare and Education at the University of Birmingham, the Shakespeare Institute, Stratford-upon-Avon.

Research interests

I have published chapters and articles on varied topics including contemporary performances of Shakespeare´s plays, physical theatre, political theatre, globalization, Irish theatre and performance art. 

I am interested in Enterprise Education and the various ways in which it can be embedded in the curriculum. For my story in Enterprise Education see
http://enterprise.shef.ac.uk/success-stories/carmen-szabo-lecturer-theatre

My new research project focuses on the tension between Holocaust commemoration and post-communist remembrance in Eastern Europe. It looks at the ways in which pain and trauma are displayed and interpreted within the framework of museums and memorials. I am currently writing a new monograph entitled: ‘Taxonomies of Pain’: the Holocaust and post-communist remembrance in Eastern Europe. 

Publications

Books

  • Szabo C (2012) The Story of Barabbas: The Company. Dublin: Carysfort Press. RIS download Bibtex download
  • Szabó C (2007) Clearing The Ground: The Field Day Theatre Company and the Construction of Irish Identities. Cambridge Scholars Publishing. RIS download Bibtex download

Journal articles

Chapters

  • Levick C (2022) Taxonomies of Pain: Museal Embodiments of Identity and Belonging in Post-communist Romania In Eckersley S & Vos C (Ed.), Diversity of Belonging in Europe Public Spaces, Contested Places, Cultural Encounters Routledge RIS download Bibtex download
  • Levick C (2021) Against ‘Glocalization’: Issues of Intercultural Performance in Two Gents’ Production Kupenga Kwa Hamlet (The Madness of Hamlet) In Minier M & Kahn L (Ed.), Hamlet Translations: Prisms of Cultural Encounters across the Globe Oxford: Legenda Publishing. View this article in WRRO RIS download Bibtex download
  • Szabo C & Levick C (2015) Performance Art in Ireland In Murphy P & Carpenter A (Ed.), Art and Architecture of Ireland Paul Mellon Ctr for Studies RIS download Bibtex download
  • Szabo C (2012) ‘Issues of Narrative, storytelling and Performance in Conor McPherson’s The Actors’ In Jordan, Chambers EL (Ed.), The Theatre of Conor McPherson Dublin, Ireland: Carysfort Press. RIS download Bibtex download
  • Szabo C (2012) ‘Place and Non-Place: Discussing Physicality and Story in Barabbas Theatre Company’s Circus (2007) In Trench R (Ed.), Staging Thought – Essays on Irish Theatre, Scholarship and Practice Oxford: Peter Lang. RIS download Bibtex download
  • Szabo C (2009) Between the Living and the Dead: Performative 'in-betweens' in the Work of Alastair MacLennan In Brady S & Walsh DF (Ed.), Crossroads: Performance Studies and Irish Culture (pp. 141-152). Palgrave MacMillan RIS download Bibtex download
  • Szabo C (2008) From Ex Libris to Ex Machina - Two Shakespearean Case Studies at the Dublin Theatre Festival In Grene N, Lonergan P & Chambers L (Ed.), Interactions: Dublin Theatre Festival, 1957-2007 (pp. 143-156). Carysfort Press RIS download Bibtex download
  • Szabo C (2007) Philoctetes Revisited' - Translating Cultures and Identities in Seamus Heaney's 'The Cure at Troy In Kelly S & Johnston D (Ed.), Betwixt and Between: Place and Cultural Translation Cambridge Scholars Publishing RIS download Bibtex download
  • Szabo C (2007) Doublings: Problematic Identities in Thomas Kilroy's 'Double Cross' and 'The Madame MacAdam Travelling Theatre' In Cave RA & Levitas DB (Ed.), Irish Theatre in England (pp. 183-194). Carysfort Press RIS download Bibtex download
  • Levick C () Against ‘Glocalization’: Issues of Intercultural Performance in Two Gents’ Production Kupenga Kwa Hamlet (The Madness of Hamlet) In Minier M & Khan L (Ed.), Hamlet Translations: Prisms of Cultural Encounters across the Globe (pp. 211-225). Oxford: MHRA Legenda Publishing. RIS download Bibtex download

Book reviews

Research group

I welcome PhD applications on performance studies, physical theatre practice, Shakespeare in performance, globalization and theatre, and contemporary European theatre.

Teaching activities

At undergraduate level I teach on a variety of modules, including Interpreting Texts (EGH115), Making Texts (EGH116), Introduction to Theatre (LIT180), Introduction to Cinema (LIT181), Performance One (LIT235), Shakespeare on Film (LIT257), Performing Shakespeares (LIT3042), etc.

At postgraduate level I teach on Theatre Practice I and Theatre Practice II.